#nikoylenoel

When I was in the sixth grade, I started playing in band. We had two days to look at the band and orchestra instruments, and for some reason percussion chose me; probably because of the few years before playing in Mr. Kevin Downie’s Orff Ensemble. If my memory serves me correct, Mrs. Carolyn Valiquette, my band director at the time, assigned us the task of writing a short piece for our band with a classmate; I was partnered with John Case. We wrote this piece called “Immortal,” and she liked it so much, we were able to play it at the last sixth grade band concert. I remember my older brother and grandmother being there to watch me play...

Later in middle school, eight grade year actually, I played a little solo at contest and got a “I” rating on it. It was a Handel violin sonata in F and Mrs. Celeste Smith gave me the opportunity to play it during the last band concert. I remember distinctly saying, right before I was about to play, “you ain’t gon say something?” She chuckled and obliged me a short introduction about me working on that piece and how proud she was of me. I was elated...

Ninth grade was the start of high school, which meant marching band, and I was playing snare drum with Amy, Drew, Pauline and Collin. That was the same year I started working on four-mallet technique and went to play in the front ensemble the next year. Sophomore year was also the same year the Derby High School Wind Ensemble was severed to play at KMEA. That year, I made it into the top band and was one of the four percussionists featured on our performance of David R. Gillingham’s “Concertino for Four Percussion and Wind Ensemble.” That was such a fun piece! I got to play this chromatic xylophone part in unison with Jason Lord. Glenn Woolard and Pauline Kennedy were the other feature soloists. That was probably the highlight of my high school music experience honestly, at least on the concert percussion side...

Then we get to Twelve Grade, I audition for the solo competition with the Wichita Youth Symphony. Unfortunately I only get a runner-up spot because [redacted] although I had the better performance of the excerpt I chose, Ney Rosauro’s “Concerto for Marimba and Orchestra No. 2.” However, it would only be a few years later I would be able to play the piece’s first movement, and cutting in the cadenza from the third, with the WSU Symphony Orchestra as a soloist for their Concerto-Aria Competition. That was Junior Year, and don’t we love a good vindication story?...

But I’m getting ahead of myself, sophomore year of college was the year I had a realignment of my purpose, and for the first time, chose to purposefully and intentionally move in that direction. It was November 22, 2010. We had a percussion ensemble concert that night, with guest artist, the one and only, and Wichita State University School of Music Alum, Kevin Bobo! We played his piece “Boboland,” where I got to play on the same marimba as him for a moment, it was hilarious and I still remember that moment fondly...

Funny enough, I was still an engineering major Sophomore year. At the same time, I was leaving my Physics class early to go to steel band rehearsal, and skipping Statics altogether to hang out with Patrick, Da’Kneisha and Sparkle LOL. It wasn’t until the end of that concert, where my mom sent me a text message that said something to the effect of, “if you change your major to music, we support you,” and so I decided to change my major to music, and also choose to put my pursuit of happiness above everything else...

Oh yeah, and then the percussion ensemble I was in, Impulse Percussion Group, won second place in the Konrad Wolff-Ilse Bing Chamber Music Competition to a bit of controversy à la “is percussion a chamber group/instrument...” yup, even in 2013, that was a scandal that we even participated, let alone placed...

Then for my second senior year, I finally played my senior recital and graduated college with my music degree. I already had a job setup at my church that I went into full-time one week after I graduated. (I do NOT recommend jumping from college immediately into job, it was a horrible mistake, but life happens fast.) I worked as the music director for the church for only three years before I realized my mental health was taking a toll. I became less of myself when I was at the office, I despised having to appear busy when I already completed my daily tasks (especially when I asked my supervisor for work to do, because according to him, “no one here has down time,” and he had nothing for me to do...) anyway, while on Facebook, I saw a post for an emergency percussion GTA position at WSU and I immediately contacted my old percussion professor, Jerry Scholl, on what I needed to submit to apply. Within a few weeks, I worked up the excerpts, recorded them all, and was accepted to begin my masters degree at WSU. And yes, I was fleeing a toxic work environment...

Cut to August 13, 2020. I’ve graduated with my Masters in Music. I’m a year and some change out of school and still only working gigs as to not get into a 9-5/M-F job. I’ve started modeling seriously and got signed to not one, but two agencies. But my focus wasn’t honed in with music, what do I seriously do with this degree and the accomplishments I’ve earned and worked for after college? And then I reconnected with my old best friend Da’Kneisha Nikoyle Blount. We had a conversation the day before and also on the day of our friend’s wedding. We talked about how we should do music again, we just talked about it, almost in jest, but also in a reminiscence. Who knew what we got ourselves into...

Our first music video.

Then a few articles here and there.

An inauguration.

Then a billboard.

An MLK event.

Contacted for a premiere piece.

Then our first concert.

A benefit concert.

A church service.

Recording in the studio.

A fundraising event.

A video shoot...

And now, as of May 5, 2021, I’ve performed and premiered my first wind symphony piece as a member of @tupacmeetsbach with @dnikoyle. The piece is called, “Stained with Beauty - for Solo Soprano, Solo Marimba, Wind Ensemble and Choir” and is an elaboration and development of the original song written by Da’Kneisha. The piece comprises of four movements, and is roughly 25 minutes in length. This piece is our baby and as Renee would say, “one of the most honest and innovative music projects.” I’m so thankful to all the musicians who rehearsed for months to make this performance happen!

Thank you to Dr. Timothy Shade for reaching out to us and providing us an ensemble to realize this piece. Thank you to the choir who became a nice supportive background for Da’Kneisha. Thank you to the stage techs and sound engineers for filming and recording this premiere. Thank you to my parents for financially supporting me during the pandemic to allow me to sustain while working fervently on this piece. And a special thank you to my best friend and partner in rhyme, Da’Kneisha, for your heart, your mind, and your friendship!❤️❤️❤️