#michigami

Nareko Michigami - Fossilized Wonders (stage 3 boss).

I did not draw the pictures, I only made the collages.

 I would be remiss if I did not mention the indigenous elephant in the room within ‘Far Past the Ring’.

As you might have gathered, much of the background of both Medina Station and the three original characters are deep within First Nations/American Indian backgrounds*. 

(left to right: Dr. Sjael Drummer, Camina Drummer, and Dr. Tanke Drummer)

I have written both Sjael and Tanke Drummer as being of mixed Ojibwe descent through the Drummer side of their family, as is their cousin, canon Expanse character, Camina Drummer (Cara Gee, her actress, is Ojibwe First Nations, though whether or not Camina is in the show is not confirmed). Additionally, Timon Chapelle, Tanke’s husband, is of mixed-Metis descent as well. More about the land practices of Medina Station and the indigenous heritage it is drawn on can be read in my previous piece on the matter. 

While researching for this work, I dug into the local history of the land I live on, which, coincidentally, is the unceded land of the Anishinaabe people. I am a settler, but I take deep pride in the place that I reside. I find it a responsibility as a citizen of my country to do so. 

(The region of the various Anishinaabe peoples, taken from Wikipedia. The author is not going to directly tell you where they are personally located)

As you might have guessed, the Kind Man (a form that the Protomolecule has taken in order to communicate with both Omega and James Holden) uses the form of Tanke and Sjael’s deceased father, Dr. Aki Drummer. 

(Image: Dr. Aki Drummer, drawn by the author in a quick sketch)

Aki is a Belter man of Ojibwe descent, who, while his story is not fully explored in this piece, does recall and use his heritage to better understand the nature of the humans that he serves as a physician, and later on, the Protomolecule uses to better understand the humans creating contact with each other from across the stars. 

The Kind Man also tells Omega the story of the Legend of the Bluebonnet, which comes from the Comanche tribe of Texas, another American tribe who made the prairies of the United States their home for time immeasurable. The Kind Man mentions that, although he is not Comanche, he understands the story. The tale is a legend of a young girl’s sacrifice to save her prairie home and her people ... .the story that Omega will find herself repeating at the end of ‘Far Past the Ring’. 

(Image from 'The Legend of the Bluebonnet', by Tomie DiPaola. copyright Puffin Books)

The Kind Man also repeatedly uses a word in Ojibwe, one that, when I heard its meaning from James Vukelich (Ojibwe-Turtle Mountain) made me stop, write it down, and listen to his podcast episode again. I immediately knew this word would become a part of the story.  

(If you can, please give his work a listen. He is a wonderful speaker.) 

That word is Gidinawendimin, one word that means, ‘we are all related’. Vukelich goes into detail about how it is not only the people, but the animals, earth, water, all of life around us. And I could not help but think–”Holy hell, this is the thesis of the story.” 

So, why am I rambling on about all of this? 

Because indigeneity has its role in our future, and I tried my best to not only reflect that in this story, but because I staunchly believe in it as well. 

The Belters are the people who helped build the solar system in ‘The Expanse’. They worked and lived in space to the point where many of their bodies can not survive normal gravity. Throughout the series, they face issues regarding access to water, air, and so many things that we often take for granted. They are seen as less than human in their own native environment of the Belt, and are often discriminated against by citizens of planets like Earth and Mars. 

Additionally, in the Star Wars universe, the clones are copies of a man from Mandalore, portrayed by an indigenous actor, and whether or not their indigeneity is canon in the show, I prefer to see it as such.

I want to be under the impression that, like in the real world, the dehumanization of indigenous peoples has irreparable damage to culture and heritage, to say nothing of the social bonds between people. 

This is known as intergenerational trauma, and is explained beautifully here in a video from Australia. 

Fiction can be a powerful metaphor. In this case, this trauma rings through the clones within the Star Wars universe, and if they survive into greater society, will be a burden that their people will carry. Their descendants. The clones were people bred to serve one purpose, that of violence and war, and expected to be expendable machines, not as humans. They were stripped of culture, family, and heritage, and find themselves broken and lost when their use to the government is no longer sustainable.

It also isn’t lost on me that another character played by an indigenous actress–the incomparable Bobbie Draper, played by Samoan-Kiwi actress Frankie Adams–suffers a similar fate in The Expanse. She’s used by her government and tossed aside. But Draper rallies, finds camaraderie in others, and is able to be part of a team that saves the universe.

She, like some survivors of systematic abuse, is able to help others navigate through the challenges of finding oneself again thanks to her own experiences. This is especially seen in her friendship with Hunter in Far Past the Ring, whose own trauma comes out in painful paranoia, anxiety, and rage that almost destroys everything he loves. 

When common grounds are found, and alliances are made, a powerful voice of continuity and fortitude can be forged. With that, challenges, enemies can be fought, battled, and won. With friendship and the strength of rebuilding and reconnecting with culture–and respecting those of indigenous people–we can move forward. 

We are all related. 

I wrote all of this on the eve of September 30th, the National Day for Truth and Reconciliation in Canada, the country that brought us The Expanse.

(Taken from National Day for Truth and Reconciliation and Orange Shirt Day - Waterloo Region District School Board (Waterloo Region District School Board)

This day is to commemorate the thousands of children of indigenous heritage who were taken from their homes, stripped of their culture and heritage. Many of them never came back to their families and homes. Thousands died.

It is only in recent history that this is acknowledged. 

Similar instances also occurred in the United States, Australia, and countless other nations where indigenous people and their cultures were seen as an alien threat. They were not seen as fellow men, but as a part of the land that needed to be eradicated, controlled, and wiped out.

But survival happened. Still happens.

I hope that is reflected here, in a fictional story about the future…where the descendants of indigenous people use their skills and culture to push their people forward in our solar system.

Who forge friendships and alliances, who work to heal their trauma with the strength of their fellow man.

Who work together to stop a terrible empire from destroying their home. 

I am a settler in the United States on the shores of Michigami, but I am a firm believer that the future of humanity lies within indigeneity. We will not reach the stars without it. 

I have humbly done my best to reflect that in this story.

Miigwich. 

More information can be found here:

National Day of Truth and Reconciliation: https://www.canada.ca/en/canadian-heritage/campaigns/national-day-truth-reconciliation.html

James Vukelich’s website: https://www.jamesvukelich.com/ 

Ojibwe Rosetta Stone: https://www.culture.aanji.org/language/ojibwe-rosetta-stone/