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MONUMENTALITY,
“the mentality, to be monumental”.
Without question one of al.divino’s most experimental bodies of work to date, Monumentality stands to be an embodiment of innovation. Released April 2018, this project was wrote, recorded +self produced by Divino at the mini mansion under the influence of magic mushrooms. (a dosage of 3.5/4g per night two nights in a row to be exact) Divino had developed a playlist of 1930-80s archival film footage of various ancient architectural landmarks specifically intended for this test of creative endurance. On mute, the almost omniscient visuals played in the background while obscure jazz was manipulated by a 404. At merely a glimpse into this abstract almost shamanic like process, we start to understand the ripple effect that this project would have later on in the current world of renaissance-esque high potency hip hop. At the time the climate was forward thinking yet maintaining a clear cut ode to traditional form, MONUMENTALITY provided a much more distain for form from his peers and predecessor’s. The form was no form. The musical parallel of the defocalization found from ancient hallucinogenics such as psilocybin. Accompanied by his ace @esteenack, they would push boundaries and reveal pockets previously unexplored. Divino would try something new he had never thought of prior to this experiment, writing to the next beat while Nack mixed the current song. A new free form style was incepted, a direct descendant of jazz, “the SPLASH”. Their flows were no longer barred under the false imprisonment of normalized quantization, taking their approach off the grind so to speak. No longer required to record a verse the same way twice, these formless amalgamations of previously mastered techniques would then morph into more styles later on in their catalogues and become quintessential aspects of their shared trademark originality. Inspiring others outside of Massachusetts to unlearn previously established habits of flow to evoke new deliveries although chaotic at times to untrained ears these rhythms would be a breath of fresh of air and highly revered by respected contributors to culture, critics and listeners alike.
"yes I am a fan of Solar Sands one million subscriber special video"Monumentality", how could you tell?"
al things considered — when i post my masterpiece #821
first posted in facebook april 2, 2020
hubert robert -- "colloseum, rome" (ca. 1790)
"[robert's] works heighten the monumentality of the structures they are depicting by lowering the viewer’s eye and inserting small, almost minute, human figures in the foreground for comparison. the vegetation growing in and around the aging temple and the ruined basilica helps to further highlight and dramatize their levels of decay" ... sheree y. liu
"it depicts a group of young people at play in the ruins of a greek temple. anywhere you look in the painting, at the crumbling temple, at the withered tree, or at the starving mule, everything points to endings, or THE end. the only distraction, and a momentary one at that, is the young people's game. like the dog that, after the bombing of berlin, emerged from the rubble, dug up a bone, and played with it for a short while, and when it saw a tank rumbling past at top speed threw itself under its tracks" ... maria gainza (discussing a similar painting of hubert robert's in her book "optic nerve")
"if dogs run free, then what must be must be, and that is all" ... bob dylan
"the world was ... unlasting, what could be forever? or only what it seemed? rock corrodes, rivers freeze, fruit rots ...and who is lonelier: the hawk or the worm?" ... a 12 year old truman capote
"what could be deadlier: a tank or a dog? for if tanks rumble free, then what it is it is, and that is al" ... al janik

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