(The following article appeared on artforum.com in October 2014.)

Korakrit Arunanondchai CARLOS/ISHIKAWA 88 Mile End Road, Unit 4 September 18, 2014–November 1, 2014

A group of mannequins face the gallery’s entrance in Korakrit Arunanondchai’s debut UK exhibition and collaboration with his twin brother, Korapat, “2557 (Painting with history in a room filled with men with funny names 2).” The models are dressed in a combination of denim and sportswear, including Manchester United FC uniforms, as well as traditional Thai morhoms, and a sweatsuit the artist produced with Disown. The whole scene is covered in paint. In fact, the entire exhibition has been doused in various hues—from the canvasses on the walls to the cushions on the floor—and in the center of this display is a massage chair, which has been upholstered in bleached denim, while miniature arms protrude from the seat.

Also in the mix is a video that shares the title of the show. Here, we see the artist and his brother visiting Thailand’s ornate Wat Rong Khun on a pilgrimage. The brothers examine the building’s surreal sculptural elements: armed demons and hands that swell from the earth in a vision of hell. The temple’s white-and-gold color scheme provides the palette for the exhibition’s canvasses, and the mannequins on view are based on different characters in the film played by the artist and his brother.