#mandikian

Kirsten Flagstad, Elisabeth Schwarzkopf, and Thomas Hemsley sing Purcell's Dido and Aeneas, conducted by Geraint Evans (1951)

This recording was made shortly after Flagstad sang Dido at the Mermaid Theatre in London. Born in 1895, the veteran soprano approaches the part with an innate flair for Purcell's elaborate vocal lines (she is in much better voice than in her disappointing Alceste, recorded the following year). The contained emotion and immense dignity of her final aria are unique, and her heartbreaking plea to Belinda ("Remember me") is a landmark in the history of opera on record.

Born in 1915, Elisabeth Schwarzkopf had just embarked on her international career, having somehow extricated herself from the rubble of postwar Germany (no mean feat for a card-carrying member of the Nazi party). In the recording, she stands in for Maggie Teyte, who sang Belinda in the stage production.

Of the three principals, Thomas Hemsley was by far the youngest, as he was born in 1927— this production of Purcell's opera marked his professional debut; he also appears as Sixtus Beckmesser in Kubelik's recording of Die Meistersinger.

Interestingly, this recording features two famous Didos — Flagstad and Greek soprano Arda Mandikian, who recorded the role of the Carthaginian queen in Berlioz's epic opera The Trojans under the baton of Hermann Scherchen. Here, she appears as the Sorceress.