Thirty Seconds to Mars: AMERICA
Good morning everyone; i was nicely surprised by the response for my last review of Rammstein’s latest album. So i’m gonna go to another newer one that i never really gave a thorough listen. This is the latest album by Thirty Seconds to Mars and is their final release with their long time guitarist Tomo Milicevic. It seems he departed for personal issues as vague as that is but since they haven’t replaced him maybe there’s wiggle room for him to return down the road. From what i’ve gotten this album takes a venture into a more pop direction than the experimental rock of previous releases. I am going in blind so let’s get started and hopefully it’s an overlooked gem.
Walk on Water (Single): Okay so all the album singles are going to hit you right away. It starts with some low synths and worldly vocal segments that are meant to give the song an ambitiously motivational pop foundation. Jared is not bad vocally but keeps things very basic lyrically. Instrumentally it fits decent for a pop setting that could be danced to somewhat; though it does lack the artistic complexity of any of their previous work. So i am guessing this album is venturing for a less is more mainstream approach. The use of backing choir elements is a good touch for playing on the song’s atmospheric tendencies. The drums are okay and if they didn’t sound programmed it would bring elements of Radiohead and Fall Out Boy together in a odd but convincing combination. It is not a bad choice for opening the album up since it is a simple ease in for the listener that does contain some catchy elements to convince the listener to give them a chance. 7/10
Dangerous Night (Single): This next single begins with an emotionally compelling vocal entrance from Jared that delivers a stronger set of lyrics. They bring in some pop rock acoustics and combine it with synths to create an uplifting atmosphere. Because of that it still retains a minimalist approach that does manage to give him ample support. Though Jared’s lyrical flow is realistically the only thing that will make or break it for the listener; because the instrumentals otherwise wouldn’t have much to really bring attention to themselves. It does have a decent little synth interlude to build up a low key dance opportunity; but nothing more than that. I will give them props for keeping most of the songs in the three minute range because they would feel a lot more drawn out in the 4 to 5 minute range. 7/10
Rescue Me (Single): The final single of this album begins with more of that pop rock guitaring that is nicely melodic till the drum loops arrive. Jared is left a little alone in terms of support since the instrumentals don’t truly seem to have what it takes to lift his otherwise promising vocal delivery. So far this album is setting itself up to be best listened to in the background instead of being analyzed like their previous work had the benefit of. Other than that this one doesn’t really bring in anything to the table in terms of being memorable let alone catchy. 5/10
One Track Mind (Featuring ASAP Rocky): The synths start this off on a blissfully soothing note and the muffled voice of the guest vocalist is a refreshing change of pace. Jared’s vocals are a bit processed but he manages to finally succeed in creating a very emotionally deep effect on the listener. He is supported minimally as expected on here but to a much more meaningful effect. This would be a decent one to play while winding down for bed at night. His lyrics are delivered very carefully and deliver a stronger sense of substance to the listener even though they are highly repetitive. This might of been a better pick for a single than Rescue Me but it really depends on how they sell it. The guest vocals show up towards the end and do a pretty good job of staying true to the intended sound of the song; while also lyrically paying tribute to the band. 8/10
Monolith: This minute and a half long number starts off with some drum beats that finally appear to build some classic tension for the following track. It may of been a good opener for the album to please their older fans since it makes use of solid harmonies and classical string elements. It combines with a blast riffs they used heavily on their last album. It is too short to score on this album but it helps to lift this album up a bit finally. 0/0
Love is Madness (Featuring Halsey): This one starts from the previous track into a dark and gloomy call and response duet between Jared and the guest vocalist. They actually do a really good job of working together without appearing to force it. They both grow rather ambitious in their delivery and use a strong diversity of energy to set a sense of tense conflict between the two singers. Because of this the lyrics prove to be some of the strongest on the album and contain a very compelling dose of catchiness. This is definitely a highlight on the album and a clear example of what their pop sound should be like on this album. 9/10
Great Wide Open: This song begins with a soothing loop open that creates a very compelling sense of blissful atmosphere. Jared arrives with a slightly gospel demeanor. He finally seems to be shaping the album’s pop approach into something that is finally engaging and understandable. The lyrics are pretty compelling and benefit a bit from the drawn out delivery; even if it risks feeling sluggish when overly analyzed. This and the last track would of been smart picks for singles. This one mainly because it demonstrates the compelling strength of Jared’s vocals and could bring some similarities to sound and spirit on This Is War (Reviewed). 9/10
Hail to the Victor: This track begins with a little more spacey approach. It explores a sense of emptiness and vulnerability before shifting into some more energizing drum beats. The stronger use of synths and distortion works decently to change things up; as well as add a sense of convincing emotion to Jared’s lyrics. It helps to set up a mood of conflict and rising to overcome it. I can see a better dance reaction to it since it is better suited for a live performance or late night club scene than most of their earlier tracks were. 8.5/10
Dawn Will Rise: We begin this track off with some soft electric riffs and french female vocals to give it a nice sense of artistic class. Synths arrive to slowly seep a danceable yet peacefully relaxing presence. Jared’s vocals feel a bit processed but deliver some sufficient lyrics to focus on while the song progresses. His vocals vibration can get a hair annoying but overall he does succeed in achieving a sense of catchiness that will enable the listener to appreciate this song. 8/10
Remedy: Acoustic riffs start off with an interesting rustic approach. I think Shannon Leto is singing on this one and his more rough approach fits rather nicely with the tone of this song and offers an interesting surprise for the listener to encounter. I definitely appreciate them changing things up with this track because it adds some diversity and helps to set the album up for a gradual conclusion. I actually wouldnt mind hearing a solo album from Shannon if this is in fact him on vocals. 8.5/10
Live Like a Dream: This track begins with a nicely soothing yet modestly energetic opening. This one sounds a bit more familiar to their older work. Jared demonstrates a masterful control over his vocals and helps to keep things feeling inspirational and interesting as the song progresses. He delivers a firm sense of catchiness without trying to take away the subtle impact from his instrumental support. I definitely think a few more tracks like this on the album would of made their pop venture a bit easier to get into; though by this point they have pretty much returned to the sound of their last album instead of their intended mainstream soft pop. Kind of creates a damned if you do; damned if you don’t situation for them ha ha. 8.5/10
Rider: Here’s the finale track to the album and it begins rather softly with some audio backing before Jared arrives to deliver a wounded and compelling vocal presence. The acoustic riffs and drum loops create a rather nice ambiance that is cleverly complex and emotionally engaging. It helps to establish a very fulfilling sense of farewell to this album. 8.5/10
Overall album rating: 7.9/10
Even though this album had some lackluster bumps in the first half; the second half is very solid and will please their fan base if they give it a chance. Their attempt at more direct pop in the first half i don’t believe works really well for them; because of their emphasis on slowness and heavy complexity verses the faster and catchier elements that i believe pop requires. I wouldn’t mind it if they tried to incorporate a more successful dance element into the music but i feel that it wouldn’t be in the band’s nature otherwise they would end up sounding like a modern day Maroon 5. Still; i would still suggest giving it a listen in album sequence and see what you think. It’s going to be conflicted but that feeling alone should feel fitting coming from this band. Hopefully they learn from whatever input they got on this album and build on it for their next album; which i hope but doubt won’t take another 5 years to release.
