The Kid
Scene 6
ASPRO:
You hate me. Thatās it, you hate me. Thatās why you drag me around all those offices. They say: āNo, youāve come to the wrong place, Park Street, eighteenth floor.ā We walk there. You know thatās difficult for me in my condition. We get there. The girl says: āNo, youāre in the wrong place. Why did they send you here? Clarence Street, third floor.ā We walk there, all the way, in the boiling heat in the middle of the day. We get there. The girl says: āNo, this is the Occupational Section. Liverpool Street, ninth floor.ā We walk there. When we get there itās lunchtime. The girl we have to see isnāt there. By now I can hardly stand up. We have to wait. We have to take this ticket from this stupid machine and wait for our number to come up. We sit and sit and sit and itās hot and everyoneās smelly and sweaty from walking the same streets all the time. We sit and sit and sit and listen to the Sound of Music āBossa Nova.ā Thereās some smart arse wants them to see him first ācause heās really important ācause heās been there before and someone told him heĀ wouldn'tĀ have to wait. But youĀ always have to wait when somebody owes you something. We sit there. We sit and sit. All these cripples and fuckwits like that Irishman from Caringbah. I felt sorry for him, but, he couldnāt stop chucking for months. Nothing of him. Youāre lucky I didnāt ask him home with us. Then youād have been sorry. At last the girl comes back from lunch and the numbers start rolling. The girl puts her lippy on behind the counter where everyone can see her, just so we all know how important she is and how weāre all in the palm of her hand. You have to wait and wait and wait. Your number gets closer and closer and it gets hotter and hotter. Then, oh, boy! Someoneās given up in despair so your numberās even closer. Then. At last. Itās your turn. You go over to the counter. Sheās bored and hot. Goes ātsk-tsk-tsk.ā Rolls her eyes. At the desk behind the counter another girl. Hot. Bored. Rolls her eyes. Sweat in her mo. Rolls her eyes. Some poor sick bugger pours his heart out over the phone. Begging. Pleading for scraps. Sheās important too. Works in an office. Has a desk and a phone. Goes home in the train reading Cosmo. Has tea with Mum and Dad. Complains about all the awful people she sees all day. Boyfriend Greg. Works in the Valuer Generalās. Comes over. Watch Prisoner. He works his finger up her crack.
Ā Ā Ā Ā Oh, I know it all. Itās all true. They donāt care what they say in front of me. Iām too sick to worry about. They talk away. I listen. She asks questions. Fills in the form. Rolls her eyes. Puts her hair behind her ear like this. It keeps falling over her face. She keeps putting it behind her ear ācause it makes her feel important and busy. She says: āHave you lodged a previous claim?ā and I say āyesā and start to explain. She grinds teeth, rolls eyes. Looks at the girl at the desk. Says: āWell itās being attended toā, and I say I canāt wait any more. Iām sick. Iām sick. Iām getting sicker and sicker. [To DONALD].
Ā Ā Ā Ā You, you touch me, you little fairy. Iāll smash your face in.












