I’ve bought a couple of old Nikon bodies recently, hence the posts tagged with D1x and Retro Digital. 

The F5 was the last of the full size pro-spec 35mm film bodies and it was replaced with the D1 series. The F6 fitted in the gap. A bit of a step in technology but in the grand scheme of things not that much different. My G lenses work on both, the auto-focus is equally fast on both and the build quality is great. Not bad for cameras that are nearly 20 years old. 

Interesting to note that modern larger capacity CF cards don’t work in the D1x but otherwise it’s a good sturdy, fast camera. The F5 is also great but clearly it’ll only do 36 frames before having to change the roll. 

In a groundbreaking move, Nikon is set to make headlines by acquiring RED Digital Cinema, a world-renowned manufacturer of cutting-edge cinema cameras. RED's digital cinema cameras are widely regarded as the most advanced in the market, and for a considerable period, the company has been the trusted source for filmmakers who desire more than just digital images but cinema-quality shots for their motion picture and television productions. Have you noticed the RED technology, which has caused a tidal wave in the film industry, enabling filmmakers to tell their stories through sophisticated imagery?

This acquisition clearly demonstrates that Nikon has followed the same path and will continue to advance in the cinema camera market. Already well-known among photographers, Nikon is now in a position to merge with RED, a specialist in the field, to gain technological expertise and foster innovation. As a result, Nikon plans to equip all of its products with the same high-definition video technology that RED is renowned for. This strategic move is an attempt to provide moviemakers and other content creators with the best tools needed for the creation of the most breathtaking videos ever.

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