#philtyler

Bend, Phil Tyler

Thinking about the the relationship between opacity and transparency, I become obsessed by images, which seem to need revisiting again and again. I am also obsessed by the some other artists work, this in a very small way is a homage to Euan Uglow

Double nude, Phil Tyler

The painting was made very quickly and spontaneously without and preliminary drawing. The notion was to capture the two figures without overworking the image

note to self, Phil Tyler

Heads are a generic idea, a painting which attempts to evoke an emotional response in the viewer and in myself. I an.not that intetested in capturing likeness, more describing the landscape of the face

Edward st reflection, Phil Tyler

Spaces have been important to my practice, how one feel in a particular location, the effect of lighting, sound and enclosure have a psychological impact. None more so that this space in Edward st which continues to stimulate my imagination

After Marat, Phil Tyler

The figure lying down, her arm resting on.the floor reminds me of The death of Marat by David

Lyndsey 11, Phil Tyler

Wanting to capture the essence of a moment on a few fleeting marks

Frankies back iv, Phil Tyler

Frankie has been a model of mine for many years. I wanted to explore a series of paintings of her back, the lightness of her flesh, the subtlety of colour and the delicacy of touch.

Diagonal, Phil Tyler

I want to capture the essence of the figure in as limited number of marks as i can whilst still retaining its structure and form. The painting was executed quickly using large decorators brushes