#offset: spectacles

April 3, 2022.

It takes a good two months before a year starts to pick up for me. The first big win was in the final frigid day of February when I decided to take the train to Greenpoint’s Academy Annex for some records; the first stop of what would be an amazing record-store victory tour. Then arrived March. I drove four miles to the shopping mall to look for leather jackets when I discovered a new retro- video arcade opened up. Within a few days I walk in and spent the entire day re-living my Atari / Nintendo / SNES youth. Those eight hours were a thoroughly exhaustive one. I saw games which I threw many rolls of quarters into, to others I only read about and fantasized even seeing up until then. The original Super Mario Bros. cabinet, The Neo Geo MVS, Outrun, R-Type, Taito’s Superman, Atari’s Star Wars. Most of every great moment of my youth spent in delis, card stores, ice cream parlors, long-gone restaurants, and amusement parks were now all in one room.

Good thing I went because my all-time favorite ginger April* made a rare appearance in my store and I had to tell her about it. She came in to buy some A/V components like she always does and we spent a good ten minutes catching up on everything. April was a fangirl and a hardcore gamer of all formats so I had to share the wealth of news with her. Too late. She already went. Still, every visit from her counted as she was the cutest thing of pale skin, glasses, and Irish ancestry I ever seen.

I had another holiday spent with my Coney Island family. My aunt invited me to her daughter’s house in East Meadow for Easter where they, her aggressive right-wing country-music loving Trump supporter sons, her sister, and all the offspring you could think of would be there. A great four hours were had coloring eggs, watching Disney’s Encanto on the big screen, and an endless feast of Italian food were laid out for all to gorge ourselves to death. Blessings were counted and they were enough to cash them in for a bright sunny Sunday. I also enjoyed the hour-long drive from East Meadow through Rt. 27 all the way home.

In between all this was a major event I was chasing for a while. It would be nice to attend a Boy Harsher show and they’ve been making the rounds in New York City quite often. I jumped at the opportunity to purchase tickets after their Halloween show and ultimately got them - only for January show to be postponed. Blame the COVID- omicron for it. But Jae & Augustus pushed it back to April and this time nothing was stopping them from performing nor anyone attending The Music Hall Of Williamsburg.

I learned that it was a two-hour ride each way from my line to Penn Station and back due to transfers at the Jamaica Station. Not good as I had to work a 10AM shift. This time, I opted to drive out to the Babylon stop for a direct line to Manhattan and back for fifty-five minutes each. I went up the stairs and waited only a few minutes before the train arrived on an elevated platform. Nothing special about the train ride on a cloudy mid-50* weather. The show, however, was a whole other story. Everyone enjoyed the opener Twin Tribes and the headlining Boy Harsher hands-down to great fanfare. I couldn’t have waited in line to get some merch- as, once again, someone had to ride home for tomorrow’s payday.

I reversed the path from The Music Hall- by taking the L and ½/3 line back to Penn Station. It just so happened that I missed my train home by three minutes and it cost me an hour more before the next one came in. As I mentioned before, no transfers. Just a direct line from Penn Station back to Babylon where the double-decker cars awaited us. A nice surprise for me sitting in the seats above to contemplate my next major win: Sacred Bones’ 15th anniversary show. It could only get better.

Fifteen years ago from this month, a new concept was born. I purchased a 30GB iPod Classic through a ‘friend’ of mine at WUSB. Since then, I loaded all of my music into it and took it through many train rides. The iPod Classic has retired in favor of my iPhone SE. What once became a distraction has now been an auditioning process for future Omega WUSB shows and seasonal personal playlists. Nothing is off limits. Noise, backpacker, jazz, fusion, shoegaze, noise rock, post-punk, electronics, hardcore - everything. Everything I discover gets played in hopes of either being featured or forever a part of me. With a near endless plethora of outlets, mutuals, and other ways of obtaining music, there’s almost never a moment of silence outside of work or sleep.

Congotronics International: “Where’s The One”

MoE: “Beautiful Stranger”

Silent Servant: “Slasher”

Doc Hammer: “Commanche Crew Cut”

Visit0r: “God Of All Flesh”

People’s Choice, The: “Here We Go Again”

Ride: “1,000 Miles”

Thurston Moore: “The Station”

Sunrot: 21%

Joucous: “Rivers Pt. 1”

Exek: “ID’ed”

Legss: “Hyde Park Coroner”

Alice Glass: “Suffer And Swallow”

Totally Unicorn: “Daddy’s Stabby Surprise”

Aeges: “Who Are You”

Benny The Butcher & J. Cole: “Johnny P.’s Caddy”

Maneskin: “Moriro Da Re” 

Broken Vow: “Expiation”

Exek: “(I’m After) Your Best Interest”

Smash Your Enemies: “Faithless”

Death Strider: “Cardinal Sin”

Letting Up Despite Great Faults: “Gemini”

Dead Leaf Echo: “Milk.Blue.Kisses (Foil In Motion)”

Offset: Spectacles, The: “Stomp”

6. Offset : Spectacles at D22

Heavily-cinematic, the trio conjure emotions through seismic waves of sound, doing so without breaking a sweat.

Sets tend to go from more driving and ominous at the beginning to more fluid and dynamic as they progress.

More instruments are gradually added to their thick stew (a vintage Ace Tone electric organ, foot tambourines, one violin) while standard pieces of equipment take on novel uses, like the spooky reverb effects bubbling from Spectator V's tube amp as he prodded it with one dusty black boot as his guitar shrieked overhead.

Fierce, ominous, murky and droning, the three Hong Kong transplants don't create mere songs: they are deep seas of highly-textured sound -- surreal soundscapes that could very well come from some subterranean force shining unseen.

The trio, rounded out by Spectators K (guitar, vocals) and O (bass), unearth these melodies and grooves, dusts them off, assembles them and proceeds to lock the audience into obedience.

The centerpiece of tonight's fifty-minute performance was listening as Spectator V's melancholy and haunting violin struggled to penetrate the squalls of dissonance gurgling like an upset stomach, growing increasingly-laborious and frenzied for six minutes, until the strings almost snapped.