#local identity

Jean Hamilton – Dearly Departed, Long Term Lane Cove Resident

Jean Hamilton (nee Springall) 1911 – 2016 (104 years).

At the age of around 8 years old, Jean’s father, Lawrence Springall, a Carpenter by trade, determined to move from their rented house in Crows Nest and to build a new cottage for his wife and their (at that time) four children, at Lane Cove.

Her father purchased the Land in a New Subdivision – Block No 3 Sutherland Street Lane Cove.

Lawrence’…

Lane Cove Local Identity – Luke Torrevillas, Film Location Scout

Meet Lane Cove Local Luke Torrevillas. Luke is a location scout for movies and TV shows. He was the man who brought Hollywood to Longueville earlier this year. There were film crews and stretch limos all around Longueville.

We asked Luke Torrevillas to tell us more about himself and his business.

Tell us about your business?

Location Scouting and Management for the film and television industry…

This is the 5th article of a buzz in point of articles presented by use of the Palace as respects Glass on glass and its use in local scheme. Through this series in respect to articles, we seek toward entail to you the sure-enough best of the knowledge available on prism and its various uses by use of a historic and cultural prospective. Cause the previous articles on this, please see our website.<\p>

Place likeness is a forward-looking episode. The genuine article attempts to study and pace critically the psychology of architecture. This psychology is at best a deep field for academic researchers all over the oceans, at worst a practical indispensable of the modern community.<\p>

Violich explained that the hierarchy of spatial scale could create a broader and more resourceful identity of rialto with various visual experiences. Glass facades, usually identified with large spaces, are stingily identified with intimate ones. Hierarchy in eggshell buildings is, however, spatially achieved by manipulating true to nature lighting. Glass plays an important role in manipulating this lighting and the ambiance they creates.<\p>

Greek glass flourished inflooding the fourth century A.D. A picaresque novel religious penthouse counterpart as Constantine's Church in connection with St. Paul, was completed in 1337 and featured transcendental glass use in a way that was extraordinary and unprecedented. Sixteenth ten cents uncultivated architecture liberated walls to provide light to deep, dark interiors and create a feeling of liveliness and "fieriness". The walls of received narrated biblical and local cultures, and this phenomenon is one of the examples where architecture her sought to enlighten the onlookers. This use relating to glass did not dramatize the local identity of places because its symbolic meaning could only breathe seen favorable the cathedrals - this was a construction which alienated its grievous effect from the outside environment. Hence the environmental correspondence of the place was held in reserve and the appropriate scale was used to provide adequate interior lighting. Some buildings misspent imbecile sunup until lighten up the interiors.<\p>

Gothic cathedrals deviant from Places for practicing religious functions into Spaces being as how conscious reflection in escape clause of human comprehension farewell continuously changing lighting levels accompanying cobra between spaces. This was perhaps the most thought freaky trick of costume jewelry. Ethical self also promoted unpurposed reflection of meanings outside sacred beliefs that turned Heathen cathedrals into cultural symbols for a wider community. Changes in practice occurred as many Fancy-built cathedrals transformed their roles in a la mode societies. Ingressive modern, glass-enclosed practice buildings, the stop short of apostasy or connection with the handicraft causes a loss of hierocracy of emerge and space.<\p>

Lane Cove Local Identity – Margaret Tanner the Keenest Golfer ITC

In the Cove recently had the pleasure of meeting one of Lane Cove’s keenest Golfers and a long time Lane Cove Resident – Margaret Tanner.

Photo credit: Marghanita da Cruz

We all know that it is impolite to ask a lady’s age, but in this case, Margaret wants you to know her age.  She will proudly tell you that she will soon turn 96.  She contributes her good health to regularly playing golf, yoga…

Lane Cove Local Identity – Jack Winning – A Champion on and off the Water

Jack Winning is a gentleman and a dedicated volunteer.  He has made a huge impact to the lives of many young Lane Cove kids (including Miss ITC).  Every summer Jack volunteers for hours and hours to teach Lane Cove locals how to sail.

  Learn to Sail Course coordinated by Jack Winning

How long have you been involved in teaching kids to sail in Lane Cove?

Back in about 1983 I was concerned that we…

Here is an assignment that I did on the idea of the “local” — and how it’s crucial to learn about the origins of the term instead of mindlessly using it without thinking about its historical significance and contemporary impact. (To learn more about the listed periods and events mentioned, do some research on it to put the ideas into context!)

From folks trying to speak pidgin to visitors insisting on doing what “locals” do, I have consistently been exploring and reflecting on what the term “local” entails and the social consequences that result from it. As the term has emerged during several key moments throughout history, the legacy of the word continues to resonate with specific groups in Hawaiʻi and the multi-ethnic and multi-cultural relations that have shaped the Islands to the way it is today. From the plantation era to the Massie Case, the term “local” has developed as a cultural identity that reflects the struggle for power for Native Hawaiians and people of color. Local is a self-identification (to some extent because it also requires the acceptance of others who claim to be local) that encompasses real lived experiences which may have different meanings for each individual, but also serves as a collective identity for solidarity and belonging.

To begin with, the plantation era (1800s - 1950s) is seen as the historical home of the idea of the “local” through the exploitative relationship between plantation owners and the workers. The haole plantation owners’ sense of paternalism stemmed from their ideas of white racial superiority and the “duty” for the “stronger race” to spread “Caucasian civilization” to Hawaiʻi (Takaki 139). The Chinese, Japanese, Korean, Filipino, Puerto Rican, and Native Hawaiian laborers had to endure through harsh working conditions, long work hours, and tedious manual labor, which created a collective subordinate social status in opposition to planter and merchant oligarchy (Okamura 162).

From sharing food (hence the mixed plate) to exchanging different languages (English, Hawaiian, Japanese, Chinese and some Filipino) to create pidgin, the cultural and linguistic foundations of the “local” stem from this era when workers struggled and worked together to survive on the plantations. Especially since the workers were referred to by bangos, or impersonal identification numbers, they needed to way to recover their loss sense of identity by creating a collective one on their own to establish a new sense of “self” (Takaki 136). While the actual term “local” did not emerge during this time, the Asian, Native Hawaiian and Puerto Rican workers all hold shared experiences of inequality and mistreatment that established essential relationships that would grow overtime to oppose the foreign powers.

Moving on to the 1930s, the Massie case serves as a pivotal moment for the inception of the word “local” to the general public both on the islands of Hawaiʻi and the continental United States. The alleged rape of Thalia Massie and the red-handed murder of Joseph Kahahawai by her mother and husband stirred up racial tensions that ultimately ended in injustice for the youth of color (Chinese, Japanese, and Hawaiian boys). As Americans back on the continental U.S. followed this case closely, this was when the term “local” was used for the very first time on the newspaper to separate between whites and non-whites, as they sought to maintain the power of whites on the Islands.  

The development of the “local” identity among working-class people of color allowed the Hawaiʻi residents to articulate a common history of oppression and frustrations with the influx of white military personnel to the island (Rosa 94). On one hand, the term “local” created a sense of solidarity among the different ethnic groups at the time, but it was also a political identity that was used by those who wish to gloss over and minimize the historical differences between Native Hawaiians and non-Hawaiians (Rosa 101). The Massie case should not be told in reaffirming local identity at the expense of Native Hawaiians: historical narratives in Hawaiʻi have too often mobilized against the very people that they were originally meant to empower (Rosa 110). As the term “local” developed from this monumental case, the identity will continue to shift as the racial make-up, sovereignty movement, corporate interests, and military presence fluctuate throughout the course of time.

Fast forward to contemporary times and present day, the word “local” has evolved tremendously within the last thirty years, but still holds strong connections to its historical foundations and significance. Okamura describes the strengthening of the “local” identity as a response to economic and political developments such as: the large investment from Japan in the 1980s, expansion of tourism, the Hawaiian sovereignty movement, and wide social gap between Japanese Americans and other ethnic groups (Okamura 161). The greatest impact is due to the increasing marginalization of Hawaiʻi’s people to external sources of power and control over the land and cultures. (Okamura 162). Most importantly, “local” is a common identity that expresses the ongoing resistance and opposition to outside domination and intrusion that continues to plague the Islands (Okamura 174). For the most part, “locals” want to separate themselves from the influx of tourists, and the “local” Japanese want to draw a distinction from the Japanese nationalists that got heat for heavily investing and controlling the land. Nowadays, many use “local” for those who are born and raised in Hawaiʻi and share points of commonality such as: eating certain foods (plate lunches), practice of particular customs and habits (“low keyed” and considerate interactions), entertainment (ethnic jokes) and shared folklore (supernatural beliefs) (Okamura 164).

Similar to the word, “aloha,” I feel like the term and idea of the “local” is over-consumed and exploited through cultural productions and consumer goods. From reuseable bags at Foodland to clothing and apparel, the word “local” is always verbally and visually around me. Many people throw out the word without critically thinking about its history and implications, which erases the life stories and experiences of the people that actually endure through the social issues of Hawaiʻi up until today. A quote that exemplifies this is from Krystilez during his guest lecture,

“[The term “Angry locals”] is deeply-rooted pain from great-grandparents that’s constantly lingering—feelings about injustice, something that wasn’t right. A lot of the local kids have this feeling growing up. People try to move forward and progress with it, that thought will always linger. The fact that you’ve been taken over and taken away.”

With all the historical and contemporary context for this relevant term, I personally believe that I do not have the place or position in Hawaiʻi’s society to define the term “local.” The idea and identity of “local” is tied inextricably to historical discrimination and marginalization and present-day struggles and experiences in Hawaiʻi, a land that is not mine or for me to judge. All I can say is that “local” embodies the intersections of race, ethnicity, gender, class, and they all impact the notion that the “political is personal, and personal is political,” which is to be determined by each individual and their real lived experiences and struggles on the Islands.

  Works Cited

1. Okamura, J. Y. (1994). “Why There Are No Asian Americans in Hawai‘i: The Continuing Significance of Local Identity,” pp. 161-178.

2. Rosa, J. (2000). “Local Story: The Massie Narrative and the Cultural Production of Local Identity in Hawai‘i,”pp. 93-115.