#otmaa

In the first carriage:Nicholas,Alexandra,Olga and Alexei.

Second carriage:Tatiana,Maria and Anastasia.

Guys, please credit me for the footage if you post it on other social media.I did pay for some of this footage(or it took a lot of time to find them) and it takes even more time to edit them into looking more decent and understandable😭

I saw some people on tik tok post them without any credits,I won't name them😶‍🌫️I hope y'all can understand my point and respect my wishes if you want me to keep posting this kind of rare content!:)

Grand Duchesses Maria and Anastasia Nikolaevna of Russia and Tsarevich Alexei Nikolaevich of Russia with local children of Sevastopol, including little Ivan Ivanovich Boehme who is being held by who I think is his father Admiral General Ivan Boehme but I’m not 100% sure.

This photo is special to me because in this same trip to Sevastopol in 1909, there were poignant shots taken of Maria and little Ivan which gives us a glimpse into the little mother that Maria was.

OTMAA and the sailor suit fashion

One of the most recognizable aspects of OTMA's childhood wardrobe was their sailor clothing.

Photographs of Grand Duchesses Olga, Tatiana, Maria, and Anastasia frequently show the sisters dressed in matching sailor-style dresses, blouses, and hats. While sailor fashions were popular throughout Europe at the turn of the twentieth century, the Romanov sisters' wardrobes were carefully curated by Empress Alexandra Feodorovna and created by some of the most respected dressmakers of St. Petersburg.

The female members of the Imperial family were mostly dressed by the fashion house of Albert Brizac, one of the leading couturiers of the Russian court. However, contemporary accounts suggest that much of the creative work behind the firm's designs came from his wife, Madame Brizac. Anna Vyrubova recalled that the Empress and her daughters relied upon Madame Brizac as their dressmaker, while Albert Brizac's son, René Brizac, would later comment that Alexandra Feodorovna trusted his mother deeply and often consulted her regarding the clothing of her children.

René Brizac recalled in his memoirs:

"All clothes, from the sailor outfits worn by the little Grand Duchesses to the dresses and cloaks they wore as young girls, were produced by the House of A. Brizac."

Alexandra took a close interest in her daughters' appearance and as was common in royal families, the sisters were often dressed alike. Matching outfits would be ordered for all four girls, or in pairs: Olga and Tatiana in one version, Maria and Anastasia in another. This practice not only reinforced their identity as a close-knit group of sisters but also reflected Alexandra's preference for simplicity, order, and modest elegance.

The sailor-style attires were immensely popular among European royal and aristocratic children in the late 19th and early 20th centuries. The style originated in Britain after the young Prince of Wales was famously portrayed in a miniature sailor suit in the 1840s, and it soon spread across royal courts throughout Europe.

The style also reflected the strong naval traditions that surrounded the imperial family and became closely tied to the image of childhood within European royalty. Alexei was often photographed in sailor blouses and naval-inspired outfits, while his sisters wore blue sailor dresses adapted for girls, combining practicality with elegance.

The resulting style became one of the defining visual characteristics of OTMA. Their sailor dresses, with their crisp collars, ribbons, and neat tailoring, projected an image of youthful innocence and discipline. Although memoirists often remarked that the daughters of Nicholas II dressed simply, they also noted the taste and refinement of their clothing - a testament to the work of Madame Brizac, whose understated designs helped shape the public image of the last Imperial daughters.

Empress Alexandra also adopted many of the same visual motifs as her children. While she certainly possessed elaborate court gowns by Brizac and other leading dressmakers, in private she often preferred relatively simple clothing. Numerous memoirists remarked on her dislike of ostentation and her tendency to wear practical, comfortable garments when away from court functions.

The matching sailor fashions may also have served a symbolic purpose. In photographs of the family aboard the Standart, Alexandra, the Grand Duchesses, and Alexei often appear visually coordinated, reinforcing the image of a close-knit family rather than a distant imperial household. This was very much in keeping with the image Nicholas and Alexandra wished to cultivate.