Bringer of blessings
Sebastián González de Gortari
2020
Mixed media.
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seen from Malaysia
Bringer of blessings
Sebastián González de Gortari
2020
Mixed media.

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The position of senior or paramount chief among the Ndembu, as in many other African societies, is a paradoxical one, for he represents both the apex of the structured politico-legal hierarchy and the total community as an unstructured whole.
Victor Turner, The Ritual Process: Structure and Anti-Structure (1966)
Victor W. Turner The Forest of Symbols: Aspects of Ndembu Ritual
are they living in the backrooms?
In an Ndembu ritual context, almost every article used, every gesture employed, every song or prayer, every unit of space and time, by convention stands for something other than itself. It is more than it seems, and often a good deal more. The Ndembu are aware of the expressive or symbolic function of ritual elements. A ritual element or unit is called chijikijilu. Literally, this word signifies a "landmark" or "blaze." Its etymon is ku-jikijila, to "to blaze a trail"--by slashing a mark on a tree with an ax or breaking one of its branches. This term is drawn originally from the technical vocabulary of hunting, a vocation heavily invested with ritual beliefs and practices. Chijikijilu also means a "beacon," a conspicuous feature of the landscape, such as an ant hill, which distinguishes one man's gardens or one chief's realm from another's. Thus, it has two main significations: (1) as a hunter's blaze it represents an element of connection between known and unknown territory, for it is by a chain of such elements that a hunter finds his way back from the unfamiliar bush to the familiar village; (2) as both blaze and beacon it conveys the notion of the structured and ordered as against the unstructured and chaotic. Its ritual use is already metaphorical: it connects the known world of sensorily perceptible phenomena with the unknown and invisible realm of the shades. It makes intelligible what is mysterious, and also dangerous. A chijikijilu has, further, both a known and unknown component. Up to a point it can be explained, and there are principles of explanation available to Ndembu. It has a name (ijina) and it has an appearance (chimwekeshu), and both of these are utilized as the starting points of exegesis (chakulumbwishu).
(From The Ritual Process: Structure and Anti-Structure by Victor Turner)

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Resolving tensions in Ndembu society
When misfortune is attributed to mystical causes in Ndembu society, it is common for many sets of disturbed social relations to be scrutinized by the interested parties. The vagueness of the mystical beliefs enables them to be manipulated in relation to a great diversity of social situations. Eventually the crucial tension is isolated and dealth with.
Victor Turner, The Forest of Symbols: Aspects of Ndembu Ritual, 1967
VĂctor Witter Turner naciĂł en la ciudad de Glasgow, Escocia, el 28 de Mayo de 1920, más adelante en su vida llevado por una vocaciĂłn fluctuante entre el arte y la ciencia, se convertirĂa en referente ineludible dentro de la disciplina antropolĂłgica, con especial fuerza en los campos que abordan estudios rituales y simbĂłlicos en la sociedad humana. (seguir leyendo)