Hans Ulrich Gumbrecht, Epiphany of Form: On the Beauty of Team Sports.

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Hans Ulrich Gumbrecht, Epiphany of Form: On the Beauty of Team Sports.

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This has become a repaint of an initial piece that was not nearly as dynamic. So I guess I’m doing everything again but the image will be significantly better in terms of form. Yay for learning I guess :)
It definitely is a new form. In some ways it’s as simple as that was what I was feeling at the time. That’s just what I wanted to do, how I wanted to express. But if I were to sort of interrogate a little bit more, I think the idea that we wanted to explore “The Parable of the Pirate and the King,” divination, going back to ritual initiation, it just required a cipher. You’re watching this story, you need something to see yourself in so you can understand how it might be useful to you as not quite a mirror, a piece of glass that you can see yourself in; an image you can see through, that kind of thing. And I think that this form accommodates that utility of a story or a fable or parable, which is meant to have a divinatory use.
And I think in the first season we needed the space to do whatever, to have a form that really accommodated liberation and to show that on HBO, on the platform of this scale, Terence Nance and artists like Terence Nance can do whatever we want to do or whatever comes through. And so the form, I wouldn’t have called it variety, I would’ve just called it liberation. It’s just what it is, just what came through. But that was what needed to be put down at the time and it was just very different than what needed to be put down right now.
— terrence nance{~~}
oh god yes! liberation in art is what i’ve been saying. can there be freedom in the work? is the work one of many places where we revel in our freedom?
Léonor Fini - Bondage, 1984

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richard siken // broken/unbroken // spork press
Hans Ulrich Gumbrecht, Epiphany of Form: On the Beauty of Team Sports.