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THE GOOD NEWS ABOUT HELL — Xylem & Phlöem At No Place Gallery, Columbus, Ohio, US May 15 — July 02, 2021 🔗in stories @slug_bobby_how @no_place_gallery #manalkara #xylemandphloem #noplacegallery #noplacecolumbus #sculpture #installation #art #contemporaryart #ofluxo #ofluxoplatform @ofluxoplatform (em Columbus, Ohio) https://www.instagram.com/p/CPQQxs5FPvm/?utm_medium=tumblr
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Exception of (not) being — Group project curated by Essenza Club and Rhizome Parking Garage w/ presentations by #BoraAkinciturk #AndreeaAnghel #VitalyBezpalov #IanBruner #PierreClement #NeckarDoll #LéoFourdrinier #JakubHájek & #FrantišekHanousek #ManalKara #KOTZ #BryceKroll #LucilleLeger #LorenzoLunghi #AlessandroNucci #CléoSjölander + text “Bread and Land” by Ian Bruner @essenzaclub_ @rhizomeparkinggarage #essenzaclub #rhizomeparkinggarage #soloshows #soloexhibitions #installation #onlineart #offsite #installation #scupture #arttext #art #contemporrayart #ofluxoplatform @ofluxoplatform https://www.instagram.com/p/CErrWWnhSQx/?igshid=1g67eq8ah2owg
Under the Moon w/ #MichaelAssiff, #ZoeBrezsny, #EllieHunter, #BradfordKessler, #JennaBeasley, #ConnorCrawford, #ManalKara, #FinSimonetti Organized by #AnnaFrost At #CampEternalHellChamber, 218 Dow St, #Cobleskill, #NY September 18 — October 13, 2021 🔗 in stories @camp_eternal_hell_chamber @annafrost_ @michael_as_if_ @zoebrezsny @ellie._.hunter @bradfordhurstkessler @jennabeasleyy @crawfordconnor @slug_bobby_how @_____fin #groupshow #groupexhibition #offsite #offsiteexhibition #sculpture #installation #artshow #art #contemporaryart #ofluxo #ofluxoplatform @ofluxoplatform (em Cobleskill, New York) https://www.instagram.com/p/CUzmQKNIDuA/?utm_medium=tumblr
✨Manal Kara at Interstate Projects✨ @slug_bobby_how @interstateprojects #ManalKara #interstateprojects #ofluxoselects #contemporaryart #ofluxoplatform @ofluxoplatform (at Brooklyn, New York) https://www.instagram.com/p/CFpZHYNFYrI/?igshid=1arc7xv0m35z4
Here's an object I've never seen before, by the artist Manal Kara. I love this thing. It reminds me of a clock, or the way a clock looked to me when I was a kid and too young to read the numbers or hands. I liked all the clocks in Disney's Pinocchio. In fact I'd play that scene on repeat, just Geppetto winding up his creations with all their distinct dancing parts, and the whole unfolding ceremony when the clocks struck the hour. Time means something different if at 8am a miniature bird pops out of a door and at 3pm a bucket of fake water spills over a garden carved out of wood. Now that I'm thinking about it, Kara's objects have nothing at all to do with clocks.
I’m not sure what people mean when they use the term 'slow object' but I'm thinking this is one. You can see how it's made and imagine how long it took. The ceramic frame was molded, punctured with holes, glazed to look like wood. The artist has carefully tattooed designs into the flesh of the clay. I want to try and read them in a circle, like, "You, a ritually unclean snail on the web, an object of perception, vs an autonomous individual, a cerebral demon with a snake’s tongue.” The ‘face’ of the clock is an image of a strangler fig, a kind of vine-tree that winds around a host plant and becomes one with it. Are we a ‘host’ for Time? Mother Earth? I don’t know. We're in the deeper regions here, where numbers aren't numbers but symbols, and symbols are personal and charged with meaning.
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