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marleneoftheopera reblogged your photoset:
Christine’s hair in Andrew Riley’s design...
  Let’s just all take time to thank the wig gods that they only used the second wig for the promo video.    Â
But also, let’s mourn they used it for the promo video at all...
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marleneoftheopera reblogged your photo:
Costume display at Denver Center for the...
 lol what’s up with the skirt    Â
That skirt/forepart gave up on life
marleneoftheopera reblogged your photoset: Â Â Â Â Â Â Â Â Â Â Â Â Â Â
Meghan Picerno (principal, left) and Clara Verdier...
 Something about Clara and Megan’s sleeves remind me of Rebecca Caine’s Toronto dress.    Â
I agree! The Canadian dresses had not too unlike blue arm ruffles - in shape similar to Picerno’s dress, and in colour similar to Verdier’s dress. Here’s June Crowley (cause the photo of her shows the arm area better):
marleneoftheopera reblogged your photoset:
Louise Fribo as Carlotta, though (from her...
   One of the prettiest Carlotta’s I’ve ever seen    Â
That, combined with THAT VOICE.... Oh wow. I loved her so in the role.
marleneoftheopera reblogged your photo:
Frida Engström in POTO Gothenburg ( X )
That set piece literally looks like a big corset lol
I think it’s intended to be? Though WHY eludes me. It fits the whole vein/branch theme this design has going on, and it echoes the corset/leather bodice Christine wears in Don Juan and the Final Lair. And yet I don’t quite get the corset symbolism here. An unfree body? Blood veins? I dunno.Â
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marleneoftheopera
 West End 1991 - Peter Polycarpou, Shona Lindsay,...
The Il Muto one looks like the one featuring Claire Moore as Serafimo/Christine.
That is very plausible. I’ve never seen a Il Muto picture with Claire Moore so that’s probably why I don’t recognize it.Â
