Worldâs Greatest B-Side
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Worldâs Greatest B-Side

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Vintage Gold Classics Bob Francis #12
Orlons- Spinning Top. Uploded by Nancy Yahiro
Just love the frantic energy on this track!
The Orlons- Don't throw your love away. Uploaded by GurlGroups
Another song covered by the Searchers. The Orlons' original was actually a B -Side to 'Bon-do-wah' which reached No. 55 in the USA. The Seachers version reached No.1 in the UK and No. 16 in the USA. OK the group included a man- Stephen Caldwell but also comprised the late great Rosetta Hightower, Shirley Brickley and Marlena Davi. Rosetta Hightower would like many other soul singers move to the UK and became a respected session singer. She sang backing vocals on John Lennon's 'Power to the people'
Vintage Gold Classics 30 Seg 1 (60-64)

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The Orlons -Don't Hang Up!
âDanceable Variation on a Girl Group The Orlons -Donât Hang Up!
By Stephanie De Pue
This review is from:Â Best of 1961-1966 (Audio CD)
âThe Orlons,â along with their high school friends âThe Dovellsâ were among the first hit-making groups to come out of Philadelphia, in the early 1960â˛s, following on the late 1950â˛s heels of such big Philadelphia soundsters as Fabian and Bobby Rydell. They were known for light,fun dance tunes, had three big hits in succession, âWah Watusi,â âDonât Hang Up,â and âSouth Street,â and were early 60â˛s regulars on Dick Clarkâs televised âAmerican Bandstand.â But, although at various times their membership varied between three and five girls, they werenât exactly a girl group, as they featured the basso profundo of their high school friend Stephan Caldwell. And their act was killed dead by the 1964 British invasion.
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 The Orlons -Donât Hang Up!
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Review Continued⌠The current Cameo collection of their seminal early 60â˛s work features, of course, their three big hits. âWah Watusi,â still danceable. âDonât hang up,â Rosetta Hightower, lead singer by this time, belts it out in her big voice. And âSouth Street,â where all the hippies go to dance, ever danceable. Of course, in the early 1960â˛s, hippies had not yet been invented, and Haight-Ashbury had not yet been discovered; the âhippiesâ referred to in this song were another group in the Cameo Studio stable (as the name of the group at hand, âThe Orlons,â referring to a new down market fiber popular then, is a play on that of their friendly high school rival girl group, âThe Cashmeres.â)
At any rate, this album also includes their smaller hits, the B-sides, and a number of swinging covers. The music itself sounds a bit thin and dated to me; it just doesnât have the full, rich dynamic range you might be used to. But as an all-singing, all-dancing souvenir of those great âHairspray,â âAmerican Bandstandâ days, it canât be beat.
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The Orlons -Donât Hang Up! was originally published on RocknRoll Goulash
The Orlons -Wah Watusi
The Orlons -Wah Watusi The Orlons had a highly recognizable sound. Not just because they had great harmonies and lead singer, Rosetta Hightower sang with such convictionâŚ..but they also had sole male member Steve Caldwell chiming in with a âoh baby!â here and there. By sixties4ever
âWonderful Music From The Orlonsâ The Orlons -Wah Watusi
By Matthew G. Sherwin
This review is from:Â Best of 1961-1966 (Audio CD)
The Best of the Orlons Cameo Parkway 1961-1966 showcases some of the best music The Orlons ever made. The Orlons had a style and a sound that was meaningful and nothing short of excellent. They could sing just about anything they ever wanted to sing, too. The overall quality of the sound on this CD is quite good; and I love the artwork even if it is somewhat standard for this CD series.
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 The Orlons -Wah Watusi
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Review Continued⌠âIâll Be Trueâ features The Orlons front and center; this doo-wop sounding tune sounds fresh and new even in our times. The Orlons perform this love song with panache and it makes a great opening number for this album. âThe Wah Watusiâ was clearly one of their best hits ever; and just one listen will tell you why! They sing and play this to perfectionâalthough wisely the musicians never try to steal the show away from the people singing and thatâs wonderful. The music makes good use of the percussion, too. âDonât Hang Upâ was another tune that really made the airwaves sizzle back in the day; whenever I hear this number I find myself tapping my foot to the beat no matter where I am!
In addition, âSouth Streetâ has an awesome rhythm that stuns me; Iâm mesmerized by this tune and I could never tire of hearing The Orlons perform âSouth Street.â Again, they use the percussion and drums very well and they sing this without ever letting go of a single superfluous note! Iâm very impressed.
âCement Mixerâ just plain sounds good; and I really like âDonât Throw Your Love Away.â âDonât Throw Your Love Awayâ is a prime example of The Orlons harmonizing to perfectionâand beyond! The sound quality isnât quite as good as I would have liked it to be but this track is enjoyable nonetheless. âBon-doo-wahâ is fun for dancing even today; and thereâs another gem in âShimmy Shimmy.â âShimmy Shimmyâ sounds terrific every time I hear it and The Orlons are really at the top of their game as they do this one up right! âRules of Loveâ has that 1960â˛s rock and roll flavor that I love so much; and thereâs âHeartbreak Hotelâ which they ace as effortlessly as if it were mere breathing! Of course we know it really wasnât all that easy; their talent always carried them through.
âGoinâ Placesâ has a great beat; The Orlons handle complex tempo and key changes like the pros they always were and still remain! âDonât You Want My Lovinââ rocks while giving us a poignant song; and âSpinning Topâ shines bright, too. The CD ends strong with The Orlons performing âMr. Twenty One.â âMr. Twenty Oneâ is powerful and it leaves me wanting more.
The Orlons were incredible and this CD certainly does them the justice they deserve. This is wonderful for their fans and it makes a strong starter CD for newcomers to their memorable artistry.
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The Orlons -Wah Watusi was originally published on RocknRoll Goulash
One of my favorite songs of all time-- "Them Terrible Boots" by the Orlons (Cameo Records, 1963, B-Side to "South Street," #3 Pop, #4 R&B).