#maxkuehne

Fire Screen, Max Kuehne, 1924, Art Institute of Chicago: American Art

Originally trained as a painter, Max Kuehne began to make furniture in 1917 after a trip to Spain, where he observed craftsmen using Renaissance woodworking techniques. Kuehne’s designs were highly unconventional: he made his own pieces with large areas for decoration, which he incised, gilded, and painted with modern elements inspired by non-Western cultures. The imagery on this fire screen— scrolling clouds and bold animals bounding through a lush landscape—recalls Persian miniature paintings. Quinn E. Delaney Fund Size: 36 × 25 × 11 1/2 in. Medium: Gessoed wood, watercolor, silver leaf, and shellac

Fire Screen, Max Kuehne, 1924, Art Institute of Chicago: American Art

Originally trained as a painter, Max Kuehne began to make furniture in 1917 after a trip to Spain, where he observed craftsmen using Renaissance woodworking techniques. Kuehne’s designs were highly unconventional: he made his own pieces with large areas for decoration, which he incised, gilded, and painted with modern elements inspired by non-Western cultures. The imagery on this fire screen— scrolling clouds and bold animals bounding through a lush landscape—recalls Persian miniature paintings. Quinn E. Delaney Fund Size: 36 × 25 × 11 1/2 in. Medium: Gessoed wood, watercolor, silver leaf, and shellac

Fire Screen, Max Kuehne, 1924, Art Institute of Chicago: American Art

Originally trained as a painter, Max Kuehne began to make furniture in 1917 after a trip to Spain, where he observed craftsmen using Renaissance woodworking techniques. Kuehne’s designs were highly unconventional: he made his own pieces with large areas for decoration, which he incised, gilded, and painted with modern elements inspired by non-Western cultures. The imagery on this fire screen— scrolling clouds and bold animals bounding through a lush landscape—recalls Persian miniature paintings. Quinn E. Delaney Fund Size: 36 × 25 × 11 1/2 in. Medium: Gessoed wood, watercolor, silver leaf, and shellac

Fire Screen, Max Kuehne, 1924, Art Institute of Chicago: American Art

Originally trained as a painter, Max Kuehne began to make furniture in 1917 after a trip to Spain, where he observed craftsmen using Renaissance woodworking techniques. Kuehne’s designs were highly unconventional: he made his own pieces with large areas for decoration, which he incised, gilded, and painted with modern elements inspired by non-Western cultures. The imagery on this fire screen— scrolling clouds and bold animals bounding through a lush landscape—recalls Persian miniature paintings. Quinn E. Delaney Fund Size: 36 × 25 × 11 1/2 in. Medium: Gessoed wood, watercolor, silver leaf, and shellac

Fire Screen, Max Kuehne, 1924, Art Institute of Chicago: American Art

Originally trained as a painter, Max Kuehne began to make furniture in 1917 after a trip to Spain, where he observed craftsmen using Renaissance woodworking techniques. Kuehne’s designs were highly unconventional: he made his own pieces with large areas for decoration, which he incised, gilded, and painted with modern elements inspired by non-Western cultures. The imagery on this fire screen— scrolling clouds and bold animals bounding through a lush landscape—recalls Persian miniature paintings. Quinn E. Delaney Fund Size: 36 × 25 × 11 1/2 in. Medium: Gessoed wood, watercolor, silver leaf, and shellac

Fire Screen, Max Kuehne, 1924, Art Institute of Chicago: American Art

Originally trained as a painter, Max Kuehne began to make furniture in 1917 after a trip to Spain, where he observed craftsmen using Renaissance woodworking techniques. Kuehne’s designs were highly unconventional: he made his own pieces with large areas for decoration, which he incised, gilded, and painted with modern elements inspired by non-Western cultures. The imagery on this fire screen— scrolling clouds and bold animals bounding through a lush landscape—recalls Persian miniature paintings. Quinn E. Delaney Fund Size: 36 × 25 × 11 1/2 in. Medium: Gessoed wood, watercolor, silver leaf, and shellac