Got 4 new OCs from TH raffles! So excited to draw them

seen from Japan
seen from Portugal

seen from Portugal

seen from Portugal
seen from China

seen from Italy
seen from Portugal

seen from Portugal
seen from TĂźrkiye

seen from Portugal

seen from Portugal

seen from Portugal
seen from United Kingdom

seen from United Kingdom

seen from Japan

seen from United States

seen from United States

seen from Portugal
seen from Italy
seen from United States
Got 4 new OCs from TH raffles! So excited to draw them

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Just spent a few hours writing 1.3k words for a FNAF AU that focuses on the characters without the paranormal aspect (and changes the timeline to be less complicated)
Iâll flesh it out in the next few days, at least enough to have it make sense and be posted. Planning to make character designs too
Thinking of opening up Strider-specific requests once Iâm finished with Dio Brando weekâŚ. And of course Stridercest will be allowed, but probably only sfw & suggestive things
âImperfect Information: The Prospect of Material Thinkingâ by Nancy de Freitas
Freitas explores a number of theorists whose ideas closely link to the Paul Carterâs ideas regarding material thinking. Freitas identifies that, âmaterial considerationsâ are of most importance in-regards to theorist Paul Carterâs ideas around âmaterial thinkingâ. Freitas makes a number of intriguing and pivotal statements. The first being, âDesigners arenât necessarily attentive to the way they make and remake the material world in order to adapt it to living in the futureâ (Freitas 2). âThrough creative attention to the material processes which shape our lives, they make material, new forms of and for living.â (Freitas 2).Â
Section: Imperfect In-formation
Within the section âImperfect In-formationâ, Freitas draws parallels between ideas presented by Vilem Flusser and Paul Carter in-regard to materials. Flusser, proposes that, â
Section: Material Action
Section: Living Material
Freitas states, âDesigners need to take account of how social and cultural relations are today, more than ever, mediated through material artefacts and further changed over the lifespan of artefacts. We adapt through our use of artefacts and we also adapt artefacts to our changing needs.â
Although, stated on materialthinking.org that âmaterial thinkingâ, âis an awkward term that resists simple definitionâ (Materialthinking.org). A number os practitioners have formed their own interpretations of the term. Freitas refers to a number of theorists and practitioners whose ideas draw similarity to the core value of âmaterialsâ and âmaterial thinkingâ. Similarly to theorist Braudel, I may could consider the everyday moments of interaction between both the person and the material and the take this further by identifying the sort of relationship this may generate.Â
âDesigners need to take account of how social and cultural relations are today, more than ever, mediated through material artefacts and further changed over the lifespan of artefacts.â (Freitas 9).Â
After reading these articles, consider how they inform your projectâs current approach to materials and material thinking. Come with a collection of ways to really push that aspect of your project further.
âMaterial Thinking: the aesthetic philosophy of Jaques Ranciere and the Design Art of Andrea Zittelâ by Toni Ross

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Extreme Project
We've been given a project titled  "The Extreme Project". The project can be designed to be any scale or medium - We create a model or miniature version- a substitute to present the idea.
The piece can continue with my own interests and research.
CREATE A PLAYGROUND FOR ADULTS?
CREATE MY OWN 3D PRINTER?