seen from Argentina
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“The figure is the quantity, the object, not it’s quality, not it’s trajectory. The figure is the mark that stands in for a number of possibilities.”
Apart From by M Kitchell Solar Luxuriance, 2014 88 pages - Solar Luxuriance Why all this? M Kitchell's Apart From has an aura. There is
https://entropymag.org/language-in-place-of-the-body-a-reading-of-m-kitchells-apart-from/
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March of M. Kitchell's ongoing year of zines: occult architecture, hymns, and Robbe-Grillet. "Arranging narrative is a bourgeois mania."
24 The dream is the secret you cannot remember. The secret has become absent. It is inaccessible, locked up somewhere, a hopelessly necessary repetition. You are asleep in the dark and no one can know where it is that you're going, where you are. We wander corridors with nothing in sight. Sleep to dream, forgetting rest.
Another vision from M. Kitchell's Non-Site Book 1, first month/issue of his 2013 zine club.
Oneiric insights from M. Kitchell's Non-Site Book 1, the first issue of his excitingly just-launched 2013 zine club.
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Milks’ “choose your own adventure” story mashes multiple tween-girl reading series into a sort of post-theory examination of girlhood and the Other–but the other as the self. The introduction gets heavy, language-y, and then we move into narrative land. I’m obsessive about making sure I follow all possible endings when I read a book that’s a “choose your own adventure” and the multitude of possibilities offered herein are astounding, and, true to form, innocently naive, though there’s an insidiousness present.
-M. Kitchell on Megan Milks TWINS
06 THE DEPARTMENT OF ANNOTATED SPATIAL CONSTRUCTIONS
The ordinary hallway is an oddly discordant use of space. When blocked off, its full length operates in memory as a recollection of the absent movement. But in use, only a part of the hallway serves for the passage of the figure. The figure passes through the hallway never directly in the middle, towards the entrance or exit at the end. The end, which exists as negative space rather than positive space, is not functional, only present. Hallways are always uninhabited.
X X X X X X X X X X
The hallway walls index the difficulties exposed in the building. They are set too far from the body. When using the hallway, hands fail to brush the side-walls. The space between the hallway and the body is too distanced.
—M. Kitchell, from Variations on the Sun, 2012.
