i've been writing a few short ficlets relating to the possession au - scar, cub and a bunch of other hermits hunting ghost and getting possessed. horror themes but lighthearted! this one is about Scar and Cub getting into ghost hunting business. the next parts centering on Cleo here and Ren here â
Introducing: Scar & Cub Apparition Removal Agency
ââSCARAâ?â Cubâs tone is completely neutral, but the corner of his mouth twitches. Heâs not convinced.
âYeah! Pretty clever, right?â Scar grins at him. âWe could make a logo with a scary monster eating the ghosts.â
âI see your name is in there,â Cub says, âwhile mine is not.â
âItâs in there! Youâre the C, Cub! Itâs only a coincidence that it spells out my name.â Scar stretches his arms. The chair creaks. âA happy accident, thoughâa lucky one, even, some would say, since I will be the head of the operation!â
âI see.â Cub lets the bottle swing slowly back and forth, holding the neck between his thumb and middle finger. Then he takes a sip. He doesnât particularly like beer, but itâs a rare occasion Scar buys him a drinkâeven if itâs in the shabbiest bar of the blockâso he does his best to enjoy it. âMmh. And what did you say my role in all of this was going to be?â
âNow, Iâm glad you asked, Cub! Iâm so very glad you asked me that question.â Scar is drinking water. Heâs broke again. âI thought of this plan, and then I immediately thought of you! And do you know why, Cubby? Let me explain what weâre going to do, but first, you need to cast your mind back, all the way back toâhigh school. Do you remember that night we played with the ouija board in the cellar?â
Cub considers. âI think so.â He takes another, deeper sip. âYeah, I remember.â
Somebody stumbles past their table, leans briefly on the back of Cubâs chair for balance. The place is filling up. The cover of chatter and loud music gives them some privacy, but Scar edges closer nonetheless. âYou had me with that,â he whispers, theatrical, holding up a finger. âYou had me for years. No, donât give me that look, it was a good performance, Cub! I never knew you could act like that. I thoughtâI really thought you were possessed by the Janitor Jack. The thing you did with your eyes was so creepy, and then you changed your voice and made theâI still have nightmares about the growl. I have nightmares, Cub! Just thinking about it now gives me the heebie-jeebies.â He laughs. âIt really was something.â
âYeah.â Cubâs expression doesnât change at all, but he squeezes the bottle with both hands. âIt was something.â
âSo hereâs what I thought: Iâll get the clients. Iâll speak to them, persuade them⊠We go to where they say the ghost is, and you get possessed by it. Just like you were possessed by Janitor Jack!â Scarâs grin widens. âAnd then we just figure out what we want the ghost to say. I canâI can film it, if the client is not with us, andâlook here, Cub. Look what Iâve got!â
Scar lifts up the tattered gym bag heâs been dragging along. He opens the zipper and presents the items to Cub one after another: A couple of white candles, a box of chalk, a crucifix (âThis one cost me nothing, got it from the lady across the street!â he says, beaming. âShe likes me!â) and even a pack of salt with a discount sticker slapped on the top. He has also bought a new flashlight that against the odds looks relatively sturdy. He asks if Cub can lend him batteries.
âCorrect me if Iâm wrong,â Cub says, âbut these look like the tools for the worldâs cheapest and the most low effort exorcism. Think you have what it takes to kick out a ghost, Scar?â
âOf course! How hard could it be?â Scar makes a mock-ghostly sound and waves the crucifix in front of Cubâs face. âBegone, evil spirit! Soâwhat do you say? Is appâapparelâap-a-ahâ help me out here, Cub!â
âApparition.â
âThank you! Is Apparition Removal Agency a go? Will you be my partner?â He drops the cross on the table and holds out a hand.
Cub thinks about it.
Him and Scar are old friends. Cub has been here beforeâbeing asked to take part in a questionable enterpriseâand it has happened enough times that he can say with confidence: A good nine out of ten of Scarâs schemes are bound to fail.
Nine out of ten. As a business idea, this is ridiculous. Potentially dangerous too.
And it doesnât matter. The grand success may ever be just around the next corner, but anything Scar has pulled him into he has never regretted, because the failures, as trivial or tragic as they may be, never fail to entertain.Â
âSure thing,â he says. He shakes Scarâs hand. âYou can count me in.â
â
The room has a musty smell. Time has given the once-white crocheted bedspread a dirty yellow tint. The curtains are drawn but thin enough to let through light. Thereâs still a glass on the nightstand, and a picture of some young people, likely relatives, maybe children. The atmosphere in the place is, granted, a little gloomy, considering somebody died here a few days prior, but all in all thereâs nothing making the room seem particularly haunted.
Surely ghost hunters would be able to sense if there is a phantasmal presence nearby, even if itâs their first job.
Even if the pay is barely enough to cover their lunches and the gas for Cubâs car. Theyâll get experience! And the word of the mouth will have the more lucrative work rolling in in no time! Â
âLetâs sit on the bed for this!â Scar is balancing his phone on the corner of the table, to capture the encounter with the ghost. âWe will call for her, like, âMary, Mary! Show yourself, Mary! Tell us what keeps you on this earthly plane!â Weâll light the candles, and thenââ
He turns around and cuts his sentence short. Cub has slumped on the bed, and his head hangs down. Dark hair over his eyes and heâs making a low, breathy noiseâa snore?
âCub!â Scar is at once amused and affronted. âYou canât sleep on a mission!â
Cubâs shoulders jerk. Slowly, he raises his head.
His mouth hangs slack. His eyes are cloudy, hazy, white.
Scar draws in a sharp breath. âWhâCub! I didnât know you already startedâI mean, is thisâis this Mary? Is Mary here?â
Cubâs voice is a mumble. He sways from side to side. âWho are you?â
Okay. Okay! Cub is veering from the script, but thatâs alright! Scar is a quick thinker. Good at improvisation. âWe are from SCARA,â he says. Cubâs demeanor is unsettling, but Scar canât get distracted by his acting chops. He sits down on the side of the bed. âIâm Scar, and weâre here to help you pass on, Mary. Justâtalk to us. Tell us everything.â
âEverything?â Cub wheezes. His eyes search for Scarâs face, but donât fully focus. âWhat is happening? Why am I so cold?â
It goes pretty much like they rehearsed from there. The ghost doesnât know sheâs dead. She takes it relatively well. She wants little thingsâshe asks if she won the lottery (the ticket is in the drawer. Cub must have checked it while Scar wasnât looking). She didnât. She wants to send a letter to her granddaughter, and Scar writes down what Cub tells him to. Itâs very sweet, some life advice, some family secrets.
Then, as Scar puts the paper down, he sees thereâs blood trickling down from Cubâs nose.
âCubâMary,â he says, pointing. âYouâve got a nosebleed.â
The ghost does not react.Â
âRight there!â He leans closer. âThere. Can youâright under your nose.âÂ
Cubâs mouth is hanging open again. Blood drips down his lips, his chin. His throat moves, his head jerksâand Scar yelps, startling back.
His poor heart! Scar clutches his chest, but nothing more sinister is happening than just Cub tossing his head in jerky motions from one side to the other. It looks bad but itâs just an act! Cub is trying to freak him out, but heâs not falling for it. The air in the room is thick and the weather must have changed outside, because itâs getting darker.
âOkay, I think weâre done here!â He declares, voice only slightly high pitched. He takes out the crucifix and holds it directly in front of Cubâs restless head. âYou got what you wanted, Mary! You can let go now. Goâbegone! Youâre dead and you should move on, so let go of Cub, andââ
Cub slumps again. He topples a bit to the sideâand falls to the floor.
A thud, and then everything is quiet for a long moment. And then Cub sits up, rubbing his head, and his eyes are normal, and he says, pointedly, âOuch.â
Scar dares breathe again. Heâs still gripping the crucifix ever so tightly. âWhat in the world, Cub? You didnât have to go that far! Youâll end up getting a tension neck and thatâs not a fun time, I can tell you that right now. Iâmâwait, Iâll cut the recording offâoh. Oh no, Cub, no, this is not good, I was sitting in the wrong spot! Itâs justâoh no. You can see nothing but my back most of the time, look at this!â
He shoves the phone to Cub, whoâstill on the floorâscrubs quickly through the video. He shakes his head. âCanât believe this, man.â His tone is appropriately emphatic, near wounded. âCanât believe this. It really is just your back. Geeze." A pause. "I must have knocked myself out, did you encounter the ghost all by yourself, Scar? What happened?â
He passes the phone back to Scar, touches his own lips and then looks at the blood on his fingertip, quizzical.
Scar is not quite sure how to answer that. He had been about to suggest that they do the bit again, because the recording really is that terrible and all Cubâs effort wasted, butâ âYou know,â he says, âIâm not sure. Did you really get possessed?â
Cub turns to look at him. Heâs paler than usual. After a short pause he says, âNah, man. That sounds unlikely.â
âSo you were acting?â
Cub shrugs. "I've never acted in my life, Scar." He finally takes a tissue from his pocket and wipes his face. "Never acted. But I doubt it was possession. I repel ghosts. Fun fact, ghosts don't attack people with glasses. They get spooked by their own reflection."
Scar cocks his head. "I've never heard that."
"Itâs facts. Look it up." Cub stands up. âWhatâs this?â
âWhy, itâs the letter that the ghost wanted me to write! Pack it up, Cub, pack it up! We can give it to the family as proof. Iâll tell them how we banished the ghost and theyâll have to pay us.â
"Oh baby. Easy money."
âYeah.â Scar gives one more long, thoughtful look to Cub, but he seems to be pretty much his normal self so everything is probably fine. âYeah! For a first gig, this went great.â He pockets the phone, picks up the bag and his crutches. âNot perfect, Iâm not saying we did perfect, but we learned a lot! And the next timeââ
They exit the room. The curtains move, like a hand was pushing them to the side. It has to be the draft.
âânext time, you wonât be able to scare me, mister. Iâm wise to your tricks now! But we did good. And! I already have the next customer lined up. I told you, Cub, weâll make profit. Iâve got a feeling. This is going to go so well.â











