SWELLING 1998 John M. Bennett

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SWELLING 1998 John M. Bennett

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A collection is 'processed' whenever it can be used productively for research. Our system recognizes that it may be desirable to process at the collection level, the item level, or at any intermediate level in the processing continuum.
More Product, Less Process
The archival literature as been inconsistent and even schizophrenic about defining the parameters of "processing". Some authors and manuals suggest that it is appropriate and sensible to focus on the series level of arrangement and description, and then go on to insist that preservation measures be applied rigorously at the item level. Still, there is solid literary warrant in our profession for taking a hard-nosed, pragmatic, forest-not-trees approach to processing. This is far more than an abstract or theoretical distinction- it has very definite consequences for our profession.
More Product, Less Process
Question of the day:
Everyone knows that when alphabetizing, you skip over “a” “the”, etc, but what about those words in other languages? We ran into this problem with a few of the zines in our collection during processing and alphabetizing. It turns out you treat them just as you would in English, and skip to the first “real” word of the title.
John M. Bennet Biography
John M. Bennett is a visual/audio artist and poet. He was born in Chicago in 1942, and has been active in the Fluxus art movement for decades, founding his “Luna Bisonte Prods“ press in 1974. He holds a PhD in Latin American Literature from UCLA, and his work is held in may major museums, including the Museum of Modern Art in New York City. John is the editor and publisher of over 400 diverse works, including the zine titled “Lost and Found Times” from 1975-2005, and is Curator of the Avant Writing Collection at The Ohio State University Libraries.

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Impressions
This was such an exciting project! It was great to be able to apply concepts from class in a real way- the document we drew up will go on Special Collection’s website as the finding aid for the John Bennett Zine collection!
Before we started the project, the three of us talked about what we expected the process to look like. We figured we’d have to alphabetize the zines, and then describe each one individually, with notes about the art, etc. Our impression was VERY off, as there was no description of any sort, which made our jobs easier, but would seem to make it harder on researchers.
For this project, I read an article called “More Product, Less Process”, which deals exactly with this thinking discrepancy. In the past, it has been the policy to describe collections down to an item level, that is to put every single thing in the box into the finding aid. This takes, of course, hours and hours of time, and surveys show that researchers do not want or need this kind of description. It might not have taken us very long to describe the zines, but for a librarian to describe an entire university’s collection down to the item level would take a laughable amount of time.
“More Product, Less Process” (or MPLP as it’s often abbreviated) advocates for there to be less description (process) and more getting-it-in-the-catalog (product). What good is a collection if researchers don’t know it’s there? Unprocessed collections are commonly called “dark” collections, because they exist but no one outside of the department (and sometimes not everyone in the department) knows they’re there. At University of Iowa, for instance, we have a large “dark” collection of maps that haven’t been processed. The overarching term for “dark” collections is “backlog”, and is unfortunately a huge problem for collections all over the world.
Fortunately, The Lost and Found Times may now be considered “light”.
“So that’s little B, big B, little B, big B....”
Making sure the collection was in perfect alphabetical order, with all the titles and authors correct was a process made more arduous by the nature of Fluxus;)
Boxed! We finished boxing the collection, approximately 1.5 feet.