#multitrack-recording

Here’s a couple of StudioLive 24.4.2 ”in the wild” pictures I thought you might like to see. Red 13 PA (named after a Journey EP ) is based here in the UK. This pic is of our rig at a festival for the Queens Diamond Jubilee last weekend. At the end of the night we had around 1000 people going nuts in the marquee!

PART 4: Reverb! Now, the most difficult and most-discussed theme on orchestral composition forums is applying reverbs. This is the most important part of the orchestral mixing process as far as I’m concerned. I’ve watched and listened to loads of tutorials and lectures on reverbs for orchestra—which one is better? Why?. There is a lot of controversy on impulse response reverbs vs. convolution reverbs. Whatever you pick, the most important thing is that it sounds good to you. My main reverb is Altiverb and sometimes I use Lexicon PCM Native. Here’s how I apply them to my orchestra sections:

Continuing this incredible series from Nikola Jeremi: Orchestral Scoring in Studio One 2 Pro. This installment focuses on EQing your dozens of instruments so they all play nicely together. Fascinating!