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Vaianas und ihr Ruder.
Moana and her oar.
neben der Spirale ist das Ruder mit dem Maui-haken und herz wohl das typische Symbol fĂźr Vaiana.
Aside from the spiral, the oar with the Maui hook and heart is probably Moana's typical symbol.
und das wohl sie das gekritzel von Maui am Anfang, alles andere als Toll fand.Im ersten Abenteuer hat Vaiana wortwĂśrtlich nur selten das Steuer in der Hand.
And she probably didn't like Maui's scribbles at the beginning. In the first adventure, Moana literally rarely holds the helm.
Der grĂśĂte Einsatz, ist der Angriff der Kokomura! Naja und zum nerven von Maui.
The biggest challenge is the Kokomura attack! And to annoy Maui.
Im 2ten Film, ist das Ruder der stumme Beweis wie sehr Vaiana an Maui denken musste und ihn vermisste.Sie hat es fast immer, bei sich und das obwohl Ihre Boote im 2ten Film viel zu groĂ sind um damit gesteuert zu werden.
In the second film, the rudder is silent proof of how much Moana thought of Maui and missed him. She has it with her almost all the time, even though her boats in the second film are much too big to be steered with it.
in einer gelÜschten Scene sehen wir das Sie sehr an dem Ruder hängt.
In a deleted scene, we see that she is very attached to the rudder.
Erst sollte ja das Muschelhorn zu ihrer GĂśttergabe werden, aber dann wurde es das Ruder. Ich finde die Entscheidung gut.
At first, the conch was supposed to be her gift from the gods, but then it became the rudder. I think that's a good decision.
Und natĂźrlich ist es das perfekte GegenstĂźck zu Mauis haken. đ
And of course, it's the perfect counterpart to Maui's hook. đ
Earth and Water đ
Zarina and the Sphinx
Venus Presenting Aeneas with Armour Forged by Vulcan
Artist: Pompeo Girolamo Batoni (Italian, 1708â1787)
Date: 1748
Medium: Oil on canvas
Collection: Liechtenstein. The Princely Collections, VaduzâVienna, Austria
Description
The paintings âVenus Presenting Aeneas with Armour Forged by Vulcanâ and âHercules at the Crossroadsâ were commissioned for Prince Joseph Wenzel I von Liechtenstein by one of his agents in Rome, both are initialled âP.B.â and dated 1748. The first is a smokily evocative, but also strikingly faithful illustration of a celebrated episode from Book VIII of Virgilâs âAeneidâ. It represents the epicâs hero, Aeneas, being presented with armour and most prominently a shield by his own mother, the goddess Venus, who is accompanied by winged Cupid and another cherub. Virgil places their meeting by a cool stream. In the foreground Batoni has included the figure of a river god with his traditional attributes of an oar and an urn from which water flows. The fact that he is accompanied by a wolf alludes to the story of the foundation of the eternal city by Romulus, who â with his twin Remus â was suckled by a she-wolf, and therefore also to Aeneasâs role in its legendary history.

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Oarfish đđđđ
// _ _ _ _ _ _ _ _ _
ă⢠'ââââââââ ` ă
`\\
And the moon is the witness of human beings.
But more importantly she is the one who knows about our love.
Š Givre Encres
I think everyone has a devil waiting in the wings
When you don't know what to do
And you don't know who to be
You saw everyone as an angel
But what about the thief?
Who took away from you
Took away from you
If you just kept walking on your way
Walking on your way
Just walk on
O.A.R. (Of a revolution) âDakotaâ