#lizard asks

Yes, actually! I scribbled this one after listening to the second part of Threshold! He’s also in the most recent part of my Malevolent: Blackstone series (Season 4 Part 2 of 4).

Don’t worry, there will be a lot more of him in my next (Season 4 Part 3 of 4) video >:)

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ART

THE CAST!

PRIDEE!

Random vore day drawing

Height Chart

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for some reason i keep getting errors when trying to update the links on the Chapter list, so I'm moving things not made by me and Asks here.

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FANART

Skrungly looking Ardua (by @ojayrist )

One Tart long (also by @ojayrist ! ) Jamie! (by @ojayrist )

wet cat (by @ojayrist )

Christmas Tree/Dee (by @blue-bell-icecream )

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FANWRITINGS

Because i loved Still Subject To Change by @vixen525noms

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ASKS

Donovans height

Autistic Robin

Oakleys Family tree

Flowers on Ardua

Robin and Spiders

No spiders in Kamerasca

What if Birds

Robin and a cat

wayward waters in a nutshell

Taste

Dee and hypothermia lol

Drinking water as Ardua

Jamie's Gender

What if Bugs

Possible non Canon fan arc?

Ronan Pouch?

Arthur POV on arc 1

DAILY LIZARDS

I drew him a few times in my first video for Threshold! I think he’ll be a very interesting character, especially with his unique perspective. I suspect the faith facet of his character will serve to foil Oscar in some way, even if it’s from a distance, and I can’t wait to see that!

I had a lovely little question… how do you go about stylization and such? Im someone who almost exclusively draws semi realism and struggle with any sort of stylization… so how do you do it? How do you make them so fun and funky??

Thank you so much! <3

I’m going to look deep within myself to try and answer this as concise and normal as possible without it turning into a novel:

I had a lot of trouble stylizing realistic characters because I’m not that great (and not that interested in) very realistic OR overly cartoonish styles. Being good at realism/semi-realism may give you an advantage here, because having a base close to reality and then working backwards is, in my experience, a lot easier than building a stylized character before you know what the character really looks like. I’d like to think Arthur and Kellin are some of my strongest human designs because I had a good idea of what they would look like realistically, which you can (sorta) see in the style of my first video.

Over time, I just got faster at drawing frames yet still needed everyone to have a unique face, so designs got smoother and more shapey. I felt most comfortable drawing side profiles and found it easier to make them unique than faces staring straight-on or at a 3/4 angle, so I focused on side profiles. I was able to compromise on my desire for strong shapes, my own preferred art style, and realistic-enough proportions by taking inspiration from styles human characters appeared in that I did like (WolfytheWitch was a huge inspiration), and looking at the styles I’d taken inspiration from in the past and noticing whats appealing about how they simplify things (Stan Sakai’s was a big one for my entire art style, and I’ve recently also found that I like the look of Sir Quentin Blake’s).

The cubism, honestly, was somewhat of a last resort because it simplified things down so much (without being cartoonish in a direction I didn’t connect with) that I was forced to give people unique shapes. I am also most comfortable drawing animals/D&D style fantasy characters (read: furries), so I (quite recently and mostly unconsciously) use shapes found in animals that vaguely match a character’s general vibe. Kayne looks so sharp with a big smile because I used a crow for his “vague general vibe”. However, this only really applies to Kayne (and Manny), Lillith, and Arthur so far.

To keep all of these characters consistent, they all have rules I keep in mind. Arthur will always have a hooked nose and smooth chin, John will always have a rounded forehead, Kayne will always look like a weird little bird, etc.