floating in a most peculiar way
Though I'm past one hundred thousand miles
I'm feeling very still
- David Bowie, Space Oddity
The days bleed into nights bleed into days. It's always hot and humid, even when the sun goes down. His skin is red from sunburn and constant mosquito bites. He's thirsty, so very thirsty, but he can't drink the river water, he knows, and waits for the next rainfall. He's hungry too, but half the animals here are undead, the other half too quick for him, and half of the plants poisonous, the other half unknown. This is not Chad's first time in the wilderness, but his first in a wilderness so foreign to everything he's ever known.
He sits on Stacy's back and talks to her when he's not hunting for food or water. He tells her stories, about everything and nothing. He tells her of his family, back home, a sister he hasn't seen in ages, a mother he misses, a father towering over him. He tells her of food back home, black banana bread, rat sausage, where to find the best nuts and the best mushrooms. He tells her of music, of the music he used to listen to as a child, of bards and their songs, a million rhymes he remembers from his youth. He tells her of the people, those with him and those against him, and of blood covering the floor and of cheering still ringing loudly in his ears. He tells her of his adventures, the small ones and the grand ones, of the people he's saved and even of those he hasn't saved, of those who ran from him and those he ran from, the dragons he's slain and the maidens he's rescued, the kings he's beheaded and those he's kissed, of demons he's fought with and heroes he's drunk with, of mountains he's climbed and of valleys he's passed, of volcanoes he's fought and of gods he's embraced. He tells her of children dancing in the rain and of fools and of fools' gold and of broadswords too heavy for him, of alley fights and of red wax on parchment, of gold cords and raised eyebrows, of pleasant smiles and frightened stares. He tells her of hiding in shadows from good men and of chasing evil men beneath the sun and one time, he even tells her of the woman that died in his arms.
Stacy doesn't answer at first, but after two weeks in the jungle all alone, she does. Chad wonders how he has ever been so dumb not to understand her. She may not speak Common or Dwarvish, but she speaks in her own way. She neighs, almost like a horse, when she's amused, and growls when his stories anger her, and then he usually laughs amicably and throws up his hands, and that usually pacifies her. She begins to tell stories too, he thinks one night after he eats a bunch of mushrooms that don't sit quite right in his stomach. About the time she spent in her egg, about how horrible her previous owners were with her, about how happy she is to be traveling with him now, discovering the jungle, this place where she belongs. He cries a bit after she tells him of that and embraces her neck, because he has never felt so understood by another living creature, because they’re both young and ready for the world and willing to move mountains, and he throws up half an hour later, and when he wakes the next morning he's drenched in sweat.
He begins to show her the paper every day, the list with the group of adventurers he's looking for. He's got it all memorized so well he doubts he'll ever forget it by now. The two priests of Athena, Alexandros and Fenchel, Human and Tiefling. The Tabaxi called Timber, a born troublemaker, or so he's heard. The Tortle Fischbrötchen, the Human nobleman Vincent Valorstone, Eldryan the drow. Moggy, of course. Sometimes, when he's tired of talking with Stacy, he takes out the list and imagines talking to them, all of them, how that will be like. He'll talk to Alexandros and Fenchel about their goddess, and he'll ask them all about her, and maybe he'll even feign being willing to convert? But then, of course, he'll make it clear that the only god he follows is – hmm – maybe Silverbeard, God of Battle? That sounds about right. Or maybe a Human god? But he doesn't know many of them. Timber, he's sure she can tell stories and songs, just like the bards of his hometown, and hey – who knows – maybe she can even sing a song about him one day. Fischbrötchen, he can talk to about nature and people of nature, surely, and Vincent Valorstone might be receptive to great points about how unjust the existence of nobility truly is! Eldryan – drow, or half-drow, which was it again? - that is an entire untapped reservoir of great stories right there, isn't it? He'll have so much to tell Chad, no doubt about it. And Moggy – well – Chad has to chuckle when he thinks about what she'll say when she hears his voice. He practices that, sometimes. “Hello Moggy, long time no see!” he’ll say, grinning widely, and she’ll be angry with him, probably, but not for long, huh?
He starts to tell Stacy about all these people as if he's known them for ages. He collects new flowers for his beard, some he's never seen before. They wouldn't recognize him back home anymore, he realizes one day when he looks at himself in a puddle. His skin is ruddy, peeling to reveal freckles where he's never seen them before, his hair has grown out considerably from the almost bald head he's worn the last few years, and even his eyes seem different than before. His eyes! Were they always so bright? He asks Stacy. “Stacy, were my eyes always this bright?” He wasn't made for the jungle. He was made for wide fields, wheat plains, small hidey-holes, richly furnished palaces, wooden huts, stone halls larger than the sky, labyrinthine alleys and silent moonless nights. Jingle of gold coins on cobblestones. Ink on parchment. Songs in an inn. That's what he was made for. Not this deadly jungle.
Chad wants to go home, he realizes suddenly, he wants to run back home and he wants to cry and he wants his mom and he wants to hide and he - -
He doesn’t want to die in this horrible, horrible, horrible place - -
“Yes,” Stacy replies quietly, dragging him out of his thoughts. Chad shrugs. So his eyes really are brighter these days. This jungle changes you, huh.
He's stopped counting the days when, one morning, he arrives at the lost city. Omu lies before him, quiet and not moving but for a flock of pigeons. He feels a bit better here, looking out at the city. Walking through the entrance arch, he quickly finds some scribbles at a wall, compares them with the crumpled, sweated-through list in his pocket. They're here. He's found them, finally.
He pushes the list back into his pocket and faces Omu.