#misha's text posts

I’m Misha (he/him preferred, but others are fine). I’m a queer Russian socialist. Adult (b. 2004). Probably autistic.

All my art, writing, etc. (both original and fandom) is posted on my sideblog moskvishacreates. Others' stuff generally gets reblogged here on main. (Although I've had the sideblog for as long as I've been here, it only became a general art blog in spring of 2024.)

I add image descriptions to original images I post, but mostly don't add them to reblogged ones.

I try to tag triggers, at least the more common ones I know of; the format is "#cw: [thing]", like "cw: flashing" for flashing lights or images. Also, I try to tag posts like "reblog this if you think x", "good luck posts" and other stuff like that with "#reblog bait", and generally try not to even reblog them in the first place these days. (Note: fundraiser posts won't get the "reblog bait" tag).

Fundraiser tags: #donations; #palestine fundraisers; #sudan fundraisers; #congo fundraisers; #ukraine fundraisers.

A few more things:

Even if I don't understand someone's queer identity, as long as they're in good faith (which includes not being racist, transphobic, intersexist, etc), I'm gonna respect it.

I'm firmly against rad/queers. I'm also against pr0ship/c0mship/pr0fic/whatever. Will block on sight.

This post by an intersex transfem explains why the terms tme/tma are intersexist.

Don't use the Shinigami Eyes extension, it's completely useless for determining who is and isn't pro-trans. Here are multiple people expressing blatant transphobia against trans men, as well as exorsexism, and yet still being marked green, and a straight up terf being marked green. It's also consistently used to mark transmascs and intersex people red for speaking about the transphobia and intersexism they face.

If you want a more reliable way to identify a radfem, here's a post that lists dogwhistles and rhetoric to look out for. And here's a lengthy post explaining the history of b*eddelism and talking about how ideas associated with it are still around.

Specifically, when they say they're doing a commercial for Tenna, thus implying that they're working with him. If Spamton had already been angry at them and believed them to be fake friends during his big shot days, he would've complained about it, and Tenna would've definitely known about it. And whether he had seen the Addisons or a picture of them before or not, he would've been able to tell that they're of the same species as Spamton and connect the dots.

I think Tenna has likely heard of the Addisons before, and the way he heard of them would've probably been through Spamton telling him how they used to support him before he became a big shot, and how grateful he was for that. As far as Tenna knows, they're good friends of Spamton. He has no idea that they completely abandoned Spamton after his downfall and left him to be homeless because he was "bad for business". He would've never wanted to work with them if he knew they had hurt Spamton or let him get hurt when they could've stepped in to help.

A. Homophobia and aggressive bigotry towards queer men specifically has been heavily normalized and encouraged in fandom to the degree that anon felt comfortable heavily implying that a relationship between two men is of lesser value than any other relationship.

OR

B. whether or not a m/m ship is okay is based entirely on popularity, and ignoring that any system based on how many ao3 hits a ship has is fucking stupid, it is fascinating that Yaoi Acceptability goes off of hipster rules. which leads into another, mode important question: which of you is going to stop shipping spamtenna so I can. /jk

I would guess contrarianism is at least part of where Spamtenna hate comes from, and tbh that probably combines with some level of bigotry against queer men to create this mindset where some people think they're cool and special for hating a popular m/m pairing and calling it things like "slop", even when it's literally a canon relationship that is important to both characters and ties into the overall story.