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TITLE:Â your words in my memory
AUTHOR:Â @markcampbells
FOR: @lauraadama
CHARACTER(s)/SHIP(s):Â Frances Barden, Peter Barden, Sarah Collingborne, Noah Lakin
RATING:Â G
WORD COUNT: 2,145
WARNINGS: Discussion of infertility, adultery, and grief, as compliant with canon. Spoilers for Series 2.
PROMPT:Â Snow Patrolâs âSet the Fire to the Third Bar"
SUMMARY:Â She learns, after Peter is gone, that her marriage was always a puzzle missing some pieces.
NOTES:Â I canât stress enough how excited I was to work with this song! Itâs been one of my favorites and Iâve always wanted to do something for it. I used the sort of feelings the song evoked for me as the basis for this ficâI think it fits both the distance in Frances and Peterâs relationship as well as the grief she experiences after heâs gone, so I decided to explore a little bit of both. I hope you enjoy it!
She learns, after Peter is gone, that her marriage was always a puzzle missing some pieces.
â
Peter, his fingers deftly undoing the buttons of her wedding dress, whispering in her ear. âThe most beautiful bride in all of Great PaxfordâŚâ
Sarah, fumbling to unzip the dress sheâd worn to celebrate another weddingâSpencer and ClaireâsâSpencer, whoâd been the one to find Peter. âKeep Mrs. Barden away!â
Mrs. Barden. Is she Mrs. Barden anymore, when Mr. Barden is no longer?
âFrances.â
Sarahâs voice, soft, softer than Peterâs had been. Sadder. Sheâd finally managed to get the zipper undone with trembling hands. âFrances, come. Get out of these clothes and into the bath.â
The air is cold. Sheâd thought the same on her wedding nightâhow funny it was that the air was cold and yet she didnât feel it, because thereâd been so much to warm her. Peterâs breath on her neck, stirring her hair, raising goosebumps. Peterâs hands running over her skin, the first time sheâd ever truly been touched by a man.
There are no hands now but Sarahâs, grasping her shoulders and turning her to face her. âFrances, pleaseâŚâ
â
âItâs odd,â was her reply to the question heâd asked, finally, and Peter laughed.
âWhat every husband wants to hear the first night in the marriage bed.â
âI didnât meanââ Sheâd thought, as a married woman, sheâd be above blushing, but maybe that took some time. âI mean Iâve only ever shared a bed with Sarah. Never like this.â
Sarah has always been an ideal vicarâs wife. Certainly none of them had ever thought she would beâa self-professed agnostic since before that first Armistice Day, it had been quite a shock when sheâd taken up with Adam Collingborne. Always a good listener, always steady in times of crisis as small as not knowing which flowers to plant or as earth-shattering as the unexpected death of a parishioner in childbedâor in a car accident.
Those happen. Apparently.
She isnât sure any longer in what capacity Sarah is serving as her bedfellow. Is she the vicarâs wife, offering whatever comfort is possible to a woman shattered by grief? Hasnât she been offering the same lately to Kate Heaton, to Miriam Brindsley, to the other women of Great Paxford whose carefully ordered lives have been disrupted by telegrams and visits from officials?
Is she her sister, her own husband held prisoner God knows where, Francesâ awaiting burial in the kirkyard not a day hence?
There is an empty space in both their beds now, and Frances wonders if Sarah is finding her as poor a replacement as she finds Sarah.
â
But then, hadnât Peter been missing from their bed more nights than she had wanted to admit?
â
âItâs a shame Mr. Barden couldnât make it home in time.â
Claire, wishing her a happy anniversary as sheâd sat alone before a plate that had long since gone cold of Peterâs favorite meal, made special by Cook.
âAre you sure youâre not overcompensating for Peterâs absence?â
Sarah, her question cutting, fueling the anger within her sheâd needed to hit the target.
â
A box, same as dozens of others, sheâs sure. A label, typed, not handwritten, as impersonal as could be despite that the box is of Peterâs personal effects.
His watch, she strokes the face of. A tenth anniversary gift, one sheâd watched him put on countless times of a morning. His wallet, containing a photo of her sheâd tried to resist having taken, only for him to coax her into it.
âPlease. Those interminable business trips. Having a reminder of you waiting for me at home would make them bearable.â
A thin black box, thin enough to contain jewelry, which baffles her. Their anniversary isâwasâsome months off, and theyâve long since passed the age where unexpected gifts hold charm.
She opens it, finds a note, and wishes she hadnât.Â
To my darling Helen
Yours always
P. x
â
âHelen has a son as old as their affair.â
The words stumble from her lips easily in Sarahâs presenceâpast the catch in her throat, past the wall in her head preventing her from processing it all.
Peter had fathered a son after all. He simply hadnât fathered one with her.
â
âYouâre not a mother, Frances, so you wouldnât understand.â
Miriam Brindsleyâs accusation had cut to the heart of it allâthe centre of, she sometimes suspected, Peterâs sporadic absences from their bed, the growing lack of emphasis on their anniversary as the years pile up.
Month after month, for three years, had come the telltale reminder that she had failed. She had admitted defeat first to Will Campbell, then to the Harley Street physician heâd referred her to.
Will had been given the courtesy of breaking the diagnosis, she supposed because it was thought to be easier to hear from someone she knew. His expression had been an uneasy mix of sympathy and pity, his tone uncertain, not used to giving serious diagnoses in such a sleepy town as Great Paxford. An awkward offer of condolences and a careful suggestion that Mrs. Collingborne might wish to be examined as well had ended their appointment.
âFrances? Is there anything you need?â Erica had asked, as sheâd left Willâs office, and a quick glance at Ericaâa swaddled Laura in her armsâhad only reinforced the knowledge that there wasnât anything she needed but Peter.
Not that she could give him anything in return.
â
âIâm glad we met him.â
She canât always claim to understand Sarahâsisters or not, there are certain things about each other that are ineffable. Her sisterâs fixation on Noah Lakin is beyond her.
âHow can you say that?â is her response, her mind reeling, and Sarah wastes no time in firing back.
âWerenât you curious to see what the last fragment of Peter on this earth looked like?â
No.
âWerenât you stunned to see heâs the spit of his father?â
Of course.
âHeâs inherited all of Peterâs mannerisms, the way he looks at youâ!â
Itâs quite enough, and something she canât think on after such a wretched day, and she breaks in, unable to stand itâthe knowledge that her marriage is so many shards of broken glass, never to be pieced back together quite the same way. âAnd in twenty years, no doubt, his capacity to lie and deceive.â
The indignation on Sarahâs faceâthere is the vicarâs wife, outraged at any unjust accusationâis cutting. âThat is a terrible thing to say. You cannot visit the sins of the father upon his child.â
âWhy not? God would.â
âWell, not Adamâs God! And if I ever did believe in one, his would be the one Iâd choose!â
She finds herself trailing after her younger sister, in the throes of the worst fight theyâve had in several years. Indeed, she isnât sure what to say even an hour later, as Sarah clatters about with the tea service, obviously frustrated.
Sarah sits heavily on the couch and brings her cup to her lips before the tea has properly cooled, and Frances finds herself doing what she rarely needs toâapologizing. âIâm sorry.â
âIt isnât me you owe an apology to. Not really.â
âI can hardly apologize to a child for something he doesnât know a thing aboutââ
âNo, but you can stop talking of him as though heâs a leper.â
âHe is the illegitimate child of my husband and his secretaryââ
âWho you liked! For heavenâs sake, Frances, revising the past isnât going to help you now! I understand what you must be feelingââ
âDo you really? I wasnât aware Adam had a child tucked away somewhereââ
âFrances, for once, will you shut up.â
She canât remember ever having heard Sarah so furious. Maybe itâs that that makes her do as her sister asked, in time to watch Sarah setting her cup and saucer down with trembling hands.
âPerhaps,â Sarah begins after a moment, âI said it incorrectly. What I mean to say is thatâyou knowâwhy I understand how hard this is for you. Why youâre feeling as you are. I would feel the same, were I in your shoes, whichâyouâve been so kind to remind me Iâm not.
âFrances, no matter Peterâs errors, you know what he meant to you. You know what having a child with him would have meant to you. And forâso many reasons, that was impossible, but if you want to stand any chance at getting past this, perhaps stop looking at Noah as some sort of albatross. I wonât go so far as to say heâs a gift from God, butâPeter is gone, and Noah isnât, however much you might wish he were.â
âI wouldnât think that of a child.â
âThereâs plenty of things I hope you wouldnât think of a child, and I canât say Iâm sure you arenât.â Sarah tugs at her skirt and stands. âThink about what Iâve said, Frances. For your own sake, if not his.â
â
There are things she canât bring herself to do, things sheâd once longed to do with a child of Peterâsâa child of Peterâs Noah may be, but a child of her own he is not.
Sarah and Claire take to caring for Noah as a duck to water, itâs hard for her to miss. It is Sarah who smiles and offers a hand to Noah when he ends up on her doorstep, Sarah who had fielded the call that had brought him there in the first place.
Itâs Sarah who knows how to engage a child, Claire who happily reads bedtime stories, Noah who gets down on his knees and plays with the toy soldiers Joyce brings round.
She isnât sure she knows how to do anything at all.
In her quietest moments she thinks, ceaselessly, of Sarahâs wordsâSarahâs words over several weeks now, her exhortation not to treat Noah as a leper, not to call him the boy⌠her insistence Peter must have loved Noah.
âIâve trawled through every moment Peter and I had together.â
âAnd, honestly?â
âI canât locate one false note⌠unless Peter was utterly mad⌠Iâm compelled to believe he loved me, yet from the necklace found with him in the car⌠he loved Helen, too.â
âAnd, presumably, their son.â
Keeping herself away from Noah is easy; keeping away from memories of Peter as she still lives in their house, sleeps in their bed, is not.
And yet, there is a day when she finds she canât keep herself away, when concern overwhelms her when he is nowhere to be foundâwhen, finally, she comes upon him sleeping in the shelter.
Sorrow claws at her heart even harder than it had the day of the accident. Really looking at Noah for the first time shows her Sarah is, as she always is, rightâheâs so obviously Peterâs son, so much the way sheâd hoped their own child would look, back when hope had been all sheâd had.
In the end, all it takes is a quiet moment, him seated between her and Sarah on a hard church pew, probably bored out of his head by the adult world and all the ceaseless rituals it entails. A wedding is no place for a child itching to move, to play, to be free.
She reaches into her coat pocket and grasps one of the toy soldiers, her fingers closing around it hesitantly. She has battled with herself whether or not to extend such an olive branch. She no longer knows how much of herself she has left to give when so much of her has crumbled awayâPeter, the WI, the factoryâŚ
âYou cannot visit the sins of the father upon his child.â
She supposes a church is as good a place as any to finally begin accepting it.
She holds out the soldier, grateful, suddenly, when small fingers close around it and touch her own.
â
âJust because it hasnât happened yet doesnât mean it wonât, Frances. You shouldnât worry.â
Peterâs fingers brush hers as he presses the champagne flute into her hand. âCome. Letâs not dwell on what hasnât happened and think about what has. One year ago today you were saying yes to marrying me. Have you any regrets?â
There is one, the one she was dwelling on moments before, but with Peter at her side she finds itâs harder and harder to remember that anything feels wrong.
With Peter, nothing feels anything but right.
âOnly one,â she finally says, after draining the champagne flute and standing, holding out a hand. âThat we havenât danced since then.â
A dance without music, warm arms around her waist, slow breaths between kisses.
The regret fades away, and all thatâs left is him.