I always get so excited when I see a notification from you, I love the comic and the way u draw these two moron, really, amazing job!!! I wanted to ask, if its not a problem, how do you design the panels of a comic? I'm new in that field and it's honestly a black magic to me and I love yours, they're easy to read and also interesting to look at!
Hi!! Thank you!! <3 and sorry I took so long to answer but I wanted to do it Right for your question. SO HERE GOES, MY TIPS FOR PANELING:
First thing's first: I basically visualize stories as film/anime and it helps a lot. The main rule I follow is that 1 shot = 1 panel. I found this edit super interesting because this is basically it, but in reverse. See how each panel becomes a shot?
It'll depend on how much of the action from one animated shot you'll want to show too. Do you have a shot with your character changing expression? While there's only one shot, the expression at the beginning and at the end are both important so that'll be 2 panels, or 3, or even 4, depending on how many key frames you want to show). Is the character traversing the screen from left to right? Is it important to see them at the beginning of their run, in the middle or at the end? Or all three?
Now, there's a big rule in comic :
The bigger the panel, the longer the action will feel. Your eye will take more time to pan over the picture and it'll trick your brain into thinking time has passed in the story. See how different these feel?
After this one, I'll personally follow a few other rules, but many artists don't, or have their own, so feel free to try these out if you want, or not! The goal is to have fun first and foremost.
Each page makes sense on its own. It has a beginning and an end, and no speech/shot is cut in the middle at the bottom of the page.
I try to at least have one panel per page that has a physical, tangible background, it helps ground the reader in what's happening in the scene.
I mainly use 2/3/4 rows of panels (which is specific to manga, other genres often have more) and I try to mix the shapes of the panels on the rows so no rows look the same, and no pages look the same within the chapter.
Every space in the panel is used for something, no "empty" spaces (I put bubbles in those to fill in the gaps lmao)
Slanted panel borders are for action scenes.
(now that’s kind of a director’s take but) when changing shot/panel, changing the angle always make things more interesting!
When depicting action, I found it the most clear when showing the anticipation, the action and the aftermath. Like with a punch, you'll see the run-up, the contact, and then the guy's on the ground in 3 panels, you know?
(this one's super specific to my brain but) bordered panels are for static camera and "open" panels are for camera movement within the shot
HAVE FUN! most of the time I'm improvising with what feels right, and what READS right. So many times I finished my chapter and went "oh the pacing is so wrong" and changed the paneling just before posting after everything was supposedly already done. So yeah, don't hesitate to have a beta-reader that can tell when the paneling is interfering with comprehension, it always helps improve!!
These work for me, but I’ve accumulated most of these after trial and error, so if some don’t work for you that’s fine, and I hope you find the rules you’re comfortable with!!
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