#milliput

Hisuian Typhlosion

I customised an old typhlosion figurine for this one to try out superfine white milliput and I'm very happy with the result

Heres some of the work in progress pics:

Started painting up the Sump King really happy with how hes coming out and REALLY glad the hat came out looking nice and not like a goofy super mario hat, it was my first time with millput.

The stages of painting a pigeon are quite fun! They'll make for wonderful decorations in my film

I've wanted to make a post about this sculpture's process, so I will take advantage of how Tumblr works to show photos of the phases and my experience using Milliput for the first time.

Unfortunately, I don't have photos of the exact beginning, but here's an image from a story I posted on Instagram. You can see that the sculpture is at a very early stage and is a general volume of what would later become the final figure, the whole inner part is made with aluminum foil, cardboard, and painter's tape, while the first outer layer is made with cold porcelain.

Once the bust was covered with cold porcelain and it had dried I could start sculpting the first details using Milliput, an epoxy mass that gives you 3 to 4 hours to sculpt and the truth is that I was pleasantly surprised because it allows it to work very well small details and is very easy to handle, the only thing I should have taken more into account is that once dry the Milliput gives a lot of weight to the figure.

In this first phase of detailing I focused on working in those areas that were going to require more time due to the type of texture of each one. For example, in the eyes, there are a lot of folds and wrinkles, in the horns I wanted to achieve the growth of the keratin.

For the next phase, the whole part of the skin of the face, I was guided by the images of the study of the scales of the Carnotaurus of 2021_ The scaly skin of the abelisaurid Carnotaurus sastrei (Theropoda: Ceratosauria) from the Upper Cretaceous of Patagonia.

I also used them as a reference for the paleoart scales that in my opinion showed me very well or at least gave me an idea of how I could work the skin of my bust. For example one of my mains references while doing this sculpture was the art of Fred Wierum

Now how I've tried to apply what I search about the scales.

At first I was not sure if I was going to make a neck, but as I progressed with the sculpture I could see that I was going to need the neck to give it more shape and put it on a good base.

With all the sculpting part done It was time to prime the dino!

For the painting part of the bust I wanted to try to get away from the red and yellow that is usually painted, so I decided to do some research on the types of lizards that live in Argentina and see if any of them had a pattern and colors that would fit what I was looking for. In the end I discovered Fitzinger's tree iguana, an animal with very nice colors and pattern that moved away from the reds and mixed greens with oranges and blues.

Photo credit: Roman Montero

And finally, the complete sculpture!

So here it is, I am very happy with this bust and the learning process I have gone through to make it as correct as possible.

Tank treads have been sanded and painted, along with more being made.

I have also added smaller posts to the hands so as to fit them to their arms, cut up the head to fit the Deceptibrand mask, added enhancements to the feet and torso, and painted the pauldrons (along with the hands). Among the various milliput pieces are the beginnings of Tarns's Deceptibrand mask, his audials, and his back cannons, which have a base constituted by the original Gundam's jet pack.

@kyoko-sans as you asked for regular updates

painted the smol one and started sculpting the flying one.