Da-iCE GALLERY: [@da_ice_taiki - Instagram] Kudo Taiki Photobook āSuiseiā (6/25/19)
[Trans.] Photobook āSuiseiā (Comet). 2019.6.28 Release! In Netherlands and Sweden.
Photo: Ota Yoshiharu Hair & Make up: Hayami Akihito Stylist: Kudo Taiki

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Da-iCE GALLERY: [@da_ice_taiki - Instagram] Kudo Taiki Photobook āSuiseiā (6/25/19)
[Trans.] Photobook āSuiseiā (Comet). 2019.6.28 Release! In Netherlands and Sweden.
Photo: Ota Yoshiharu Hair & Make up: Hayami Akihito Stylist: Kudo Taiki

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Book: Meridian Photgrapher: Colin Stearns Review by: Christian Michael Filardo
To me most good photographs are about photography in one way or another. Often nodding in acknowledgement towards the past while looking towards the future to establish a new form of visual aesthetics. In Colin Stearnsās new book āMeridianā from Rita Books we experience the subtle power of an individual with the ability to create a dialogue between photographic history and contemporary black and white photography.
At first glance Stearnsās book feels like a collection of black and white snapshots taken across various film formats while the photographer bounced between rural and urban environments. However, upon further inspection one begins to hear the conversation Stearnsās photographs are having with the photographic past. Stearnsās knowledge of exposure and understanding of repetition turns a man waiting for the train into a businessman disintegrating into the void. A small sequence of photographs that feels like a nod to legend Duane Michalās photographic sequence āThe Human Conditionā. Time and time again it feels like Stearns is looking towards the masters for advice while developing his own voice. Occasionally Stearnsās bleached out landscapes remind me of Minor Whiteās āWindowsill Daydreamingā stirring up feelings of nostalgia and reinforcing oneās natural curiosity of time within the photographic language.
Academia aside it feels as if Stearns is beginning to share his own unique vision with the world. He has a good sense of composition and understands how to turn light into magic. While the feeling of transience is omnipresent in āMeridianā, Stearnsās manages to feel more like a resident than a tourist. Doric columns mirror enormous shrubs while cold beaches and giant boulders snuggle up with rooftops and bare apartments.
Ultimately, Meridian feels advanced and relatable. It exists as a meditation on the fundamental elements of what makes photography important. The quiet and subtle power contained in this monograph is rare and it transforms Meridian from a simple perfect bound book into a monolith destined to exist outside of itself.
Available from RITA books
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