#monpunk

Writing that horribly long Punkpunk genre overview, that obviously missed some of the punkpunk genre, I could not help but think that there are some punk genres that are somewhat missing or could be defined. That is genres, that kinda use the punk idea and mix them with certain scenarios or retrofuturism. And I would argue, that these genre already somewhat exist in one way or another, but have not quite been defined.

Once again, I will go with this idea for punk ideology – and with the presumption that this somehow should play into the genre.

[Punk ideology] is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, anti-consumerism, anti-corporatism, anti-war, imperialism, conservatism, anti-globalization, gentrification, anti-racism, anti-sexism, class and classism, gender equality, racial equality, eugenics, animal rights, free-thought and non-conformity

Please note: While I absolutely think that there is a ton of stuff that could be explored in regards of retrofuturist ideas based around non-white cultures and technologies (for example by defining more punk derivatives from Amazofuturism and Afrofuturism), that is nothing for my white ass to talk about. 😉

I will start with three anime derivates – that have most certainly inspired this kinda storytelling before…

Mahoupunk

As a genre: The magical girl genre is ripe for deconstruction, and sees more and more of the sort even in western media. While traditionally the genre often concerns young girls and their magical powers in a story of self-discovery and coming of age, it also usually has a lot of potential in terms of both who the magical girls fight and who they get their powers from. I propose that Mahoupunk could feature both stories of magical girl powers being used by those in power for oppression with others – both Magical Girl and normies – trying to fight this system, or of Magical Girls awakening in a dystopic world (possible Cyberpunk), trying to change it for the better. The wide variety of the way magical girl powers can be used would allow for a variety of storytelling opportunities, given the powers can be used both in terms of combat, but also in terms of mutual aid.

As an aesthetic: The aesthetic could play around with classical magical girl elements against a rather dark and gloomy backdrop. We see this already a lot in magical girl deconstructions, with the pastel colored magical girls with their hearts, ribbons and flowers against a dark skyline.

Punk-Factor: As I propose it, the genre would play around a lot with the question of “Who has power and who uses it for what?” The magical girl powers – or those, who distribute it – can be a tool of the powerful and the oppressors, but they can also be a tool for those who fight against this kinda oppression. And this fight against oppression and the trial of helping others are most certainly punk elements.

Examples: My Otome, She-Ra and the Princesses of Power

Note: The idea here kinda comes from my frustration over the lack of magical girl deconstructions. We have dark magical girls, yes, but most of them tend to be “magical girls but dark and gritty and people die”, rather then exploring the themes about magic and who gives it. Yes, Madoka and Uta~Kata kinda explore this a bit, but it never goes further into the who gets and who controls magic – the way that some of the following genre explore those themes.

Mechpunk

As a genre: Admittedly, this almost feels like cheating because the Mecha-Genre has been deconstructed about five hundred times already and kinda already does this on the regularly, which always makes me surprised that so few people dare to put it on Cyberpunk lists for example. What I propose as Mechpunk could also be called Gundpunk, because, let’s face it, Gundam has my ass pretty much covered. In a world where SuperRobo-style Mechas are the most effective type of war machinery, they will get used to oppress people and uphold the (often capitalist) status quo, while not rarely people from the lower classes might find themselves forced to pilot these suits. But being the effective war machines, they also can be used to break the cycle. As such the pilots might need to navigate their way between political strive and the fight for a better world.

As an aesthetic: Again, this genre feels like cheating, because at least a forth of all the Mecha anime out there play it like this – but it also has found its way into western media like this. I feel, we should embrace the aesthetic of the SuperRobo and those neat overstyled pilot suits, though. Put that in front of a rather dystopic cyberpunk backdrop and it plays a lot with the contrasts.

Punk-Factor: Again, fighting the system of oppression definitely qualifies as punk. I would also be super interested in seeing stories, where the Mechas are used in more creative and productive ways, such as mutual aid.

Examples: Basically two thirds of all the Gundam series out there, Bokurano, Iron Widow

Monpunk

As a genre: While the other two are examples of genre, that have been played around with a lot, I also have to talk about my kinda favorite anime subgenre, that has been explored too little so far: Monster taming. While not the first of its kind, Pokémon is probably the most influential part of the monster taming genre, but there are a ton of others out there. While it is obvious that this genre is heavily inspired by Shinto believes, I find it almost sad, that there are rarely any deconstructions – but Monpunk would be one of those. Monpunk would explore both the spiritual and the ecological aspects of the monsters. The creatures, that are inherently linked to their human partners, are exploited – be it by the system or their human partners themselves. Pokémon itself allows itself for such readings, and I would go as far that at least Takeshi Shudo’s novels can be read in a way that the Pokémon and trainers are exploited by a capitalist system. The genre could explore the bonds between humans and creatures, both as friends, but also as an exploitative relationship. It could also feature characters getting aware of the exploitation happening.

As an aesthetic: Something that to me really works well about the entire monster taming genre is the contrast between humans and creatures, so this is something that could be used in the design aesthetic. Slick human designs with kinda futuristic outfits meet wild creatures, that are monstrous and feature natural elements.

Punk-Factor: As so nicely pointed out by that Wikipedia description of “punk ideology”, there is also an aspect of animal rights and environmentalism to punk, which could be explored within this genre. And of course, going the Pokémon route, this could also be super interesting as a comment on capitalist systems.

Examples: The Pokémon novels by Takeshi Shudo, Kaiba, MyHiME

Note: While the capitalist reading might also work with “merch bound mons” (like the cards in Yu-Gi-Oh and its derivates, or the Beyblades), I do not think that this kinda story would quite work with what I imagine here.

Did I choose the genre based on starting with the letter M? No, I did not. It just happened to turn out that way. But I kinda find it fitting.

There is the general thing of course that a lot of western media still kinda struggles with these ideas in general. We do not get a lot of books or movies based around these genre in western media, even though I know there are quite a lot of writers who write about it. I think this is partly, because it is seen as “childish”, but partly also because people do not quite get what it could look like outside of the visual medium, which at least the mechas and mons heavily rely on in their storytelling.

Still, I would absolutely love to see these kinda stories told in all sorts of media. And god darn it, book publishers. Give those magical girl stories a chance.

Moving away from anime/manga inspired ones and going back to some more history inspired ones:

Knightpunk

Note: I know I am not the first one to propose something along these lines. I have seen the title Castlepunk and Plaguepunk thrown around quite a bit. But there is an argument to be made for a world developing technology from the medieval feudal setting onwards, with stories being told within all sorts of time periods.

As a genre: The defining feature of Knightpunk would be that it is set within an anachronistic feudal setting. There are kings and queens and nobility who hold power. The world has duchies and landlords (who actually hold land and not just houses). And most of the population are considered uneducated peasants used for menial work. While technology has improved, there are still some of the problems going around like the danger of famines. The church, too, has some hold over the people, threatening them with eternal damnation. And the knights exist to uphold the status quo. The central conflict of these stories would feature characters trying to either find a way they can exist in peace – or actually overthrow the system. There also could be stories told about the value of education, medicine and moving forward as a society.

As an aesthetic: I would argue that as an aesthetic Knightpunk already exists. There are a ton of stuff that play around with medieval fashion and of course armor and adding modern day or even futuristic elements to it.

Punk-Factor: Playing it as I imagine, the stories would be quite punk both in terms of featuring counter culture, and in terms of tackling themes of standing up against a corrupt system.

Examples: Nimona, Jupiter Ascending, Code Geass

Druidpunk

As a genre: I am surprised this is not a thing yet – but maybe I should not be that surprised after all. Druidpunk takes inspiration from the time between about 200 BC and 500 AD, with both the Roman colonization of Western Europe and the later Christianization of the area, which also included Pegan hunts. This might also be used as an inspiration for more futuristic settings build on those ideas. But the central conflicts arises from the violence that Roman and later Christian forces inflict on the Celtic population of these areas – and it would feature conflicts both of faith and of power within it, seeing that this Celtic population would often be seen as second class. It would also play around with Celtic ideas of fae and magic in a way of fighting the oppressors, as well as with ideas about the value of preserving knowledge through stories.

As an aesthetic: There is a respectful way to go about this aesthetic and one that is less so, and in this case I think both are kinda alright? You can go with playing with the aesthetics of real Celtic people of the time, maybe given them some visual updates and just lean more into stuff like the Celtic knot and what not. Buuuuuut, you also could just take your average Dungeons & Dragons Druid aesthetic and dial it up to 11. Bonus points if you use this against a more downplayed Roman aesthetic.

Punk-Factor: Admittedly, despite it featuring kinda a fight against colonization, I would argue this is a bit less punk and more about the general idea (and my frustration with how little we see written about this time from this perspective).

Examples: I don’t know if there are any books like this. You tell me.

Guillotinepunk

Note: How is this not yet a thing? I really tried looking for something along the lines of this idea, but… it does not seem to be a thing so far?

As a genre: The history of the French Revolution is a complicated one. Other than what you have been told, it did not quite fail, rather it petered out and then there came Napoleon, took part of the ideas and threw away others. But what if we use the ideas of the French revolution and tweak the setting a bit. Maybe this is retrofuturist and the Revolution just continued. Maybe the revolution happens within a more modern setting – but similarly as it did in reality. But there is strive and class struggle here. The people are rising up against the nobles, who have suppressed them for so long. Heads are rolling and for a moment things seem great. But as the revolution continues, the disagreements between the revolutionaries will become more and more clear, with factions turning against each other and a battle of ideas starting.

As an aesthetic: There are guillotines and there is the fashion of the upper class of the epoche, but taken to an extreme, that we did not quite see in reality. This might be mixed with anachronistic elements, that come to play within the aesthetic. Maybe some military aesthetics mixed in there as well.

Punk-Factor: I would argue that the French revolution is pretty darn punk. You know, those punk ideologies from above? Most of it was aspired to by the revolutionaries. Though I would argue this genre would be just a bit more, as it would also consider the rifts between different parts of such a movement – and how they might or might not be mended.

Examples: Cake Eater (2022) – I still think there gotta be others, because it is so obvious. But I cannot think of any right now.

Tsarpunk

Note: Yes, I am aware that Leigh Bardugo already coined this term, that so far is mostly used to describe anything written by her. However… You might see this coming, but… Let’s add a bit more punk to it, shall we?

As a genre: Tsarpunk could play around with Russian society before the revolution happened. There is a tsar and there is the nobility who owns, at the point, also most of the factories that are becoming more common. A lot of the poor people are serfs under them. There are people, who are willing to rise up against the system – and some of the nobility find themselves drawn between the faction of the tsar and the potential revolutionaries. Steeped in Slavic mythology, there might also be magic and creatures, that court the line between fantasy and horror elements.

As an aesthetic: The aesthetic could mix up the entire Slavic influence a lot more. Aesthetically Slavic culture is very interesting, as it has a lot of intricate elements. There could also aesthetic influences be drawn from Clockpunk, as such mechanations are tied to Russian of the time a lot.

Punk-Factor: Again, Revolutions tend to be pretty darn punk, so playing up the revolutionary angle will give some punk points in my book – though if the revolution is less played up, it might also be less punk as a potential genre.

Examples: The books of Leigh Bardugo, but I would also argue that in a way The Witcher qualifies as well.

If you left me to it, I would probably be able to name some more ideas for historically inspired punk genre. After all, there is a ton of potential there, even if we just look at European history. Especially given the parts that we are looking at so far. (Note to self: I kinda wanna write something about how some of the punk genre could do more with the general idea and setting…) I do also think that kinda the issue with how some people are tackling the punk genre so far is too much of “fantasy/scifi, but with [insert historical setting]”. Instead of going: “What if Cyberpunk, but [insert settings]?” So, there is not as much as theming happening, as there could be. And I do not even necessarily mean those anti-hierarchical/anarchical punk themes. But also more general… themes. You know? THEMES!!!

Also there is a kinda genre, that would also make for an interesting exploration…

Vampunk

Note: Alright, I admit it, this is here because of my near constant vampire obsession, but I also think that vampires are a wonderful vehicle to tell punky stories, based on the simple fact that vampires inherently serve often both as the oppressor/exploiter and the marginalized.

Let me start with talking about the duality of vampires.Vampires inherently are dependent on somewhat exploit humans in most scenarios, given they need to drink human blood. As such vampires have always an incentive to somehow keep humans around and somewhat dependent on them. Often enough they are kinda equaled to nobility or in more modern settings with CEOs and boards of directors. At the same time vampires in most settings also need to keep themselves hidden, fearing some sort of anti-vampire inquisition, with this often being kinda a vague metaphor for queerness.

As a genre: Vampunk would feature a world that has some Cyberpunk features. But the world is secretly run by vampires, who work as the world’s CEO and board members, using their positions to get easy access to the blood they need to survive. However, within the vampire society there is also a large divide between the haves and the have-nots. While the upper-class vampires have power, control and all the blood they can want, the lower-class vampires often barely scrape by, their access to blood regulated through those above them. As such lower-class vampires need to figure out, whether their true allegiance should lie with the vampire upper-class or the humans so unwittingly exploited by them.

As an aesthetic: I think the best aesthetic for this would be something along the lines of Gothic Noir with maybe some punk elements within it. A gothic aesthetic is a no-brainer for this genre, though.

Punk-Factor: The genre could be very much played for punk factors, by playing these stories were much as a class struggle and around the realization that the lower class of any privilege group has as much in common with the marginalized than with the privileged upper class. It should be noted, though, that one has to be careful in this genre. The Victorian vampire had some roots in antisemitic myths and if not threat carefully constructing a genre like this might lead to unintended antisemitic readings.

Examples: Daybreakers (2009)

Fun fact, I find it weird how Daybreakers was universally loathed when it came out in 2009, but recently I actually see a lot more appreciation for that movie. And I think it shows those ideas pretty well. I would also argue that the latter Underworld movies had some of those themes. And I would also argue it is different from usual vampire fantasy on the basis of being more thematically dense. I am kinda hoping that Castlevania Nocturne goes into this direction.

Finally going to some outright futuristic ideas. Things that might kinda exist already as parts of the other punkgenre (mostly Cyberpunk), but are kinda worth exploring on their own. And yes, those again have anime examples, because…

Virtupunk

Note: This definitely is a kind of genre that already does exist but has not been explored in the punky way a lot so far. At least not intentionally.

As a genre: Virtupunk is set in a world that has some Cyberpunk features. Corporations rule a good part of the world, though it might even look like our everyday world. (Because we life under late stage capitalism.) Technology has advanced enough that virtual reality is a thing in one way or another. As such a lot of people interact with the world at least partly through the virtual reality. But even this reality is owned by corporate interest. The virtual world is a thing all on its own, though, in a way that even those corporations running it do often not quite understand. Within it AI is developing faster than anticipated – and only some people seem to understand the importance of it. The protagonist fight – at times with the AI and at times against it – to retake control of this new virtual reality. A central theme is, though, how the virtual world, that kinda functions as a metaphor for the internet, allows people to connect and organize.

As an aesthetic: While I will argue that this is definitely something that exist as a genre, there is not much of an aesthetic so far. Generally, of course, VR headsets will play into this, but not all versions of this genre interact with the virtual worlds through this. The virtual worlds themselves can often be somewhat strange and crazy, breaking with established rules of the real world.

Punk-Factor: I would argue that the central punk theme in this kinda story is even less about the “rising up” part, but rather about the connection and the means of organizing. Though there will usually be some aspects about “taking back the virtual world”.

Examples: I would argue that the main example here is Mamoru Hosoda’s kinda “internet trilogy”, with Belle being the strongest example here. .hack// does definitely also qualify. Also: Serial Experiments Lain.

Augmentpunk

Note: Now, this is a thing that appears in Cyberpunk a lot, but is barely ever thematically explored. Which I find kinda sad.

As a genre: Like Virtupunk, Augmentpunk borrows a lot from Cyberpunk, though its setting tends to be a lot more toned down. The technology taking over in this kind of stories is Augmented Reality, which might either be accessed over devices such as glasses, contacts or masks, or even be just somehow inherently accessible. The AR exists within the real world – mostly – as an additional layer. Depending on how anti-capitalist the stories wants to go, it might feature the constant barrage of advertisement the characters are put under. More often, though, this genre will explore how AR makes the lines between the real and the virtual blur, at times completely destroying concepts of reality.

As an aesthetic: Augmentpunk loves playing around with the idea of overlaying different layers to reality. You will find a lot of holographic images floating over the world and characters in this aesthetic, often contrasting colorwise with the designs of the characters otherwise. There tends to be in general a contrast between a more mundane world and a strange augmented reality.

Punk-Factor: Usually these stories to not go far into the punk themes. There might be a bit with anti-capitalism or something about our addiction to technology, but that usually is about it. It still is something I enjoy, though!

Examples: Dennou Coil, Accel World