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Le Giornate del Cinema Muto 2025: Pordenone Post No 6
Feature films? What a concept. They don’t always seem to be the dominant form here at Pordenone. But this afternoon was an exception to that rule, with a triple-bill of four-to-six-reelers back to back. Welcome to a world of truly immersive narrative entertainment, It’s the future. Continue reading Le Giornate del Cinema Muto 2025: Pordenone Post No 6
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Jean Arthur and Louise Brooks, 1929.
behind the scenes of the lost silent version of Gentlemen Prefer Blondes (1928) with Ruth Taylor and Alice White directed by Malcolm St Clair.
#WIPWednesday The usual suspects on the set of “The Goat:” Edward F. Cline - the Cop, Buster Keaton - the Scapegoat, and Malcolm St. Clair credited as Dead Shot Dan. Take a look at the short, though. We’re not so sure St Clair is the actor responsible…
The Big Noise (1944) in The Savages (2007)
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Louise Brooks | A Social Celebrity (Malcolm St. Clair, 1926)
Gentlemen Prefer Blondes Malcolm St Clair was born in Los Angeles and had 101 directing credits from a 1919 short to 1948. He directed three of Laurel and Hardy's weak 1940s features.
The Goat (Buster Keaton & Malcolm St. Clair, 1921)
