Jan 8, 2025
Jacques-Henri Lartigue Maurice Lartigue, Swimming Pool at Château de Rouzat 1911
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Jacques-Henri Lartigue Maurice Lartigue, Swimming Pool at Château de Rouzat 1911
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Vanités
Photographies de mode des XIXe et XXe siècle
coll.Photo Copies
Textes Philippe Dayan, Robert Delpire, Diana Edkins, Mariella Righini et Jean Sagne
CNP, Paris 1993, 148 pages, 28x26cm, photos en n.b et en couleurs, ISBN 2-86 754-085-2
euro 50,00
email if you want to buy [email protected]
Publié à l’occasion de l’exposition du 21 octobre 1993 au 7 février 1994 à l’Hôtel Salomon de Rotschild à Paris.
Cet album présente le travail de grands photographes qui ont ont retranscrit les grandes tendances vestimentaires de leur époque à travers leurs photographies : Félix et Paul Nadar, Reutlinger, Edward Steichen, Adolf Gayne de Meyer, George Hoyningen-Huene, Erwin Blumenfeld, Irving Penn, Paolo Roversi, Javier Valhonrat, Nick Knight, Lillian Bassman, Helmut Newton, Sarah Moon, Seeberger Frères, Jacques-Henri Lartigue, Toni Frissell, Louise Dahl-Wolfe, Norman Parkinson, Frank Horvat, Guy Bourdin, Peter Lindbergh, Deborah Turbeville, Koto Bolofo et William Klein ; textes de Philippe Dayan, Robert Delpire, Diana Edkins, Mariella Righini et Jean Sagne, notices de Martine d’Astier, Gabriel Bauret, Christian Caujolle, Robert Delpire, Diana Edkins, Michel Frizot, Philippe Garner et Martin Harrison.
26/10/24
Jacques Henri Lartigue, Renee Perle. 1930.
Jacques Henri Lartigue, Chou Valton at the Garoupe beach, Cap d'Antibes, France, August 1932.
Jacques-Henri Lartigue lived most of his life in relative obscurity. His photographs weren’t recognized as art until a 1963 exhibition at the Museum of Modern Art in New York. He was 69 years old, a respected painter, and had still never worked a day in his life.
Cousin Bichonnade (1905) - Henri Lartigue
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"Bibi" autochrome by Jacques Henri Lartigue, 1920.
Grand Prix of the Automobile Club of France, photo by Jacques Henri Lartigue, 1913. Museum of Modern Art, New York.
A remarkable image taken by Lartigue as a teenager, capturing the sense of speed by distortion, in what became one of the oldest conventions of photography for demonstrating extreme motion of a vehicle.
Presented his first camera aged 7, he had no preconceived ideas of how it should be used, and thus created a rich and unique chronicle of images from his time.