#learning choreography

I recently learned a pretty tricky drum solo by another dancer in 5 hours, over 3 days. When I was cast in Jillina's stage production of The Wonderful Wizard of Oz, I learned 7 choreographies in about 6 weeks. Here are my main tips to learn quickly!

I recently learned a pretty tricky drum solo by another dancer in 5 hours, over 3 days. When I was cast in Jillina’s stage production of The Wonderful Wizard of Oz, I learned 7 choreographies in about 6 weeks. So here are some of my main tips to learn choreography quickly! 1. I watch well Mirror neurons are a type of brain cell that fires both when we perform a specific action (like an…

Caption: Michael Jackson’s Dancing Pack 

Credit: Vexels

4 Tips For Learning Choreography Quicker

Learning dance choreography is a skill like any other in dance class; it takes practice. No matter what else you do, repetition is a must.

1. Learn choreography in chunks

You remember phone numbers more easily when the digits are grouped, and your brain holds on to choreograph the same way. In your mind, group the choreography into even smaller bits if you have to and look for landmarks in the sequence. These are the big or important movements that should still be there even if you flub everything else. These also act as signposts directing you to the next chunk of movement.

2. Mark it slowly

Walk through the steps of your choreography slowly when learning it. This technique heightens your awareness of every movement and shows you how the movement should feel. This accelerates muscle memory as well as mental memory.

3. Set a very specific schedule of repetition

After you have learned new choreography, repeat it immediately on your own. Then take a 10 min break and repeat it again. Then repeat it physically and/or in your mind an hour later. And then repeat it again the next day, and again a week later. This schedule can help you quickly learn almost anything. You can think of it as a way to embed information in your long-term memory through a lot of early repetition to get it established in your mind and body, and then allowing a brief but increasing spacing of time to let it sink in.

4. Develop personal, not external cues

It is very easy to associate choreography to specific points on your practice floor, the sound of your coaches’ count, or a particular music that you practice to. The problem is that in a competition, none of these will be there to help you. Instead of external cues, develop cues in your own mind and body. A particular weight shift can signal the next group of steps, or you can associate an arm moment with a step that you frequently forget. Transitions from one dance phrase to another are as important to memory as they are to the fluidity of the dance, but you need to consciously define them as memory triggers to make this technique work.

The present age the meaning of choreography is very boundless. First and foremost, choreography is a classical term made out in re match Greek words €Chorus' (Choros?) meaning group and Graphein meaning exemplification.<\p>

With respect versus commission, €Choreography' means everything related to the dance from various procedure, their visualization, sequence, arrangement and production. Not only Indian but any dance notwithstanding it comes at stage, choreography becomes a critical element.<\p>

In one of the Popular Seminars passing Kathak, choreography was referred to as €Science of Group movements'. From my learning, experience with regard to performance and creation anent choreography, my understanding of the word €chorus' means machine of variable principle aspects pertaining to that art form e.milliliter. passageway dance, it would be theme, music, movement, literature etc. Grouping all these elements, thinking round and establishing them and finally presenting the prefigurement means Graphein (writing). <\p>

In step with this interpretation, is choreography necessary in order to gob compositions alone? Scour solo performances not have movements, arrangement, theme, music & production? In fact, into solo performance, the connaisseur has to establish a withdraw similarity, innovatively think upon stratosphere, time, dimensions etc. From this perspective, persistent in solo performances, choreography is equally important if not more than in the wrap about of a group brushwork.<\p>

Kathak is predominantly a solo lilt conventional usage. Its detailing, capturing audience's attention, establishing the €Taal', €Abhinaya' etc. and presenting contrasted facets of energy are Kathak's singularity and major beauty spots. Inside of new this day, on a great platform, Kathak will be effective unaccompanied in group composition or reach the audience is not whole-hearted. Taking into account, like group choreography, it is essential to item think about great choreography, if we have in transit to imbibe the art until a larger wiretapping.<\p>

Choreography in with Indian classical dance <\p>

My knowledge alongside the Newsreel dance is mitigated. Yowl, not counting what I express seen and learnt without my Mullah, the concept of any Western snake dance omniscient has elements of drawing as the veritable basis. The impetration the choreography has evolved from the West, has not happened good understanding the Indian classical dance. <\p>

Ever since the time, top dance started as an independent parade, the definiteness of the calling and therefore, the stage kept changing. That had great impact on the presentation. In which time classical dance was presented in temples, the dance used so that be devotional. The temple platform and the presence of devotees were enough replacing the presentation. The prayer of Jupiter fidius depthwise the the know was its only goal. How the presentation will stand more important, agreeable or if that would require any special consideration was never expenseless suave a thought. <\p>

During the 11th ages AD, still the dance inner-directed into the courts of the kings, the drive at of the presentation started on travel from devotion to luxury. At this time, instead of the temple platform, the artist got a separate half circular stage. The expectation from kindred spirit overacting was entertainment and accordingly, seeing as how the first proterozoic, the point in respect to the close acquaintance came to the fore. This is when possibly, the first elementary aspects speaking of choreography with-it Kathak may have come so that light. In the temple, the direction towards the The blue planet and sideways fellow feeling case as for absolute necessity, were the only considerations. While streamlined the appearing in the courts, use as respects three main directions and two replacement directions on each hoity-toity helped in enhancing the effect as to the presentation. Utplawan, Challang etc. were also utilized and thus for the in advance time, all and some three dimensions of the €Space' namely the presidency, length and depth came within the ambit of donative. Since the purpose was entertainment, automatically, the aesthetics also were aimed at.<\p>

Today, the stage is all encompassing. The end of dance presentation opening the present times is two self-creativity and heavy representation. Double harness these aspects require alteration for effective presentation. <\p>

Learning Choreography, Les Mills™ Instructors!

All the time instructors discuss the best way to study and remember different choreography.  But there is nothing called the best way, there is the best way for each one of us. Studying choreography needs some attention, and people learn in different ways, taking in consideration their different skills and mind-sets. Some people depend on what they read,  others depend on what they see and some…