#kiennwrites

what's stopping authors from adding hidden messages and codes into their novel?

that's right. ciphers.

we're talking ergodic literature babey. house of leaves. S. pale fire.

i like to call this device ghosts in the narrative.

and the way i write these ghosts is by sneaking acrostics into dialogue between characters. it's like... literary possession.

How do I do this?

you hide a message using an acrostic- which is basically just a null cipher. if you take the first letter of every word in a specified sequence, you get a hidden message.

Here's an example from "The Vane Sisters" by Vladimir Nabokov (1951):

I could isolate, consciously, little. Everything seemed blurred, yellow-clouded, yielding nothing tangible. Her inept acrostics, maudlin evasions, theopathies - every recollection formed ripples of mysterious meaning. Everything seemed yellowly blurred, illusive, lost.

- "The Vane Sisters" Vladimir Nabokov (1951)

which, by taking the first letter of each word, reads:

Icicles by Cynthia. Meter from me Sybil.

The prose on its own reads nicely, but is innocuous to the unknowing reader. Upon noticing the hidden message, the narrative takes a twist- the ghosts of the sisters have been speaking to the narrator this whole time!

The cipher can be worked on many levels- the first letter of each page, paragraph, sentence, word. the complexity is up to you, whether you start at the word, sentence, or line level.

for my works, i usually like to string out my acrostics at the paragraph level. For example, within each line of dialogue between characters, separated by breaks. as a rule of thumb, the less fine it is, the easier to work your hidden message in.

Give it a try!

Just imagine:

first you lay out your core plot, the de facto happenings of your story that can't be denied- concrete stuff.

out of nowhere, or maybe even gradually as a tease, your mc starts making remarks or comments that could have double meanings. like they might be talking to someone else. listening, speaking, to a ghost- A GHOST- this whole damn time.

of course, placing some clues for an acute reader might clue them in and give them extreme catharsis during the reveal, if that's what you want- or you can punch them in the face with it.

with a bit of literary grit and wordsmithing, you can add a nice layer to your narrative. might even be something you employ to change the reality of your story entirely- all in the hands of the sneaky author devil.

ergodic literature babey.

Favorite tool in my writer toolbox: Ghosts in the Narrative

make your writing ergodic with ciphers!

literally my biggest inspos.