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Ogilvy
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Ogilvy Speed Special. - source Classic and Modern Show Cars AU.
The arm stretched for Smoky. The warlock curled his pale fingers, beckoning. The men close enough swung but to no effect. Then the hulking shape of Greymane appeared, stepping forward from the shadows and he thrust a wide blade straight out. The two-handed sword impaled Shen who gaped, astonished. The warlock's mouth stretched open and he let go an eartearing shriek and grasped the sword with both hands. He lurched himself backwards off the blade. Before Greymane could thrust again the warlock shot straight up through the opening.
At Kyle's side, Ogilvy scratched his chin and peered speculatively to the top. "Well, that wasn't so bad now, was it?" he said with a wink.
Kyle stared, wordless. He shook his head, horrified and relieved. Then he started, remembering. "Stalker!" Searching the men, Kyle spotted him close to Greymane. They locked gazes then Stalker, his pale eyes bright against the darkness of his face, looked away.
Ogilvy sniffed and sheathed his sword. "Asked me to keep an eye on you, he did. Back down at the bottom."
"I don't need anyone to keep an eye on me."
"Then there's one thing you'll have to learn if you want to stay live in this business," Ogilvy hawked and spat into the pit. "And that's accepting help when it's offered cause it won't be too often."
Return of the Crimson Guard, by Ian C. Esslemont (Novels of the Malazan Empire #2)
Tints
Photo by Mamotreco
Holt Renfrew Ogilvy
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Alexandra’s Golden Jubilee Replica Necklace ♕ Princess Alexandra, The Hon. Lady Ogilvy
Only if we are eternally unhappy with compromise.
Only if we leave no room for excuses.
Only when we show appropriate disdain for experience & absolute respect for the work.
Only when all of us resolve to relentlessly practice the 8 habits, on every job bag, on every project and on every campaign, will we begin to prove that we are not Goliath, but a company of Davids.
Never the End
— David Ogilvy
Copywriters
Copywriters may not be the most visible people in agencies, but they are the most important. The hallmarks of a potentially successful copywriter include:
Obsessive curiosity about products, people and advertising
A sense of humor
A habit of hard work
The ability to write interesting prose for printed media, and natural dialogue for television
The ability to think visually. Television commercials depend more on pictures than words
The ambition to write better campaigns than anyone has ever written before
‘Most good copywriters’, says William Maynard of the Bates agency, ‘fall into two categories. Poets. And killers. Poets see an ad as an end. Killers as a means to an end.’ If you are both killer and poet, you get rich. —David Ogilvy, Ogilvy on Advertising (1983)
