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Echoes of Identity Across the Work of Two Asian-American Artists — Hyperallergic
Read more at Hyperallergic
— by Emily Sun: Artists Tommy Kha and Meena Hasan map not only the ethnic dimensions of their background but also the public and private ones…
Image: installation view of Meena Hasan and Tommy Kha, Other Echoes Inhabit The Garden at LAUNCH F18, New York, courtesy of the artists and LAUNCH F18
June 19, 2019
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Austin Eddy, “Two Friends Walk Into A Bar” (NEW YORK)
Launch F18 (94 Allen St, New York)
October 16-November 22, 2015
opens Feb 27, 6-8p: “Slow Your Instruments”  Clayton Colvin  Launch F18 Gallery, 373 Broadway, NYC Colvin’s complex yet intimate new works on linen that combine charcoal, graphite, pigment and acrylic in a painterly field of incredible richness and depth. These new works continue Colvin’s exploration of what critic Cinque Hicks recently described in Art in America as his “naked search for new answers to old questions.” Having the capacity to represent the onslaught of technology against the resistance of history is an element of the approach to Colvin’s studio practice. Works such as the eponymous slow your instruments contrasts the suggestion of the ubiquitous pixel, with its square shape, against the deep, blue depths of the picture’s plane.
Past Present Future Featuring Joy Drury Cox
Joy Drury Cox is an artist living and working in North Carolina. Her work deals with the aesthetics of standardized objects and experiences in everyday life and has been shown in various galleries and contexts from New York to Miami to Paris. In 2012, Conveyor Arts published her artist book, Old Man and Sea, which is currently included in the show 1XX at Launch F18 gallery in New York.
www.joydrurycox.com
www.joydrurycox.tumblr.com
www.conveyoreditions.com
opens June 1, 6-8p: “1XX”  curated by Sam Trioli Launch F18 Gallery, 373 Broadway, NYC (6th Floor) In the May 2011 issue of Frieze magazine, Ronald Jones wrote an article titled Whatever Works, a discussion on design methods and the integration of systems thinking in the 1950s. In the article Ronald quotes Jack Burnham from a 1968 issue of Art Forum, in which he writes: "In the past our technologically conceived artifacts structured living patterns. We are now in transition from an object-oriented to a systems-oriented culture. Here change emanates, not from things, but from the way things are done." 1XX discusses this very concept within the parameters of the artist book and the forum in which this medium has been used on the contemporary art stage. Collectively, the work within the exhibition addresses the diversity of design and social structure that has reshaped the cultural standard of the medium, allowing for it to become more than only a product of simply purpose.
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Just Opened: "Horror Girls"  Nelson Loskamp Launch F18 Gallery, 373 Broadway, NYC (bt White & Franklin Streets) Horror Girls comes from an interpretation of still shots from an assortment of 1960’s horror films. Loving the style in these B films, Nelson considers the 60’s hair and make-up in their depicted period settings and recreates them in haunting paintings that are both beautiful and macabre. - thru July 28
This isn't my favorite piece in Wild Things (through December 4), the new show at Launch F18, but it was definitely the most popular during the opening. It's "Drill Baby" (2010) by Jason Clay Lewis—or, as I described it, punk Ron Mueck.
