seen from Türkiye
seen from Japan

seen from Türkiye
seen from Colombia

seen from Türkiye

seen from Russia
seen from China
seen from United States

seen from United States

seen from United Kingdom
seen from Sri Lanka
seen from United States
seen from United Kingdom
seen from United States
seen from Russia
seen from United States
seen from United States
seen from Germany
seen from Canada
seen from Germany

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
things from the script that i keep rotating in my mind like its a microwave:
star and michael being referred to as "his two loves" after they stake david. throuple has just been, like, canon this whole time
"this may be the first time they've ever sat down to eat breakfast" about the frog brothers
also, they're canonically both 14. frog twins truthers eating good
the orchestrations for the scene where pete gets murdered is titled "Having Pete for Dinner"
the saxy guy is referred to as the oiled up, muscular Sax Guy
secret comes out feels implied to be a performance by the band?, which would explain the titz out david
"at the end of the adventure, david put michael to bed (like a father would after a car ride home at the end of the night)"
also "david gives michael a paternal smile and lets go"
"alan and edgar burst out laughing as kids do about sex" also the word boning is underlined for emphasis
pete is weirded out that david knows his name when they interrupt the boys trying to snack on michael
lucy noticed star is "outside of the group" and "connects with star along the way" when going to make post-vampire-murder breakfast
after michael asks star what so bad abt david bc they seem to get along well enough we get "star considers this. he's not wrong."
after skip to the good part, they snuck in "lucy is the most hopeful she's been in ages" in the transition
the boys are described as descending on pete like a pack of hyenas
⬆️ david is also referred to as having the devil in his eyes when he turns to the audience
"David clocks this information." after michael says his dad never got around to teaching him guitar
Marko "noodles" on a guitar
"Star is charmed by him, dammit" when michael is doing his silly lil' lighter dance during hurt a little
the whistle motif is referred to as the hunting theme
i spent so much time / believing all the lies / to keep the dream alive / now it makes me sad / it makes me mad at truth / for loving what was you
(eyes without a face - billy idol)
i just wanna draw fucked up baby david
The reason Max is a monster isn’t that he’s a bloodsucking creature of the night.
It’s that he’s a lying, manipulative control freak who intended to weaponise Lucy’s love for her sons (the very quality he admired in her!) and put her in a position where she couldn’t say no to him.
Next to that, being a vampire seems like a minor character flaw.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I love how focusing on one Emerson at a time gives you a whole different view of the lost boys.
For Sam they are comic book villains, nothing but monsters with no humanity. That’s why it’s so easy for him to jump the gun on killing Marko, he isn’t the least bit human to him.
To Lucy they are kids headed down the wrong path. She doesn’t know they are vampires for the majority of the time, she just sees them through Micheal leaving the house all the time at night. As much compassion as this woman has I don’t think she ever hated them, she just saw them as struggling kids like her own son. She spent time with Max, so they aren’t monsters to her, she sees their humanity more than their monster side. They are just bad people, but not monsters.
To Micheal they are a family. He sees their humanity, he is with them the most. He knows they aren’t good people, but they look out for each other. They are an escape and a family that doesn’t hurt each other, it’s everything Micheal ever wanted. They are deadly but since it’s not towards each other, they probably felt safe to him. Out of them all, he is probably the only one who thought it was fair that they came to attack their home after Marko was killed. But at that point Micheal had chosen his own family, so while he didn’t fault the lost boys he still had to fight them. They taught him what family could be, and that was their downfall
“His love for David is so huge that he still wants to witness his life.”
“I think any parent, no matter how bad their child behaves, and how bad the path they go down, they will always love their child. David’s not literally my child, but I think I, you know, that’s how I treat it.”
(Paul Alexander Nolan on why Max is filming The Lost Boys performing Have To Have You)
An expansion on my last post