Your Les Mis gift is in my queue for 10 am PST today. I tagged you in it instead of putting it in the Les Mis gift exchange blog queue. Merry Christmas!!
Thanks so much!! Canât wait to see it. Merry Christmas to you too. đ
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My Submission for the @lesmiserablessecretsanta exchange. Â For @actualplanetpluto, who requested something wintry. Â Canon-era. Â In the middle of orchestrating the Gorbeau Affair with the rest of Patron-Minette, Montparnasse crosses paths with one familiar figure, and one stranger. Â
Parisian January was lupine. The gray days crept into dark nights, the sky curving around the city like a quaking, hungry ribcage. Â The celebrations were over; there was nothing to look forward to between meals other than the eventual thaw â not that the spring would provide it, the gales of winter promised only redoublement. Â The wind whistled sideways through bent houses, cutting corners where it could in creaky garrets and cracked, warped windowsills. Even nature was brutal in its efficiency, as if, like everyone else, it had to be to survive. Paris, like the provinces, was full of hungry wolves. Â
Only the ones in Paris walked on two legs.
      One such pup strutted through the slush on the streets, nimbly pressing through the worst of it despite the gracelessness of the fact that the shoes were for a man, and they had one flapping sole.  It had come loose that morning.  The pup muttered to himself, a sort of theatrical aside between his chipped teeth.
      âBah! Why! Iâve found my paw in a trap, me! Well! Kick it off and loose the foot? Well!â  And so on, whistled between the gaps in his teeth like the wind whistled, tuneless. He appeared sickly, with yellowish cheeks and perpetually chapped lips, but his eyes were bright with life and not with fever.
      âHello,â called another wolf to the pup.  A forlorn howl.
      âWhy!â barked the younger one (not that the lanky-legged, second wolf was much out of metaphorical puppyhood himself).  âHullo, is that you, then, Montparnasse?â
      The hailed Montparnasse â waiting with irritated patience in the narrow overhang of a pĂątisserie â sniffed morosely. âGavroche.â
      âIs it your nose again?  Have you rouged it, or is it of your own making?â
      The raw-nosed dandy sniffed again, with a savage, warning note to the wet resonance.
      âStuff it with something besides your own snot next time, if youâre trying for a nobler line,â chuckled the pup, with a good-natured jeering. âIt slopes too much as is; means youâre a thug no better than anyone.  Buy yourself a set of quills.  Or ask a friend with a solid arm and a steady aim to set it for you.â
      Montparnasse snuffed.  âIâm waiting for someone.â
      Gavroche flung the woolen shawl over his shoulders with a low whistle.  âA lady?â
Sniff.
âA man!â Gavroche gallantly adjusted the ends of his ladyâs shawl over his sharp shoulders.  âWell! Would it be that yellow-haired lass on the corner?  The one who forgot her skirts at home, and is instead wearing gentlemanâs pants?  ⊠Have you anything for me?â he asked, a seeming afterthought.
âBiscuit,â said Montparnasse, and then added with sick rudeness, âFor you.â
âAh!â sighed the child melodramatically, âIf only that were the case. Â There are biscuits and there are biscuits, and my bellyâs never full.â
âIt may be shortly,â came the muttered reply, sunk to nearly a conspiratorâs hiss, âIf this job goes down right.â
âAnd whatâs the job, then?â
âThings.â
âAh!â Vibrating with shivers despite the moth-eaten shawl, Gavroche tisked. âSure, sure - or you could go straight to La Force. Â One never knows how biscuits bake this time of year.â
      âOne never knows,â returned Montparnasse slyly. âWith the exception of this one.  It canât go wrong.â
      âWell, if something turns up, send to my address. Iâve yet to hire a porter, so query Mâsier Gavroche without spending a calling card.â  He again flung and re-arranged the ends of the shawl, fussing with them until he had replicated the elaborate knot at Montparnasseâs own smooth throat.  âIt may be tricky, though; Iâm inquiring about a better situation.â
      Montparnasse half-curled him a smile and touched at his hat â turned to the side, as was the fashion.  Gavroche repeated the gesture.  He wore no hat, and no pomade, so the elegance was lost, but not the spirit of the gesture.  With that, the pup trotted off.
      Montparnasse turned his attention to the personage Gavroche had indicated on the corner, and instantly felt both a surge of judgmental satisfaction and bewilderment.  The man â despite the long hair, the figure cut was slight but definitely masculine â had made no efforts to adhere to any seeming sort of protocol when it came to his dress, which appeared to be coupled of items that should have never been paired together in the same century, let alone violently come together on the same thin body at the same time.  He had been stamping his feet on the corner with two companions, keeping himself warm by moving his arms â oddly graceful, as if he were conducting instead of fending off cold.  He had parted ways from the other two, and was rapidly walking down the street toward Montparnasse, a vivacious sort of spring to his walk, as if he was unafraid of the winter. Â
      The man raised his head acknowledged the loitering Montparnasse with a dip of his chin.
      âHello, Monsieur.  What a day!â
      Montparnasse acknowledged the gesture.  âMuch too short,â he answered.
      The man stopped, and tilted his head with birdlike inquiry at the undisguised rancor in Montparnasseâs tone.  âMonsieur is very busy then?â
âIâm a man of Business,â said Montparnasse, capitalizing it.
âAh, and since, like flowers, most business needs daylight to grow, you find the snow unsatisfactory.â
Montparnasse did not correct the stranger on the nature of his work. Â âIf the business is good, I will become a man of leisure.â He cast an eye over the clothes of the stranger again, from shoes to the hair. Â âYou appear to be a man of great leisure,â he declared. Â It wasnât so much the freakishly out-of-style cut of the clothing that had brought Montparnasse to this conclusion as the material â some of it at the throat was a near-oriental, hand-painted silk. Heâd always had a good eye for quality beyond his means. Â Â
      âOn the contrary,â replied the soft-spoken stranger with a gravity divorced from his delicate tone, âI am a student, and to be a student is to eternally be a man of business.â
      The manâs accent struck him; distinctly southern. Montparnasse snorted wetly at it.  âWhat sort of business?â he inquired.
      âMankind,â said the student.  The tone was more open and airy than when Montparnasse had answered âthingsâ to Gavroche with equal brevity.  It invited further conversation, whereas Montparnasse had not. Â
      âI could have sworn you were going to say books instead of men,â retorted Montparnasse, without keeping a smug sort of pleasure in his voice for his slight attempt at verbal dexterity[i].
      âOne eye on the page, the other on God,â returned the student with an enthusiasm that rang with mirth; âA moon can orbit both earth and the sun.â Â
      Montparnasse had the vague discomfort of realizing that he was intrigued, and that if he didnât abruptly quit the company of the stranger he would end up engrossed in a conversation.  Still, he had told Babet the place, and Babet had yet to show. Surely he could keep one eye on the student, and one out for Babet.  The latter was hardly God.
      âSo youâve resigned your whole life to the business of Mankind, then?â
      The student smiled â a sudden burst of sunlight, it seemed, in the gray, waning afternoon.  âWhy, of course.  But natural law says nothing about business being uncomfortable.  The sublime work is an ecstasy; an easy yoke.â
      To his surprise, the man laughed, seemingly un-stung, and in concurrence.  âWhat indeed? I go to the theatre to study the audience, not the actors, and end up learning of the play; one must never forsake mythology for the same reason â the small gods teach about large men.â
      âIâm afraid thatâs too intellectual for my taste,â replied Montparnasse.  âI have to keep both feet on the cobbles if Iâm to live properly.â  He found, to his grudging annoyance, though he didnât know why he was annoyed at himself, that he was being very careful to sort through his sentences before he said them to avoid argot. Â
      âBut what is the intellectual but a study of the profound and simple?â asked the stranger, coming up on his toes with a sudden burst of intensity.  âTo write poetry, to play the flute, to weep over a child, to pity women, to come side by side with men; to look up and reconcile oneself to acknowledging another man as equal? What better way to study mankind than to walk side-by-side with fellow men?â
      Montparnasse suddenly noticed a man waiting on the opposite, snow-slushed corner who had the distinct air of a man not wanting to be kept waiting on the corner.  Ah. Babet had arrived. Well, he thought with wry amusement, he had an equal to acknowledge, and for the most elegantly simple of reasons â to get a job done. Surely his new companion couldnât help but approve. Â
      âUnfortunate, but you must excuse me,â he said, and found himself genuinely reluctant. Â
      âGood heaven â I have kept you, havenât I, and with your illness, and this weather besides.â  The student tucked some blondish hair â long, out of style, and whipping into his eyes â behind one of his small but prominent ears.  âPlease, forgive me.  Sometimes Iâm so warmed by my heart that I forget the feeling in my fingers entirely.  Go about your business.â
      âAnd you to yours,â said Montparnasse, and then, with grudging respect, âMonsieur?â
      âJean Prouvaire but Jehan, please, and dispense with Monsieur.â  He laughed gaily.  âEnjoyable tonight, my business.  Speaking of the theatre, Iâm attending.â
      âMyself as well,â said Montparnasse with a sniff. âItâs going to be quite a performance.â
      The student seized Montparnasse by the hand â despite the soiled handkerchief clenched between two languid, gloved fingers. âFind us, if you can â my friends and I. We could continue to discuss our affairs over something much more warming than this air.â
      âI will,â said Montparnasse, and was surprised that he almost meant it.  Another day, he would have.
The two inclined their heads to each other, and went their separate ways.
      Montparnasse was left with the business of thinking as he walked across the street to his business meeting with the bare-headed, pale-eyed Babet, nearing opaque in the gathering promise of fog.  Patron-Minette was involved in the Grand-pĂšre job; success was assured, Montparnasse would take his cut, and at the same time, could circumvent direct involvement in case something did go sideways.  Eponine didnât like the cheap seats; she always complained of the press of the crowd and the smell.  Very well, he could afford better than the floor, courtesy of their new bourgeois.
      The student â Jehan â had been right.  What rule was there against a little pleasure in business? Montparnasse sniffed heartily, redoubled his grip on his cane, and set off at a leisure pace for his rendezvous, and then after that, Gorbeau 50-52.  He had plenty of time to arrive before the curtain went up.
Hi, I'm your secret santa for the Les Mis gift exchange. Is there anything specific that you want from me, or have you changed your mind about anything? I've gotten started on something but I'm a terrible artist so maybe you could give a few ideas? Have a great day!
Hello!! This is so exciting!Â
Obviously if you look at my blog⊠I love Javert.  A lot.  (too much, I freely admit). Anything involving Javert is something I will ruthlessly and aggressively love. Something I REALLY like is trying to address very small moments in canon⊠for example, when Valjean and Cosette are first living at Gorbeau house (and Javert becomes an Awkward Neighbor for three seconds) was there anycrossing of paths before Valjean decided to run? Who was the beggar Valjean gave alms to (and Javert dressed up as!). However, Iâm totally flexible if youâd rather an AU or go canon.
Also, I love anything that gives Cosette more time and attention as an individual character, beyond what she gets as first a symbol of childhood innocence in misery, and then as a young woman/the future. Â Anything with Valjean and Baby Cosette makes my cold Grad Student Heart grow three sizes. Â
Fantine is another favorite. Â I have nothing bad to say about Fantine, especially since sheâs got such grit.Â
((On the Javert note - I am a Sucker Capital S for anything involving Florence and the Machiene lyrics.  See âNever Let Me Goâ as well as âWhat the Water Gave Meâ Holy S**t)).
If youâre worried about your art ability, you could always write a short fiction?? As stated, I will love anything. :)Â
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch âą No registration required âą HD streaming