Spontaneously drew some folks' ocs in an Eternal Winter server, low-key fun, I should do things like this more often. All of them took me about 6 hours in total to complete.
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how do you go about doing research for your fics? i often want to write, but find myself stuck and overwhelmed with the amount of research thatâs needed to portray things accurately. i never know where to start looking. got any pointers?
(Standard âlook I just do this for funsies and have no formal education around writing, so this is all just my own experience and some secondhand adviceâ disclaimer applies)
First off, by avoiding research as much as humanly possible. Really. Really. Do yourself a favor.
The way I see it, when you run into a Factual Thing you donât actually know while writing, you have three options.
Avoid going into unnecessary detail on the thing so that it doesnât matter that you donât know about it.
Research the thing in-depth to make sure you get it right.
Give up on getting it Just Right and BS something.
#1 is very nice where applicable! Especially works well for stuff that isnât very interesting or relevant to the plot.How does one go about making a TV from scratch? Heck if I know. So when I wrote Nitori doing it, I gave only really broad details about the process, and it mostly happened offscreen. No research required!
#3 is a lifesaving skill. This should probably be your default answer on 90% of things. Like, as an example: the bit from Goddess/Girlfriend where Sanae got enshrined. I am pretty sure that a few arahitogami got enshrined during their lifetimes in ye olden dayes. If I searched long and hard, I could probably find out what this process looks like. And, I did in fact start searching when I was writing the fic. But, 1) the odds of readers knowing the Proper way to do things were pretty darn slim and 2) weâre talking Reimu, who happens to live in a fantasy realm where provable gods can walk up to you and steal your french fries, and isnât a very orthodox shrine maiden anyway. She was probably BSâing it in character. So hey, make something up and avoid the thirty hours of research.
This is great for things that arenât ultimately that important, or stuff thatâs obscure enough that nobodyâs likely to have their experience ruined if you donât get the details right. Dunno much about historic pub food costs to use as a basis for the prices at Mystiaâs stand? Make something up. Dunno how somebody living in an isolated fantasy realm analogous to the mid-1800s could get their hands on refined sugar, or sulfuric acid, or a modern telescope? Make something up. Plus, with some of these cases, âwhatâs historically accurate?â is a less important question than âwhat would make the story more interesting?â
Which just leaves... stuff that actually needs researched.
And if you get to that point, you should still really ask yourself whether it matters. Will somebody care that you wrote about characters eating sushi in a landlocked region? No, really, think about it. I promise you that the time you spend debating whether Gensokyo could have developed the right sorts of aquaculture techniques to raise freshwater fish that are safe for sushi production could be better spent writing. If somebody still complains about it, look them in the eye and say âI donât fucking know, Sumireko smuggled in another ocean fish, are you happy?â (Yes this is a topic I spent about eight hours researching back in the day and I am retroactively bitter about it.)
But, letâs say you do find some stuff that legit needs to be accurate. First off, there are two real broad categories here, I feel.
Number one is straightforward factual bits. How tall is a torii usually? Whatâs a suitable detonator for a modern explosive? How long would somebody have to fly straight up before they hit clouds, assuming they were going a bit faster than a sprint? This is all stuff that you might decide youâve gotta get right. Itâs also stuff that could very well not be that important. When you hit one of these, you really should just leave a note for yourself, keep writing, and research it later. Nothing slows down your progress like pausing every seven minutes to research things that donât even impact the story. (The Patchouli chapter of Thief of Hearts had a lot of these in the rough draft. Lots of âMarisa pointed the telescope at [COORDINATES]. Looking through it, she saw [SOME CONSTELLATIONS].â)
Number two... is, yeah, the stuff that you both need to research, and that matters to the story. If youâre writing a long arc about characters building an airplane, you should probably have a pretty good idea of how airplanes are made. Not only that, but the details shape the story--what kinds of obstacles the characters face will partially depend on your findings. This stuff, you should try to research before you even start writing, when possible.
Apart from factual stuff, it can also be a very good idea to research general... flavor things. Like, if I were writing a novel-length story set in the underground, Iâd probably BS a lot of the details, but Iâd also read a good bit about spelunking and those weird cave fish and stuff, to just kind of help me get the feel right and give me some general ideas.
... so, with all of those âCHOOSE YOUR RESEARCH WISELYâ warnings out of the way, what secrets can I bestow upon you for actually performing research?
idk, Google mostly
Google can turn up a lot, though. Google Books has a ton of old reference stuff available, and if youâre searching on fairly scholarly topics, itâs usually pretty good at finding relevant academic papers for you. Cultural stuff is its big weakness, in my experience: If you want a good overview of architecture styles in regular houses two hundred years ago, or what weddings looked like in the Meiji era, you are out of luck.
Youtube is also surprisingly helpful here. Weird DIY chemistry videos gave me a 10x better idea of how to make chemicals than I got from a day of reading Wikipedia. I found something like a 18-minute documentary about how karakasa are traditionally made that was very helpful for writing Kogasa.
There are two whole online resources I can recommend for Touhou-adjacent topics in particular:
First is The Encyclopedia of Shinto. This is an indexed English translation of one of the main Japanese references on Shinto, so itâs fairly thorough, if a bit high-level in places. Useful for writing shrine/god stuff. Plus, since itâs, you know, a religion, I feel inclined to try harder for accuracy when it comes to Shinto topics.
Second is the Kojiki. As of last time I checked, the only translation available online is Chamberlainâs old clunky one, but it works. Volume 1 contains a lot of bedrock mythological stuff. Touhou references it all over in general, and basically every Lunarian but Kaguya can be traced back to a character in here.
... good references on youkai are unfortunately much harder to find. There are a few English sites cataloguing them, but I donât trust any of them thoroughly enough to link directly. ZUN plays pretty fast-and-loose with a lot of youkai, anyway, so I feel like actual folktales are best viewed as an inspiration.
oops this turned into an essay didnât it. Oh well hopefully something in there is useful.
While back I got a prompt to draw some of my Tyrkovanii as humans for a Modern Earth AU. Now that Iâm back from London and trying to get back in the swing of drawing, I buckled down and finished it :D
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phantomwing replied to your post: finished the Balance arc and went âohhhhh thank...
what would that thing be?
putting this behind a collapse, so if youâre still planning to listen to Balance and on a Tumblr client that doesnât handle collapses nicely, well, scroll fast I guess
so, Iâve actually got two questions: My initial question, which Iâm pretty sure I know the answer to, and then a followup.
initial question: At the end of Pedals to the Metal, the Red Robe shows up, says some vaguely foreboding stuff about fear, some stuff about the Hunger that doesnât really mesh with later revelations, and tries to poison them. When you find out that he was Barry and on their side, this doesnât make much sense in retrospect, so what the heck? I figure the actual answer is âGriffin was still changing his mind about the overarching plot but you canât really retcon stuff in a podcast,â but yâknow.
but then the thing that kept bugging me is: When Barry goes âhey, look, Iâve been trying to help you guys this whole time, so come ally with me,â it never comes up. Theyâd interacted with him like three times at that point, one of which was him trying to poison them, and it just sorta... goes by unmentioned. I mean, yeah, itâd been a year and a half, but I figure somebody wouldâve said something. ... which is the main reason I had to run to a wiki as soon as I was done, because Iâd half convinced myself that Iâd imagined the entire scene by that point.
Phantomwing shenanigans. Jokan leaves his young daughter, Torvi, in the care of her uncle, Malaanskar for a short while, but a certain visitor makes everything go a little sour.
AKA: Kid Torvi is a bundle of office-wrecking chaos and Valto is a huge asshole. Also lame title because Iâm half-dead here trying to also write my prelim exam so I can actually be a PhD candidate.
âIâm busy.â
âPlease. Itâs exam week, and I canât leave her alone. Not after what happened with the oven. Itâll only be for a couple hours.â
There was silence from the mass of muscle and feathers and stately stoicness on the other side of the office.
âJust a couple of hours, no longer,â Jokan repeated, almost pleading at this point.
Eventually, Malaanskar sighed, ruffling his feather crest and running a hand down his face. Claws framed the scar across his bow and nose bridge, and Jokan grit his teeth at the sight, remembering just how heâd gotten that particular trophy.
âRight. Fine,â the Stormwatch captain rumbled, shaking his head. âIâll watch her for you.â
âThank you-â
âYou tell her to be on her best behavior, Torvalkaalos,â he continued, lips curling back slightly over an imposing set of fangs. âSheâs not only your daughter, but my niece as well, and I wonât have her soiling what Iâve built, here, with her antics.â
âUnderstood, sir,â Jokan mumbled, nodding. âShe wonât be a problem.â
âI hope so.â
***
She was a problem. A four-year-old problem shedding feathers everywhere as she climbed and hopped and flapped around Malaanskarâs office.
He checked his desk clock.
VisskhetâŠ
It had only been half an hour.
âMal! Uncle Mal, look at meeeee!â
The scraping of claws on wood brought his gaze up to the series of shelves to his left. Plaques and mounted medals and trinkets from all over decorated them and, in the center of one shelf, perched between an ornate trophy of crystal and a sculpture welded together from the scrapped metal of a hunting rifle, perched his niece, oversized wings and gangly limbs poised for flight.
âDonât do it,â he warned, feathers flaring. Torvi grinned.
âDad said I gotta practice!â He flinched as she snapped open her wings, nearly knocking over everything on the shelf with her. âWatch me! Iâm gettinâ pretty good, I think!â
âNo, donât-â
âHERE I GO!â
âNO!â
She launched herself up, wings driving down into the shelf.
The force of her take-off ripped the shelf from the wall.
Objects fell.
Torviâs upstroke crashed into another shelf, sending everything on them flying as well.
A cacophony of noise followed - screeching, shattering, clattering.
Malaanskar jumped from his perch, hissing.
As the proverbial dust cleared, he saw Torvi sprawled half on her back, legs and tail propped up on the wall, the remains of his work spoils scattered around her.
âOops,â she said, rolling over and hopping to her feet. âWelp, gotta try again!â
She shook bits of crystal from her feathers before flapping over to the file cabinet and starting to climb up.
Malaanskar lung-snarled, the sound shaking the windows and sending Torvi back to the floor, hands over her ears.
âTORVIHARI!â he roared, slamming a hand on his desk hard enough to rattle his bones. âENOUGH!â
She cowered, hissing back up at him.
âShutupshutup! Too loud!â
He regarded her for a moment, quieting as he saw several scrapes and cuts on her arms and wing-shoulders.
Cleaning the floor and gluing his trophies back together would have to wait.
Nudging his head toward the perch in the far corner, he sighed.
âWait over there. Iâll get the first aid kit.â
Nodding, she scuttled over to the perch, climbing up and curling her wings and tail around herself. Satisfied, Malaanskar made for the exit, looking back at her before letting the curtain fall behind him.
âNo more flying indoors, alright? Once I get you patched up, weâll go out onto the runway and you can flail around out there.â
She nodded again, ears perking back up slightly.
âRight. Iâll be back.â
And then he was airborne, making a beeline for the infirmary, head throbbing.
How Jokan even survived raising that bundle of chaos was far, far beyond him.
***
Torvi picked idly at her scrapes, starting to feel the sting of them. Looking at her handiwork on the opposite wall of the office, she stuck out her tongue and laughed.
It looked better that way, she thought. More natural, lessâŠstuffy.
Yes, it had earned her an ear-stinging roar from Uncle Mal, but the promise of a more open place to practice flying made things better.
Maybe sheâd actually get more than three feet off the ground this time.
Hearing claws impact the stoop outside, she perked up, hopping in place on her perch. Uncle Mal was back, no doubt.
However, the Tyrkovan that pushed past the curtain was not Uncle Mal.
He looked a bit like him, though.
Same markings, similar build.
His eyes, though, made her shiver, made her want to hide.
Uncle Mal had bright yellow eyes, like Dad. This guy had...gross grayish eyes. Like herself. And they werenât stern and stony like Uncle Malâs or smart like Dadâs.
They were slimy. Cold. Unnerving as they scanned the overturned office.
âHmm,â the new guy hummed, nearly gliding over to the mess and kicking some of it with his feet. Torvi didnât like his voice, either. It was just as slimy as his eyes were. âMaybe thisâll knock âolâ Lightkinâsâ ego down a few notches. All his pretty little things, scattered, broken...itâs beautiful.â
Then, he turned around, and Torvi hissed, wrapping herself in her wings. He was looking right at her, face blank like...like...like one of those painted Human masks.
Blank, dead-looking masks attached to wigs of stringy stuff that didnât move like feathers did, worn by reenactors at the history festivals Jokan had taken her to. Sheâd cried when sheâd first saw them, to her embarrassment, and Jokan had held her and assured her that they were fake.
âResin and faux hair, Torvi. A dead facsimile - nothing to be scared of. Nothing like the real thing.â
This slimy Tyrkovanâs face was like those masks, though it was real. Alive.
And Jokan wasnât here.
âWell, well. What do we have here?â He approached, staring down at her, and she bared her teeth. âAre you the troublemaker that caused all this commotion and destruction?â He smiled, and it barely even started to reach his eyes. âWell done. Wish I couldâve seen it.â
She said nothing, still baring her teeth.
âI have no manners,â the new guy chuckled, wings outstretched slightly, boxing her in. âMy name is Valto. Thatâs Ariitaalos Valto.â
Ariitaalos - that was Uncle Malâs flight-name.
âSeems my dear brother caught himself a fledgeling for a few hours-ah, wait. Youâre Jokanâs little tail-dragger, arenât you?â
A hand shot out, snatching her from her perch and hoisting her upright by her scraped wing-shoulder. Valto stood her in front of him, his eyes seeming to drill into her as she struggled out of his grip, hissing in pain.
âLetâs see. Strong shoulders, deep chest, sharp reflexes - yes, youâd make a passable Verkorant for sure, should that stunted, pontificating, past-worshipper realize that he has no rights to raise you-GAH!â
Valto hopped back, a scrape on his shin leaking blood.
âYOU SHUT UP ABOUT MY DAD!â Torvi screeched, scrambling back onto her perch, foot talons stinging from the kick. Using the perch for some extra height, she flared every last feather on her person and snapped her wings out to their full span. âYOU...YOU SHUT UP AND EAT DIRT YOU GROSS-EYED FREAK-!!!â
The next thing she knew, she was batted sidelong into the wall by a massive wing, talons pinning her to the floor.
Valto leaned over her, face still horribly blank.
âI didnât say anything about your father, Torvi. Nothing but his name.â
Torvi scratched at his ankle, hissing and spitting.
âYeah you did! You called him a stunted, pontiff...pontificat...WHATEVER! GET OFF OF ME!!!!â
Some kind of sour look crossed Valtoâs face, his pupils pinning a moment before it all ironed out again into that expressionless mask.
âFigures youâd be as myopic as that superstitious short-wing. Ignorance like that is infectious.â
Whatever he was about to say next, however, was interrupted by more claws on the stoop and the rustle of the curtain.
âTorvi, I hope you havenât knocked anything else over- YOU.â
Valto cast a glance over his shoulder, removing his foot from Torviâs chest and taking a step back.
âAh! Brother. So good to see you aga-â
âGet out.â
Uncle Malâs voice was steelier than usual, cold and hard and sharp. Torvi could practically taste the raw dislike laced in it.
âBut I was just having a pleasant conversation with my-â
âGET OUT.â
A hand seized Valtoâs feather crest, and he was pulled back with a loud squawk. Torvi rolled over and sat up quickly enough to see Uncle Mal practically tossing Valto out the exit, wiping his hands on his uniform after doing so.
That done, he pulled down the metal curtain, locking it at the bottom and snarling through the message hole for good measure.
âDid he hurt you?â he asked, voice now urgent. When Torvi didnât answer immediately, he hustled over to her and easily lifted her back onto her perch, face even with hers. âTell me. What did he do? What did he say?â
âHe just said some mean things about Dad, thatâs all,â Torvi finally mumbled, shrugging. âI donât like him.â
âGood,â Uncle Mal sighed, ruffled feathers smoothing out slightly. He took a moment to retrieve the first aid kit and began to clean Torviâs scrapes and cuts. âListen to me, Torvi. If Valto comes near you again, donât be afraid to fight him off. Donât be afraid to fly away. And for Avarâs sake, donât listen to anything he spews from his maw, do you understand?â
Torvi nodded, puffing her chest out.
âGot it. Hey, I kicked âim in the shin!â She chirped proudly. âSee?â Grinning, she held up her foot, claws still flecked with a bit of blood.
Sheâd never seen Uncle Mal smile before. And, as slight as it was, his eyes crinkled at the edges.
âThatâs the spirit.â
He continued to clean her wounds, having to bandage a decently deep one on her shoulder. As he reorganized the first aid kit, she hopped down from the perch and flapped her wings expectantly.
âAre we going to the runway now? Can I practice flying?!?â
Uncle Mal clicked his teeth together as he shut the kit.
âHmm...no.â He held up a hand to stop the whine that almost made it out of her throat. âWeâre going to the gym, and Iâm going to teach you a bit about self-defense.â
Torviâs jaw dropped.
âWait, does that mean I get to kick and punch things?!?â
âIn a sense...itâs more about not getting punched and kicked yourself, but in a senseâŠâ
âYES!â
âNO, TORVI DONâT TRY TO FLY IN HERE AGAIN!!!â