#leverage 2x03

Ronald: He was smart, responsible, and Armenian, like us.

Nate: Yeah, well, they call these affinity crimes, people who prey on fellow members of ethnic groups

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Hardison: Eddie's new address in Fort Walton Beach, Florida, is the original "Club Fed".

Eliot: He's got his own nine-hole golf course. Vegan menu.

Hardison: This dude can play Frisbee with the guys from Enron in the quadrangle.

Eliot: I hate those guys. 18 months in a country club, this guy.

Parker: Yeah, and then when he gets done, he gets to come home and collect his hidden cash

we love to see the ot3 angry about the same things while sitting close together

+ eliot is wearing a flannel in this one

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parker doing a happy dance in the vents when she knocks the guy out

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(Hardison unpacks computer monitors and sets up a workstation while a video feed of Parker making the bed plays on a laptop. Hardison plays audio sounds on the laptop)

Nate: Hey.

Hardison: Hey. I put speakers in Eddie's room and every 3 feet down the hallway. So if you want to hear footsteps coming toward you, you slide the cursor this way. (demonstrates) And walking away, this way. I made you a master audio file with all the stuff we recorded, plus the sound effects. You mix them any way you want. You're the dj

that’s actually really smart

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Parker: All right, well, here's the stuff from the van plus almost everything from the list. (opens a bag) And by the way, nurses haven't worn skirts with white stockings since the '70s. Sorry.

(hardison and eliot share a look)

dumb idiot boys that think it’d be funny to see their future gf in an old nurse uniform

- - - - -

Hardison: If you don't give me that shirt--

Eliot: Listen to me, son, you need those fingers to type on your little keyboard, don't you?

Hardison: So you know, a bully is just a cowboy with low self-esteem.

Eliot: What was that, now?

Hardison: I said what?

Eliot: My insecure ass is gonna be wearing this shirt

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Parker: You're not claustrophobic, are you, Mr. Maranjian? (pushes him down the hall, leaning down to whisper in his ear) Because you've got nothing to be afraid of.

I LOVE IT WHEN SHE FUCKS WITH PEOPLE

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(Eliot stops to look at the boy, who looks up at him with tears in his eyes)

Hardison: So, say I mention "The Search for Spock", what do you do?

Eliot: I don't have a TV.

Hardison: Everybody has TVs. Dead people have TVs. Damn it.

(Hardison walks away, but Eliot remains, looking at the boy and his father)

- - - - -

Nate: See, y-you tell someone they have a bunch of symptoms and the information gets processed in the executive center of the brain, right? It's job is to question assumptions, start an argument. But if you suggest symptoms, you can bypass all that.

Parker: Like subliminal advertising?

Nate: It's actually neurolinguistic programming, you know, the gateway to the amygdala, which is the fear center of the brain. You asked what we're selling. That's-- that's what we're selling.

Parker: So we're selling...

Nate: Fear.

Parker: Oh. Fear.

Nate: Yeah.

Parker: Cool.

Nate: Yeah

- - - - -

Parker (looking at monitor): Wait, his nose. Is that...

Nate: real blood?

Eddie: I'm-- I'm bleeding! I'm bleeding!

Nate: Yes. Yes, it is.

Eddie: Hello?! Can anyone hear me?! Please!

Parker: Did you just give a guy a nosebleed with the power of your mind?

Nate: Amygdala mania. Hmm. Almond tonsils.

Parker: Is it just me, or has Nate gotten a little sadistic since he quit drinking?

Sophie: Is it just me, or does that make him even more attractive

- - - - -

Hardison: Eliot, can you talk? What's Charlie doing?

[Hallway]

Eliot: I haven't gotten there yet. (looks into room with Trent and his son)

Hardison: No wonder I couldn't hear you on my coms. Eliot, stop checking out the nurses and get your ass down to Charlie!

Eliot: I'm on my way, all right? Shut up.

(Eliot takes out his earbud and walks into the exam room to Trent)

Eliot: Excuse me, sir. Can I talk to you for a second, please

eliot cares SO MUCH

- - - - -

(Eliot grabs Trent’s arm and bends him over the railing)

Eliot: That bruise on his cheek's a week old. The one on his neck is three days. He get that falling, too?

Trent: You don't believe me? Ask him.

Eliot: Why, huh? So I can hear how well his daddy taught him to lie?

Trent: If you're gonna arrest me, go ahead. I'll be out in five minutes.

Eliot: I ain't gonna arrest you.

(Eliot nearly throws Trent over the railing letting him dangle for a moment before throwing him back against the wall. He opens Trent’s wallet and looks at his license)

Eliot: Randall Trent, 73 Austin Street. (puts wallet in his pocket) I got my eye on you now.

Trent: How many guys don't even see their kids? I bet this place is full of deadbeat dads. But a man who provides for his family, who shows his son a firm hand, he's the bad guy? Go back to your speed traps.

(Trent leaves the stairwell. Eliot looks pissed)

eliot is SO ANGRY I love my kind-hearted man

also high key I really thinks this gives an insight as to what his childhood was like

like,,, he saw the signs RIGHT AWAY. he was primed to notice them. he saw right through any act that man would have pulled because he saw what was truly going on, and things like that hit harder and closer when they’ve happened to you or someone in your life

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Sophie: You know, I once had to play six parts in "Nicholas Nickleby" and Mrs. Squeers and Phib had a bloody song together.

- - - - -

on today’s edition of non-weapons-that-eliot-uses-as-weapons, we have eliot using the morgue body cabinet doors and a gross morgue body part (?) bowl

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(Eliot puts Charlie on top of one of the bodies in the drawers and closes him inside before putting his earbud back in)

Hardison: You think you can just ignore me, like I don't have any feelings, like I never sat there, never listened to you talk all night about tryin--

Eliot: Hardison, have you been talking the whole time?

Hardison: I wouldn't have had to if you didn't turn off your daggum com

hardison worries about eliot and gets angry when he takes his coms out because he cares

- - - - -

Hardison: Oh, man. Come on.

(Hardison moves to tug Eliot before he heads off. Eliot looks from the boy to the police coming into the hospital before entering the boy’s room and pulling the curtain)

Eliot: Hey. How's the arm, my man?

Randy: It's okay.

Eliot: Yeah? My name's Eliot. What's your name?

(police officers continue to move through the hallways)

Randy: Randy.

Eliot: Randy. Oh, I like that name. (sits on bed) I got an uncle named Randy. There sure are a lot of cops around here, huh? You know, if you wanted, you could go up to one and tell them what happened to your arm. Hey, Randy. You don't have to be afraid anymore.

Randy: Dad knows these cops, you know? They come to my house. They'll drink beer. I mean… I can't

this is so, so sad but also hardison’s casual touching and intimacy with eliot gives me life

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this is the one episode parker is tased and not the one doing the tasing

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okay but wHO ACTUALLY, IN REAL LIFE, LEAVES THEIR KEYS IN THEIR UNLOCKED CAR

- - - - -

PARKER USED ELIOTS PUNCHING TACTICS (from the last episode) TO KNOCK THEIR MARK OUT

- - - - -

(Eddie uses the stunner to knock Parker out. As soon as he moves away, she gets up, lifting her shirt to show a vest)

hmmm I wonder what type of vest she used to block the electric shock ???

- - - - -

(team walks out of the courthouse and heads down the stairs)

Nate: So, here's everything you need to know about criminal law. Every crime has two elements, Actus reus, the act itself, and mens rea, Literally "The Guilty Mind."

Hardison: Wait. Now you're a doctor and a lawyer?

Nate: Yes. Now, for escape, the prisoner has to both break out of custody and show the intent to escape.

Sophie: Wait, so if, let's say, a prisoner was taken hostage during a jailbreak then he wouldn't be guilty of escape.

Nate: That's a perfect example.

Hardison: Kiss ass.

Nate: Which brings us back to our friend Eddie and how the brain reacts to fear. In the heat of the moment Eddie didn't ask himself a simple question, who would doubt his guilty mind?

- - - - -

Bob: Damn right it is. You and your partner, you're all right. I don't know how to thank you, though.

(Eliot looks at Bob for a long moment, then pulls Trent’s license from his pocket and hands it to Bob)

Eliot: Do one thing for me.

Bob: You got it.

[Exterior Apartment]

(Bob knocks on the door and Randy opens it)

Bob: Randy? I'm Deputy United States Marshal Robert Corville. I'm from Boston. I think you and I need to talk.

Trent: Who are you talking to out there? (pulls door open wider and sees Bob)

Bob: Come on.

(Randy looks at Trent then follows Bob out of the apartment)

Bob: It's all right, son. Come on. You're gonna be okay, Randy.

(Bob gives Trent one last look before moving away. From down the street, Eliot watches as Bob and Randy get into a car and drive away)