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ATTENTION ALL CITIZENS:
It is All Hallow's Eve, and things are beginning to change.
The black pen in your pocket now has blue ink. When you reach for your keys, you've got your boss's horrible, Florida-shaped keychain instead. The milk you put out for the building's gremlin changes to beer. You didn't own that sock yesterday.
It’s an inconvenience, but only that. You got the trick instead of the treat.
Ballers Season 5 - Episode 8: Players Only AirDate: October 13rd, 2019, 10:30 PM
AN INCIDENT(?) ON SUBWAY CAR #9
This City is a bitch.
You know that. You love it and hate it depending on the day. The minute. The line to get into Mel’s Diner. The number of tentacles reaching out to grab you from the sewers. The mandatory blood rituals and street cleaning day.
This City is a bitch.
You know that, but you do not think about it. You get onto the subway, with its flickering lights and its sharp smell of formaldehyde, and the rats running alongside with your cart blink at you in morse code to quit staring, kid. You do not think about that either. You are thinking about the long day you’ve had, and that the train was twenty minutes late. You are thinking about how you’re going to avoid being eaten by your landlord next month. You are thinking about the dhampir who ghosted you last Friday. Mostly, you are thinking about how much you hate pumpkin spice.
You are thinking about nothing at all: just letting the clack-clack-clack of the conductor’s arms and the too-sharp corners of the train lull you into that fitful state of dissociation unique to public transport.
Maybe you ride the subway every day. Maybe this is a once in a lifetime experience. But today, random chance has brought you to Subway Car #9 on the 9.47pm [Sͯ̀̇͗̚͡T̍̐̊ͤͫͬ̑͢͏́A̓ͮ̂̈ͧͫ͐̓̀̕͟T̶̨̓̔̄ͧ͐͠͡Ï̶̴ͨ̇ͫC̡̡̔̋͂̏̒ͥ̅ͣ̀̓̀] line, where it has similarly inconvenienced other denizens of The City. Bored, you glance around and see a mushroom person — that’s a first — and look away to the scowling, scarred woman with the bloody knuckles — wow, does she need to go to a hospital? — and triple-take at the gorgeous man in the oil-stained fur coat. You try not to stare at a frankenstoid as he bumps his head on the ceiling — you are not like those born people. You get a headache glancing at the person glitching beside you — god, it’s so rude not to turn that off — and a worse one from the dark-haired woman whose eyeball is out of place, just for a second. You nod to a timid child dressed impeccably. You hear muffled laughter as a pair of twins take too many selfies together. You feel like they’re judging you.
You think: It’s been a while since the last station.
And then you don’t think at all.
The view from Subway Car #9’s windows turns from void, then stars, then, finally, to flesh. Dark red membranes slide over the window, leaving thick streaks of entrails. Half-digested creatures gasp and cling to the outside doors. You think you see the guy who is normally behind the deli counter at your corner store. His eyes are melting.
You are in the stomach of something bigger than your mind can comprehend.
WE ARE [Şͯ͑͛̄ͣͪ̐̔͏̷̞̥̯̳͎̠̣͔̫̝̜T̸̨̰͖̥̩͔̭̘̘̫͓̞̦̜̙͈̑ͦ͋͐̾̌́ͪ͐ͦͣͨ̆̃͋̍̕ͅĄ̸̷̴̱̪̝̗ͯ̆͆̾ͮ͗̄͐̿͂ͦ̋͋̈́̍̈͗̚͘T̈͒̓͊ͮ͞҉͉̖̰̹͔͕̩̞̞̯̮̩́ͅI̡̧̨̲͍͕̥͈̣̘̼̯̞̹͉͕̞͍͎̬͒̈́̂̈́̄̀̈̐̑͠͡ͅC̸̩̯̗̥̦̳̹̳͖̥̍͂͆ͭ̒ͥ̒ͫ̽ͪͩ-] DELAYS, says the conductor through the tinny speakers. WE APOLOGI[S̶̏͒̉͗̃̃͂ͮ͆̑ͥ̿̆҉̧̘̯̥̫̲̯̰̻͇̭͞͠Ş̳̪̳̪͐̈́͊̇ͦ́͜͢͜S̵̹̟̗͈͕̪̟̰̙̼̺͉ͫ̔̾̌̽́̈͊̔͑͐̉̾̋ͬ̍̅̚͘͟ͅS̴̨̧̧̝̱͇̹̟̩̣͈͎̬̦͋̅̅̽ͬ̔S̴̴̘̠̪͇̙̖̹̥̣̦͍̭͎̰̞͉̯̥̬̑̿ͭ͒͑ͤͩ͒̆̍̒ͫͥ̓͋̐͘͢͞Ş̸͖͎̤̟͍̦̠͙̱̮͎̝̲̍́̄̌̊͐̓ͤ̑̅ͨ̄̉̆ͅH̨̰̫̗̳͓͓̟̘̱̞̜̹͈͕̲͚̣ͮ̎ͭ̚͟Ĥ̸̡̧̱̟͈̙̩̤̳̰̖̟͈̤̿͊ͤ̅ͤ̿̀͋̾̒̕͡H̡̨̹̪̞̩͔̖͚͈̻̗͙̭̼ͣ́͊ͭ͒͌̍͛̾͗́̃͆͢H̵̭͉̖̝̾̂̈́͒̾̓ͧ̽̎ͫ̄̽̋̆̇ͮ͑͝͝H--] FOR ANY INCONVEN[C̷̹̤͙͇̩̟͎͍̟̹̖͙͎̍ͣ̇ͩͫͣ̑ͮ̃͒̌̽̎́̚C̵̨̨̡̩͉͎̑̓̔ͣ̆̒̌̃͟C̃̈́̿̈̂͋ͣ̽̓̆ͥͣ͑ͨ͛ͨͯ̚͢҉͖̣͙̱C̢͉̘̦͚̟̲̘͔̾̾̾̌ͫͪͨ͝C̸̶͙̪̥͖̯̳̹̖͉͛̉̂ͯͅC̴̨̬̟̰̻͇͙̗͋ͯ̏ͫ̄̋̈́̐ͧ̀͐̐͊̿͟͡C̼̖͈̤̼͖ͬͭ̓̔̎̉̈̄͘Ḣ̶̢͓͚̖͉͎̖͎͍̜̠͚̓͛̋͌ͫ̏̾ͥ̅̊̕͟].
The metal of the car screams; it is hot and smoky as stomach acid begins to melt through the linings of the windows. You might look at your phone, and think about who to text your final goodbye to, but just your luck: zero fucking bars. You might try to fight, banging your fists against the windows, and sizzle your skin for your efforts. You might cry, which will bring the ire of your neighbor: where do you think you are, they might sneer. New York?
And then you are out the other side. SORRY ABOUT THAT, FOLKS, says the conductor. TRACK MAINTENAͤ̋̎̈̈͜͏͕͓̼̯͎̼̙̙̞͚̦͎̠̕͝ͅNCE.
As if by unanimous agreement, everyone gets off at the next station.
There is slime on your windows, but no other cars. In fact, when you peer through the windows, no one else seems fazed at all.
This City is a bitch.
And it has, once again, made sure you know your place.
the end of wsc:academy: an ooc meme
A) what are the main differences (and enduring similarities!) between your character in Academy and your character in NOIR, regarding:
their home life
their development as a teenager who didn’t get to go to magic school!
their relationship with their powers
the mechanics of their powers
their perception of themselves
their self esteem
the way they interact with the world
the things that matter most to them
the things they most want
their values and moral code
their friendships
their love life
their hobbies and passions
what they’re working towards
B) your perception of your character:
why did you apply with your character in academy?
what did you imagine they’d be like at the beginning of the rp? how did they develop differently during the course of the rp?
how do you think other characters impacted the development of your own
were you ultimately happy with how they changed, and would you do anything different if you were to write them a second time?
what surprised you most about the way your character developed?
did anything go exactly as you planned or expected? if so, what?
are there any facets of your character in their application that never got acted on in the rp?
what’s the thing you love most about your character in academy and NOIR?
what’s your favorite arc that you’ve written for your character?
C) what would be some ideal plotlines that you’d love to write in noir, that you didn’t get to write in academy?
relationships-wise
plot-wise
power-development wise
backstory/lore-wise
shenanigans-wise
career-wise
future partner/kids-wise
other!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Again:
A dream of rushing. Water draining out of a room, swirling clockwise and counterclockwise down a rusty drain, sloshing through an ankle-deep lake in a cave, the surface of the ocean studded with stars winking out--
When you wake in your sweat-drenched sheets, you are different. Hands where there were once claws; skin where there was once shadow; bones that are breakable and eyes that see only what’s before them. Some of you are hard where you should be soft. Some of you are soft where you should be hard. Some of you will not recognize yourselves in the mirror.
All of you are far more human than you were yesterday.
With each passing hour, you feel more of what once bound you to the realm of the monstrous and strange leave your body like a fever.
[RULES:
Your character is now Partially Human.
It is up to you to determine what that means for your characters. However, many of the abilities, powers, and magic inherent to your character’s species are now inert.
As time progresses, your character will lose more of their eldritchness, while human traits become more dominant.
There is still no sign of the Dean.]
And then:
The teachers come back. Sort of.
They come with their slightly too-big button up shirts, tucked into khaki pants. They come with their best funny ties. They come with wisps of hair escaping from their pony tails. They come into empty classrooms, and put their briefcase on the desk, and take out their chalk to write the day’s grammar lesson on the board.
They come entirely human.
[RULES:
All WSC teachers are now human, and teach standard subjects found in any American public school classroom.
No WSC teachers remember anything about the school being eldritch in any way.
No WSC teachers notice anything strange about the students.
Now that they are hairless, it’s possible to see Professors Bigfoot and Mothman wearing identical wedding rings.]
Attention:
It is between witching hour and dawn. Everyone is in bed, even the Artume students: to sleep, perchance to astral travel. The sky is washed in a deep and maudlin haze; the moon on the verge of winking out like the sleepy eye of some huge creature. No one is dreaming of anything, or perhaps everyone is dreaming of the same thing: a rushing sound, almost wave-like past your ears, the static roar before an impact that you only realize was there once it’s gone. The dream swells and creaks around you, buzzing through your teeth, tremoring under your fingernails, rattling the posts of your bed against the floor, bigger and louder and emptier and pinning you to the mattress. Over the PA system, the sounds of a struggle: glass breaks, and the microphone whines as the Dean pants out, perhaps with the slightest edge of panic: STUDENTS--
You all wake up at once. On the highway behind the school, an ambulance wails for the first time in the history of Wollstonecraft Academy.
When you peer out your window, there is a town. It is not Blackedge. When you venture out of your dorm, the streets that used to roll and breathe under your feet are now flat concrete, with dandelions growing lonely and green between the cracks; the sky that was mostly void, partially stars is replaced with constellations of the northern hemisphere. A rustic wooden sign claims that you are now entering Fall Gap, population two thousand and forty-two. There is a diner, where waitresses in yellow smocks smack their gum and say, more coffee, hun?. There is a forest, where the occasional bear is sighted and the greatest danger on a trail is getting lost. There is a gas station, and a hardware store, and a derelict mall on its last legs, already half-overgrown.
There are no professors in your classrooms. The gargoyles have fallen silent; the hooded figures did not return from their coffeebreak.
The Dean is nowhere to be found.
[RULES:
Humans in Fall Gap will be able to recognize visibly supernatural students as being supernatural and will react accordingly, unless the students do something to change or mask their appearance
No one from Fall Gap will quite remember life without that old boarding school on the edge of town, but pushing on the topic in conversation will leave them confused and irritable.
Nobody from either Fall Gap or Wollstonecraft Academy can leave the town limits. If you drive out of town, you will always end up right back where you started… For now.
The school’s magic and defenses are now defunct.
The town has most of the hallmarks of average small-town, Pacific Northwestern America. Writers can and should invent locations for their characters to explore.]