The problem with Robin came up when the movie company wanted to do Robin in the movies. So they said to DC, “We have to redesign Robin.” They couldn’t use Robin the way he was. And DC was stuck with the problem of what to do. So they called me — a very smart thing to do in my humble opinion — and they said, “Can you do some new designs for Robin?” I said, “Are you asking me to redesign Robin?” They said, “Yeah, we are asking you to redesign Robin.” I said fine and I started to work. [...] They wanted me to work on it because the film company was saying they would change it. So I started to submit some designs. The most important thing that I did was realize the character had to remain Robin, but had to be a new Robin, and there were some things that were really wrong. Like his legs were bare, that didn’t make any sense. He wore these little elf boots, that didn’t make any sense. His colors were too bright — yellow and red — and he was going to be out at night, it doesn’t make any sense. [...] The problem was how do you make this Robin valid? Turn the boots into ninja boots, cover the legs, deepen the colors on the costume so they were more in [line] with the Batman, put packet things on the sleeves to carry weapons, redesign the mask, redesign various things.
— Comic book artist Neal Adams, on redesigning a movie-suitable costume for Robin, Batman's sidekick
