Jul 13
Her heart's a stranger to its own emotion. Sometimes it thinks it loves, when no love's there. At other times it loves quite unaware.
The Misanthrope, Molière (trans. Richard Wilbur)
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Her heart's a stranger to its own emotion. Sometimes it thinks it loves, when no love's there. At other times it loves quite unaware.
The Misanthrope, Molière (trans. Richard Wilbur)
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Les caprices de l'enfant-roi
(spoilers below the cut)
J'ai beaucoup aimĂŠ le concept et le film MAIS je suis sortie avec un arriere gout d'insatisfaction, je vous partage mes impressions sous le cut
Le Malade Imaginaire; Play and Ballet by Moliere; 1905; Antiquarian Book; the Imaginary Invalid - Etsy
Situations were suggested, generated lines analysed, and new variations requested. Each scene went through numerous rewrites. The creators explained to the AI model why some proposals did not work, suggested dramatic devices typical of Molièreâs comedy, and gradually refined the text. AI made suggestions; the artists selected, guided, and corrected them.
The project âMolière Ex Machinaâ uses artificial intelligence to imagine a brand-new play that Molière might have written had he lived longe
The article on Sorbonne's website bolded the important part, so I don't have to.
And it's the most important part. The most important part that lines up with four years of my experience with the tech. Working with AI means beating it with a stick over its stupid tin head most of the time, and fixing the output by hand rest of the time. Particularly if you're working with a full theatrical play's worth of material.
These guys were insistent on doing stuff they would achieve without AI's "help" anyway, to a similar result, and I'm not even sure if it wouldn't even take them as long. Unless they're willing to show the entire logs from Le Chat and their working notes, it's hard to tell whether they worked with the AI or against it, much like Darren Aronofsky did with 1776.
Either way, it's not a load of desperate sales pitch bullshit promising the impossible, which in regard to AI is a lot to ask for already.
Mark Rylance returns to the Marylebone Theatre
Mark Rylance to direct production of Tartuffe, adapted by Darren Redmond of the Marylebone Theatre.
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So I zoomed in on this screencap and I canât quit giggling.
I meanâŚ
THE LOOK ON SWEETâS FACE!!! đ¤Łđ¤Łđ¤Ł That man doesnât trust Mole with that weapon one iota and I donât blame him lmao!
AND LOOK AT MOLE!!! That is one adorable, derpy little borb of a man that should NOT be armed with an automatic gun! Omg I love it!
AND HELGA AND ROURKE! Looking at each other likeâ
Rourke: âAre you ready for some serious shit to go down, Lieutenant?â
Helga: âYes sir!â
I wonder how many times they gave each other this look before going into a fight or a mission? Theyâve totally got each otherâs backs in this moment. No wonder Helga didnât see the later betrayal coming⌠DamnâŚ
Two evil badasses over here. I want to Gibs slap them both for being jerks but theyâre tall and Iâm only 4ft10. đ đ Plus theyâd kick my butt for even trying. Yet, you could also argue that theyâve sunk low enough for me to reach. Still love them though. 𼰠(Idk I have a headache and I need to go to bed).
Le Malade Imaginaire; Play and Ballet by Moliere; 1905; Antiquarian Book; the Imaginary Invalid - Etsy
