Dry County Business: Part fourteen
A month has passed since then.Â
Through the last bits of summer, youâve shared missions, injuries, meals, rooms, and things of that nature, together. And through the time, youâve realized that life feels slightly better with him. Heâs made your job easier and keeps you companyâŚin a way.Â
This autumn, youâre in Nevada. The sun beats down like itâs still summer, though there is an occasional breeze. The sunsets and lack of insects make up for it though.Â
Restinâ your feet on a glass table littered with cigars and dirty magazines, you rest your eyes, waitinâ for someone. The man beside youâAnton, stares blankly at the wall. The private room youâre in reeks of alcohol and tobacco.Â
You shift on the leather couch youâre sittinâ on. âHowâs the arm, amigo?â
You open your eyes and turn. He is sitting barely half a foot away.
After a short, heavy silence, he lifts his forearm and rests it across your lap without ever breaking his stare from the wall. A dry, rumbly chuckle escapes you. You pat his sleeve, feeling the thick gauze underneath it. âDo it feel stiff?â
âYes.â His voice is a flat, unmoving baritone. His eyes stay glued to the plaster.
âMeans itâs healinâ. Thatâs good.â You leave his arm to rest on your lap, and he doesnât pull away. You close your eyes again, leaninâ back into the leather. In the dim, smoke-filled quiet, his dead gaze slowly turns, landing in you. You canât see it, but you can feel its weight.
You hear the door fly open, letting in the sound of slot-machines and slurred shouting. Your eyes snap open and watch the door close. A man sits on another couch across from you.
He whistles. âYâall killers if I ever seen âem.â He lets out a rusty chuckle and reaches for one of the cigars on the table.Â
You pat Antonâs arm and he slowly retracts it. Leaning forward, you look the man straight in his eyes. âWhatâs the job?â The man cuts the cigar then lights it, all too leisurely.Â
After a long drag, he puffs smoke in your direction. âYouse from the south? âGot a twang to that voice of yours. Iâm from Georgia myseââ
âWhy does it matter to youâŚwhere weâre from?â The flatness and unplaceable accent in Antonâs voice is more pronounced as he drags out the words. The deep baritone of it echoes through you. The manâs mouth is left slightly ajar, but then he catches himself.
He takes a longer drag of his cigar. âIt donât matter at all, son. Itâs just proper etiquette to make small talk.â He puffs smoke in your direction once more. You hold your breath.
Goddamit, will you quit?!
You waft the bitter smoke away from you and sigh. You clear your throat and try to collect your frayed nerves. âHe donât do small talk, sir. Now, can we get on with it?âÂ
The man bursts out laughing, coughing out some smoke. âThatâs fairâthatâs fair.â He takes a drag. You feel your shoulders ease and take a breath.
Ugh, tastes like old tobacco.
âA young lady, thin, red-headed, freckled all over. âThink she was a runaway with all the talkinâ about going to California. The bitch cheated me out of a couple hundred and you know how that goes.â He tosses a thick wad of cash at you, it hits your lap like a brick. You canât help but feel a little irritated at his re-telling.
Grown man talking âbout some âlittle bitch.â
You knit your eyebrows together and bite the inside of your cheek. âHow little we talkinâ?â The man puffs your way again.
âRunaway age? I donât know, it ainât important.â
You flip through the wad of cash then look back up at him. Never in your life have you killed a child. So, for the first time in a long time, you canât bring yourself to go through with it. You toss him back the money.
âAfraid I canât do that, partner. I can pay you the money if thatâs what you want.â You reach into your pocket and slide him about a thousand. His hands fly forward and stash the money in his jacket with haste.
You get up to leave, peering at Anton. He gets up slowly. His eyes look more stuck open than usual and his eyebrows twitch every few seconds.Â
âSuit yourself then. Somebody goneâ kill her, it just wonât be you.â You whip your head back and slide your hand into your denim jacket. The man puts out his cigar on a magazine.Â
âCome again?â Carefully, you turn your body to face him. He looksâŚamused.
âYou heard me. You think just because you paiââÂ
A sharp crack echoes through the room. Suddenly a fountain of thick, red liquid rushes out his neck.
 He immediately holds his throat, staring at you with desperation and anger. Then his eyes lose focus and he goes limp.
Quickly, you store your pistol in your inner pocket and exit. You walk through the busy casino at a moderate pace. You donât look beside you once, until youâre in your vehicle. You buckle up.
You slowly face Anton, remembering that you just dragged him all the way here. He bores into your eyes so deep you could practically feel them inside yours.Â
âYes.â His eyes are stuck on you.Â
You just adjust the rearview mirror, start the car, and drive.