This brings us to another characteristic trait of Yoshizawa: the sheer creativity represented not just in form, but in material. SHAFT’s most visually radical days, represented by the likes of Oishi himself, are behind them… but Yoshizawa never got that memo, because the more leeway she’s been granted, the more she has emphasized live-action footage and unconventional analog materials. For one, Yoshizawa often leans on the inherent link between time and tangible elements. As something that physically exists, those real materials evoke the passage of time in a more direct way than intangible animation could—hence her usage of time-lapses and seasonally coded live-action reels, analog drawings, paper cutouts, and so on.
new article from Sakugabooru about the production of Off & Monster Season! goes into the history of the anime and discusses what makes Yoshizawa unique as a director for this series. it's long, and well worth a read, as they go into quite some depth about what makes this new season stand out so much