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Queen Nefertari Kneeling in Adoration, Tomb of Nefertari - Met Museum Collection
Note: This is a modern copy of an original Inventory Number: 30.4.144 Original Dating: New Kingdom, Ramesside, Dynasty 19, ca. 1279–1213 B.C. Location Information: Original from Egypt, Upper Egypt, Thebes, Valley of the Queens (Biban el-Malikat), Tomb of Nefertari (QV 66)
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Userhat and Wife Receiving Offerings, Tomb of Userhat - Met Museum Collection
Note: This is a modern copy of an original Inventory Number: 30.4.33 Original Dating: New Kingdom, Ramesside, Dynasty 19, ca. 1294–1279 B.C. Location Information: From Egypt, Upper Egypt, Thebes
Mummy Board of Iineferty - Met Museum Collection
Inventory Number: 86.1.5c New Kingdom, Ramesside, Dynasty 19, ca. 1279–1213 B.C. Location Information: From Egypt, Upper Egypt, Thebes, Deir el-Medina, Tomb of Sennedjem (TT 1), Egyptian Antiquities Service/Maspero excavations, 1885–86
Description:
The Mistress of the House, Iineferty, was buried in an anthropoid wooden coffin (86.1.5a, b). A wooden cover, sometimes called a "mummy board," was placed over the body. This mummy board is carved and painted to represent the deceased as if she were alive and dressed in a long white pleated gown. Other objects in the collection that were discovered in the same tomb can be viewed here.
The Barque of Amun Arriving at the West Bank of Thebes - Met Museum Collection
Note: This is a modern copy of an original Inventory Number: 31.6.5 Original Dating: New Kingdom, Dynasty 19, ca. 1295–1213 B.C. Location Information: Original from Egypt, Upper Egypt, Thebes, Dra Abu el-Naga, tomb of Amenmose (TT 19)
Description:
During the Beautiful Festival of the Valley, statues of the deities Amun, Mut, and Khonsu left Karnak temple to journey across the Nile and visit other temples. The procession also passed many private tombs, where people gathered for elaborate banquets.
At the top here, the boat of Amun with ram’s heads at each end carries a shrine that houses the deity’s statue. Though the statue of Amun was not visible, the mere sight of his golden shrine, which was usually in the restricted areas of the temple, must have been a spectacular event for the elated throng of followers. The ship has just moored and is greeted by a statue of the deified king Amenhotep I, which will join the procession. Below a bark with a statue of the deified queen Ahmose Nefertari is being dragged on a sledge.
Queen Nefertari Playing Senet - Met Museum Collection
Note: This is a modern copy of an original Inventory Number: 30.4.145 Original Dating: New Kingdom, Ramesside, Dynasty 19, ca. 1279–1213 B.C. Location Information: Original from Egypt, Upper Egypt, Thebes, Valley of the Queens (Biban el-Malikat), Tomb of Nefertari (QV 66)
Description:
This facsimile copies of one of the paintings from Nefertari's tomb. In this vignette, the queen sits in front of a table playing a game of senet again an invisible opponent. This was a popular game in life, but when represented in a tomb, as here, it has symbolic meaning. The word senet means "passing" and the game was seen as a parallel to the journey into the afterlife and the obstacles one had to overcome on the way.
In the scene, Nefertari wears an elaborately pleated and fringed gown of sheer linen. She also wears a gold bracelet, a broad collar, and what are probably silver earrings. On her head is the vulture headdress of a queen. The facsimile was painted at the tomb in 1921-1922 by Nina deGaris Davies who was a member of the Graphic Section of the Museum's Egyptian Expedition.
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Queen Nefertari being led by Isis - Met Museum Collection
Note: This is a modern copy of an original Inventory Number: 30.4.142 Original Dating: New Kingdom, Ramesside, Dynasty 19, ca. 1279–1213 B.C. Location Information: Original from Egypt, Upper Egypt, Thebes, Valley of the Queens (Biban el-Malikat), Tomb of Nefertari (QV 66)
Description:
Nefertari was the main wife of pharaoh Ramesses II and her tomb with its vivid wall paintings is one of the most beautiful tombs in Egypt. This watercolor copy depicts the queen (left) being led by the goddess Isis (right). Noteworthy is that Nefertari’s husband, Ramesses II, is absent in these scenes, indicating the queen's high status that allowed her to directly interact with the deities without him; such depictions would not be possible for non-royal individuals.
