i didn't know what to do with the background but hey it's majima

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i didn't know what to do with the background but hey it's majima

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majima worldview btw
me: wow majima is such an engrossing and complex character imagine having a conversation with such a person what would that even be like
majima: LOSE WEIGHT WITH THIS PARSLEY MIX IN A WEEK! and wrap the stretch roll on your belly. 4 kg melting off 🤙
dude no like. literally. literally. dead souls saaya conversations maybe the most fascinatingly underwhelming majima content out there. i cant stand him
Hey, just wondering with the Majima line about being 'ashamed of being a man', did your friend also tell you the context of the postcard that was sent in as well? Because it looks a whole lot like he's actually ashamed of having/acting upon sexual urges.
(It's the extra for the postcard he writes in about the 'Courtship in Graffiti' side mission)
I DID NOT KNOW THAT NO..... this actually reminds me of one of his hostess conversations
he groups himself with men when talking about how they always have ulterior motives when interacting with women, going as far as to call them "beasts". but i find this fascinating because he's not actually doing any of that at all. in that he admits to it in another substory
so like. what gives? why are you acting like youre "just another man" even though it doesn't actually overlap with your experience of being a man, or even sexuality? to the point you're ashamed to even be grouped with them?? but you're grouping yourself with them willingly? why are you being so uncharitable to yourself to the point of ignoring the reality of the situation? something that is demonstrably uncharacteristic of you? and the answer is shame, shame is what's making him so neurotic about this, he thinks he can't run from this "fact" just because it hurts. he thinks it's deserved.
i dont think that substory (courtship in graffiti) was even about acting on sexual urges, iirc he felt a connection to the girl who wrote that in the bathroom (a woman in a men's bathroom, no less) because she seemed *lonely*. that was the draw for majima, that he felt implicitly understood by her, not that he was horny and impulsively followed that urge. he was looking for emotional connection
BUT AGAIN. he's so ready to pretend it was sexual. he instantly accepts the portrait dolce kamiya paints of him even though it's literally not accurate. because he doesnt think he has the right to defend himself, because he's so ashamed of his sexuality, and that shame drives him to automatically accept the most uncharitable interpretation of his own feelings. but the shame is also specifically tied to the fact that he's a "man". because majima thinks men having sexual urges towards women is literally like. evil. at the same time he's stuck trying to *be* a man in a socially acceptable way, y0 majima is all about trying to conform to societal norms. and he thinks he needs to have sexual urges to perform masculinity "correctly". but it's just this endless shame spiral, and the shame always revolves around being a man – both being born as a man and having to be a man
which could mean nothing,
i'm thinking about. how much of majima's internal experience of the world is characterized by challenging it -- challenging reality, the state of affairs, being unable to accept it when it's not the way he wants it to be. i would think, to be such a force of nature, to be as good as shaping reality according to his will as majima is, one would have to be challenging it constantly. but the other side of that same coin is to radically accept reality, so you correctly understand *how* to change it, how to most effectively enact your will upon it to obtain desired outcomes. majima understands this, and this is why he seems wholly unconcerned with the "should be" of things, but i think this attitude actually obscures an underlying, permanent state of protest re: the state of things around him. i think his sense of how things *ought* to be is so overwhelmingly strong that it takes a complete, utterly uncompromising rejection of "ought to"s to suppress it. and he has to suppress it, because he is disillusioned with idealism to the point that he thinks it should be avoided at all costs, *despite* having a natural inclination towards it.
and this brings me to '85, because i think the reason majima was so devastated by saejima going to prison was precisely because it did not fit his vision of how things ought to be. in the y4 flashbacks, he was even telling saejima it's okay if he wants to back out of the hit. in majima's mind, the only possible, *acceptable* options were the two of them going to prison together, or majima being the one to do the hit by himself. never, ever saejima alone. it was an injustice that majima could not reconcile with his understanding of the world, an understanding where he has the agency to shape reality to his will. but the *reality* of his situation was so *unacceptable* that he completely broke, and him being totally deprived of any way of making it right was a huge part of that. because *that* is unacceptable to majima. and that is what had him repeating saejima's name over and over asking about him, likely for the entire duration of his stay in the hole -- it's this utterly paralyzing inability to move past something he finds impossible to accept. and his difficulty in accepting this reality is directly proportional to his love and respect for saejima. him holding himself responsible for saejima going to prison alone was not induced by guilt, it's the entire premise on which his worldview operates. he has an incredibly, delusionally overinflated sense of what is within his power to do, and '85 was so devastating because challenged *that*

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possibly THE most majima gif of all time
guy who just found out his kyoudai was transferred to the Prison That Makes Criminals Disappear
of course you'd say that