In addition to writing Uncanny X-Men comic alongside a countless number of mini-series, spin offs, team-ups, annuals, and special editions, the first 54 issues of the New Mutants were written by X-Men lead writer Chris Claremont. This made the stories about the X-Men junior team essential, because not only did the writing style of New Mutants match that of Uncanny X-Men, but the stories of the two comics were often so intertwined that both were required reading in order to understand what was going on. In fact, I had never planned on reading any of the New Mutants for this blog, but there were so many references to the series in Uncanny that I had no choice. And to be honest, it was like a surprise Christmas present (like a puppy wiener dog with a bow on it) when I realized there was a whole other X-Men series written alongside Uncanny X-Men that matched, and sometimes surpassed, the quality of the original series. In issue #55, writing duties for the New Mutants were handed off to Louise Simonson, presumably so Claremont could continue to expand the X-Men brand with new series like Excalibur. I don’t like Simonson’s scripting nearly as much as I do Claremont’s. She’s written a good portion of the Power Pack and X-Factor comics that I’ve read, and while I really like her light hearted Power Pack stories, her 1960s style of comic book writing doesn’t suit the darkly themed stories of the adult X-Men nearly as well. However, the last few issues of X-Factor were pretty incredible, where the original X-Men fought Apocalypse and Archangel, so maybe her work here will grow on me in a similar manner. These first few pages here, where Sam has a diva meltdown about not having a good shirt to wear to Lila Cheney’s album launch party, aren’t lighting a fire under my ass. (New Mutants #55 – Sept 1987)









